Unmarked Collection

Virgin Isenfluh 1902 oil canvas 75 x 56 cm unmarked
The Virgin of Isenfluh from, 1902, oil on canvas, 75 x 56 cm, unmarked, Ferdinand Hodler, Bern 1853-1918 Genf

Brass porthole with original glazing
Early 20th century brass porthole with original glazing. This is almost identical to an example used on RMS Olympic and other White Star liners but is unmarked. 20 x 20 inches

Tu-22M-3 (unmarked)
Tupolev Tu-22M-3 (unmarked) (msn 12112347), at the SBAC Farnborough Air Show in September 1992. Date: 1992

Unmarked plate - FOR RIGHT AND FREEDOM
Unmarked plate. Transfer shows flags of the Allies and reads FOR RIGHT AND FREEDOM. Good condition. Commemorative Ware

Farnborough 92 - Tu-22M-3 (unmarked)
Farnborough 92 - Tupolev Tu-22M-3 (unmarked) (msn 12112347) Detail of the stbd mainplane glove and weapons pylon Date: 1992

Dassault Rafale C 01, at the SBAC Farnborough International Air Show in September 1992

Rider Battle oil oak wood 52. 5 x 67 cm unmarked
Rider Battle, oil on oak wood, 52.5 x 67 cm, unmarked, Benjamin Gerritsz. Cuyp, Dordrecht 1612-1652 Dordrecht

Three pen-and-ink sketches 1858 pen ink white
Three pen-and-ink sketches, around 1858, pen and ink on white, blue-lined stationery, drawn up on cardboard [the latter is probably no longer correct, Chappuis 1962 and 1973: rear side inaccessible]

Waiting Landauer front open house pencil pen
Waiting Landauer in front of an open house, pencil and pen in black, sheet: 12.2 x 22 cm, unmarked, Constantin Guys, Vlissingen 1802-1892 Paris

Annunciation c. 1460 / 70 mixed technique softwood
The Annunciation, c. 1460/70, mixed technique on softwood, (per panel) 47.5 x 40.8 cm, unmarked, Schwabischer Meister, 15. Jh. (?)

Coronation Thorns c. 1500 mixed technique softwood
Coronation of the Thorns, c. 1500, mixed technique on softwood, 128.2 x 58 cm, unmarked, Sigmund Holbein, Augsburg um 1470-1540 Bern

Bear attacked pack dogs 1772 oil canvas 102 x 82 cm
Bear, attacked by a pack of dogs, 1772, oil on canvas, 102 x 82 cm, unmarked, Caspar Wolf, Muri/Aargau 1735-1783 Heidelberg

Baigneur assis au bord de l eau c. 1876 oil
Baigneur assis au bord de l eau, c. 1876, oil on canvas, 29 x 21 cm, unmarked, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Paul Cezanne, Aix-en-Provence 1839-1906 Aix-en-Provence

hl. Maria Magdalena wood 41 x 26 cm unmarked
The hl. Maria Magdalena, wood, 41 x 26 cm, unmarked, Lucas Cranach d. A. Kronach 1472-1553 Weimar

Prophets David Isaiah oil canvas 104. 5 x 76 cm
The Prophets David and Isaiah, oil on canvas, 104.5 x 76 cm, unmarked. About the figures: DAVID. and ESAIAS. Bottom left: as God in the Word, the tru [e] bsal bewa [e] rt, wirtt in miner emptied

Portrait John Oecolompad oil canvas 78 x 63. 8 cm
Portrait of John Oecolompad, oil on canvas, 78 x 63.8 cm, unmarked. To the right of the face the inscription: IOHAN [N] ES OE..MP.. DOCTOR... A MCCCCLXXXII (?), A MDXXXI, Basler Meister, 16. Jh

Charondas suicide Charondas head 1521 tempera
Charondas suicide: Charondas head, 1521, tempera on lime plaster (al secco), 32.8 x 19 cm, unmarked. On the tape: MORS. F, Hans Holbein d. J. Augsburg um 1497/98-1543 London

