Tempera Collection

Coming from Evening Church, 1830, (1947). Creator: Samuel Palmer
Coming from Evening Church, 1830, (1947). Congregation leaving an Evensong service in Shoreham, Kent, with full moon above the church. Painting in the Tate Gallery, London

Mandala of Chakrasamvara, c1400. Creator: Unknown
Mandala of Chakrasamvara, c1400. Chakrasamvara, a semi-wrathful Buddha, is represented in dark blue at the centre, united with his female partner, the red Vajravarahi

The Road to the West (1944). Luke, John 1906-1975. Date: 1944

The Crucifixion, 1340s. Creator: Pietro Lorenzetti
The Crucifixion, 1340s

Our Lady of Vladimir. beg. 12th c. Icon moved from Constantinople to Kiev in 1136 and Vladimir in 1155. Iconographic type Eleusa or Virgin of Tenderness. Byzantine art. Tempera on wood. RUSSIA

ANGELICO, Fra (1387-1455). The Annunciation. 1430s. Renaissance art. Quattrocento. Tempera on wood. ITALY. San Giovanni Valdarno. Museum of the Basilica de Santa Maria de la Gracia. Proc: MONACO

Manuscript Leaf with the Annunciation from a Book of Hours, ca. 1485-90. Creator: Jean Bourdichon
Manuscript Leaf with the Annunciation from a Book of Hours, ca. 1485-90

The Battle of San Romano, 1432 (c1435-1440). Artist: Paolo Uccello
The Battle of San Romano, 1432 (c1435-1440). The Battle of San Romano was fought between the armies of Siena and Florence

In The Mournes (1936). Luke, John 1906-1975. Date: 1936

CANOVA, Antonio (1757-1822). The Graces and Venus dancing in front of Mars. Circa 1798. Neoclassicism. Tempera. ITALY. Possagno. Museum of Antonio Canova

BRUEGEL: TRIUMPH OF DEATH. Triumph of Death; tempera on panel, c1562, by Peter Bruegel the Elder

ANGELICO, Fra. The Annunciation Altarpiece
ANGELICO, Fra (1387-1455). The Annunciation. 1430s. Left lower detail of the predella, depicting the wedding between Virgin Mary and Saint Joseph. Renaissance art. Quattrocento. Tempera on wood

The Rehearsal (1950). Luke, John 1906-1975. Date: 1950

Manuscript Leaf with Opening of The Book of Nehemias, from a Bible, French, ca. 1280-1300. Artaxerxes kneels before the king receiving permission to make a journey

Portrait of Federico da Montefeltro, Duke of Urbino, c1465. Artist: Pietro della Francesca
Portrait of Federico da Montefeltro, Duke of Urbino, c 1465. On the front the two panels show profile portraits of Federico da Montefeltro, Duke of Urbino, and his wife, Battista Sforza

The Fox (1937). Luke, John 1906-1975. Date: 1937

MANTEGNA, Andrea (1431-1506). The Lamentation over the Dead Christ. ca. 1490. Renaissance art. Quattrocento. Tempera. ITALY. Milan. Pinacotheca of Brera

GASCO, Juan (16th century). Holy Face. c. 1513. Gothic art. Tempera on wood. SPAIN. Vic. Vic Episcopal Museum. Proc: SPAIN. Vic. Cathedral

Salcombe, Devon
Artist: Loxton Knight, Edward - Title: Salcombe, Devon - Date: N/A - Original Medium and Size: Tempera on Board 35.6 x 50.8

Saint Nicholas of Lipna, 1294. Artist: Alexa Petrov
Saint Nicholas of Lipna, 1294. Petrov, Alexa (Late 13th century). Russian icon painting. Found in the collection of the State Open-air Museum of History and Architecture Novgorodian Kremlin, Novgorod

Madonna of the Magnificat (detail), 1482. Artist: Sandro Botticelli
Madonna of the Magnificat (detail), 1482. From the collection of the Galleria degli Uffizi, Florence, Italy

Signs of Christ, 1924. Artist: Nicholas Roerich
Signs of Christ, 1924. From a private collection

Portrait of a youth in a gold wreath, Fayum mummy portrait, Romano-Egyptian, early 2nd century. Such portraits were apparently kept at home during the subjects lifetime