Portrait Dante Alighieri oil canvas 74. 5 x 63 cm
Portrait of Dante Alighieri, oil on canvas, 74.5 x 63 cm, unmarked. Above: DANTHES ALDIGERIVS, Cristofano (di Papi) dell Altissimo, (Kopie nach / copy after), um 1525-1605 Florenz

Portrait Angelo Poliziano oil canvas 76 x 63 cm
Portrait of Angelo Poliziano, oil on canvas, 76 x 63 cm, unmarked. Above: ANGELVS POLITIANVS ÔÇó, Cristofano (di Papi) dell Altissimo, (Kopie nach / copy after), um 1525-1605 Florenz

Self-portrait oil canvas 77 x 61. 5 cm unmarked
Self-portrait, oil on canvas, 77 x 61.5 cm, unmarked. Labeled above: PETRVS. RVBENVS, . BELGA, . PICTOR, . CELEBERR, Peter Paul Rubens, (Kopie nach / copy after), Siegen 1577-1640 Antwerpen

Portrait Antoine Le Conte oil canvas 82 x 68 cm
Portrait of Antoine Le Conte, oil on canvas, 82 x 68 cm, unmarked. Above: ANT. [ONIUS] CONTIVS, Schweizerischer Meister, 17. Jh

Portrait Jacopo Sannazaro oil canvas 58 x 45 cm
Portrait of Jacopo Sannazaro, oil on canvas, 58 x 45 cm, unmarked. Down on the parapet: ACCIVS SYNCERVS SAN [N], NAZARIVS -, Schweizerischer Meister, 17. Jh

Portrait FranAzois Douaren oil canvas 84 x 68. 5 cm
Portrait of Francois Douaren, oil on canvas, 84 x 68.5 cm, unmarked. Above: FRAN [ZISCUS] DVARENVS, Schweizerischer Meister, 17. Jh

Portrait FranAzois Baudouin oil canvas 83. 5 x 68. 5 cm
Portrait of Francois Baudouin, oil on canvas, 83.5 x 68.5 cm, unmarked. Above: FRANC [ISCUS] BALDVINVS, Schweizerischer Meister, 17. Jh

Portrait Eguinaire FranAzois Baron de Kerlouan
Portrait of Eguinaire Francois, Baron de Kerlouan, oil on canvas, 82.2 x 68 cm, unmarked. Top left: AEGVINA BARO, Schweizerischer Meister, 17. Jh

Portrait Hockesley oil canvas 84. 5 x 70. 5 cm
Portrait of the Hockesley, oil on canvas, 84.5 x 70.5 cm, unmarked. In the book two lines in Greek: pos... and... pantos... readable, Schweizerischer Meister, 17. Jh

La cuisiniAšre au tablier bleu 1930 oil canvas
La cuisiniere au tablier bleu, around 1930, oil on canvas, 128 x 50.5 cm, unmarked, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Chaim Soutine, Smilowitschi bei Minsk 1893-1943 Paris

Battle Sea Gods c. 1510 feather dark brown Leaf
Battle of the Sea Gods, c. 1510, feather in dark brown, Leaf: 23, 22.4 x 32.2 cm, Unmarked, Urs Graf, Solothurn um 1485 - 1527/28, Andrea Mantegna, (nach / after), Isola Mantegna (ehem)

Mountain landscape ZAÔé¼senberg Schreckhorn 1829
Mountain landscape with Zasenberg and Schreckhorn, 1829, pencil, quill, watercolor and cover color on light gray primed paper, laminated, folio: 59.4 x 48.7 cm, unmarked, Samuel Birmann

Napoleon III. infantry parade feather black washed
Napoleon III. at the infantry parade, feather in black, washed, sheet: 14.4 x 20 cm, unmarked, Constantin Guys, Vlissingen 1802-1892 Paris

Four company horseback pencil pen black brown
Four company on horseback, pencil, pen in black and brown, washed in gray and wiped, sheet: 13.9 x 16.6 cm, unmarked, Constantin Guys, Vlissingen 1802-1892 Paris

casting towlings two syrinx blowing satyrs oil
The casting in towlings with two syrinx blowing satyrs, oil on canvas, 72.3 x 93.6 cm, unmarked, Peter Birmann, Basel 1758-1844 Basel

Smoke 1477 / 78 wall painting 18 x 14 cm unmarked
The Smoke, 1477/78, wall painting, 18 x 14 cm, unmarked, Basler Meister, 15. Jh

Portrait Hans Rudolf Faesch 1559 oil canvas 78. 5 x 58. 5 cm
Portrait of Hans Rudolf Faesch, after 1559, oil on canvas, 78.5 x 58.5 cm, unmarked, Hans Hug Kluber, (Alte Kopie nach / old copy after), Basel 1535/36-1578 Basel

Resting Moors Couple oil canvas 68 x 108. 5 cm
Resting Moors Couple, oil on canvas, 68 x 108.5 cm, unmarked, Frank Buchser, Feldbrunnen/Solothurn 1828-1890 Feldbrunnen/Solothurn

North American landscape pond oil canvas mounted
North American landscape near a pond, oil on canvas, mounted on cardboard, canvas: 24.5 x 48.5 cm, unmarked, Frank Buchser, Feldbrunnen/Solothurn 1828-1890 Feldbrunnen/Solothurn

Portrait Woman Oil Canvas 59 x 49. 5 cm Unmarked
Portrait of a Woman, Oil on Canvas, 59 x 49.5 cm, Unmarked, Adolf Follenweider, Basel 1823-1895 Basel

Portrait Man Oil Canvas 59. 5 x 49 cm Unmarked
Portrait of a Man, Oil on Canvas, 59.5 x 49 cm, Unmarked, Adolf Follenweider, Basel 1823-1895 Basel

Annunciation Mary Maria annunziata c. 1450 mural
Annunciation to Mary: Maria annunziata, c. 1450, mural, rendered on canvas, 105 x 174.5 cm, unmarked, Basler Meister, 15. Jh

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"Unmarked: Unveiling the Enigmatic Beauty" Step into a world where mystery and art intertwine, as we explore the captivating allure treasures. Among them, the mesmerizing Virgin Isenfluh painting from 1902 takes center stage, its oil canvas capturing a moment frozen in time. With dimensions of 75 x 56 cm, this masterpiece remains unmarked by any artist's signature, leaving us to wonder about its creator and their inspiration. As we delve further into this enigma-filled journey, our attention is drawn to a brass porthole adorned with original glazing. Its timeless elegance whispers tales of maritime adventures yet untold. What stories lie behind those glass panes? Only imagination can unlock their secrets. Moving on to aviation wonders, we encounter the Tu-22M-3 aircraft standing proudly unmarked. This powerful symbol of strength and innovation leaves us pondering its purpose and origin. Was it an anonymous hero soaring through the skies or perhaps an undisclosed military mission? Our exploration takes us back in time to World War I when plates were not only vessels for food but also bearers of history. The plate design showcasing Heads of State and flags of the Allies evokes memories long gone but forever etched in our collective consciousness. Amidst these intriguing discoveries lies another mysterious plate - "FOR RIGHT AND FREEDOM. " Its unmarked presence resonates with profound significance, reminding us that principles worth fighting for often transcend individual recognition. The Farnborough '92 exhibition introduces yet another Tu-22M-3 (unmarked), inviting speculation about its role within aerospace advancements during that era. What technological marvels did it possess? Who were the minds behind this remarkable creation? Finally, we return full circle to a plate design featuring flags of the Allies alongside "FOR RIGHT AND FREEDOM. " A poignant reminder that unity prevails over division when noble causes unite nations.