Misanthrope, 1568. Artist: Pieter Bruegel the Elder
Misanthrope, 1568. From the collection of the Museo e Gallerie Nazionali di Capodimonte, Naples, Italy

The Intercession of Christ and the Virgin, before 1402. Creator: Lorenzo Monaco
The Intercession of Christ and the Virgin, before 1402. Christ and the Virgin pray to God on behalf of a prominent Florentine family

Blessed Gerard of Villamagna and St Mary Magdalen with St Catherine of Alexandria
Artist: Spinello Aretino - Title: Blessed Gerard of Villamagna and St Mary Magdalen with St Catherine of Alexandria - Date: 1380-1390 - Original Medium and Size

Saint James Major, c. 1315 / 1320. Creator: Simone Martini
Saint James Major, c. 1315/1320

Madonna and Child, ca. 1290-1300. Creator: Duccio di Buoninsegna
Madonna and Child, ca. 1290-1300

The Last Supper, ca. 1325-30. Creator: Ugolino da Siena
The Last Supper, ca. 1325-30

Attributed to Fra Angelico (Italian, c. 1395-1455), The Entombment of Christ, c. 1450, tempera on panel

Dancers at Night
This tempera painting depicts a night time scene of costumed dancers performing to music from a stringed instrument and tambourine, around a grand statue of a fine garden terrace. Date: circa 1918

The Nativity, ca. 1406-10. Creator: Lorenzo Monaco
The Nativity, ca. 1406-10

The Meeting of Saint Anthony and Saint Paul, c1430-1435. Artist: Sano di Pietro
The Meeting of Saint Anthony and Saint Paul, c1430-1435. The painting is part of the Kress Collection, National Gallery of Art, Washington DC

Saint Jerome reading in a Landscape, c1480-1485. Artist: Giovanni Bellini
Saint Jerome reading in a Landscape, c1480-1485. From the collection of the National Gallery, London

Saint Martin cutting his cloak. Middle 15th century. Aragonese school. Gothic art. Tempera on wood. SPAIN. Barcelona. National Art Museum of Catalonia

Raphael (1483-1520). Madonna Conestabile. 1504. Renaissance art. Cinquecento. Tempera. RUSSIA. Saint Petersburg. State Hermitage Museum

St Louis of Toulouse and St Anthony of Padua with St Stephen
Artist: Spinello Aretino - Title: St Louis of Toulouse and St Anthony of Padua with St Stephen - Date: N/A - Original Medium and Size: Tempera on Wood 124.5 x 67.9

The Adoration of the Christ Child, c. 1490. Creator: Vincenzo Frediani
The Adoration of the Christ Child, c. 1490

The Assumption of the Virgin with Busts of the Archangel Gabriel and the Virgin of... c
The Assumption of the Virgin with Busts of the Archangel Gabriel and the Virgin of the Annunciation, c. 1400/1405

Manuscript Leaf with the Annunciation from a Book of Hours, French, ca. 1485-90

Manuscript Leaf from a Book of Hours... Illuminated Initial D and Christ Bearing the Cross
Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross, 1390-1400

Christ in Majesty with the Virgin and St. John the Evangelist... c. 1300-1330. Creator: Unknown
Christ in Majesty with the Virgin and St. John the Evangelist: Single Leaf from a Book of Rules, c. 1300-1330. In this complex image, the Virgin and St

Madonna and Child. Berlinghiero (active by 1228, d1236) Italian artist. Tempera on wood, gold ground

Manuscript Illumination with the Presentation in the Temple in an Initial S, 1450-60
Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual, 1450-60

Building Catafalque Tomb Ipuy New Kingdom Ramesside
Building, Catafalque, Tomb, Ipuy, New Kingdom, Ramesside, Dynasty 19, ca, 12791213 B.C, Original, Egypt, Upper Egypt, Thebes, Deir el-Medina, TT 217, Tempera, paper, facsimile, h, 69.5 cm, 27 3/8, w

The Story of Joseph; Biagio d Antonio, Italian (Florentine), 1446 - after 1508; about 1485; Tempera and gold leaf on panel; Unframed: 66.7 x 149.2 cm (26 1/4 x 58 3/4 in.)

BERLINGHIERI, Bonaventura (1215 - ca. 1274). Saint Francis. 1235. Saint Francis surrounded by scenes of his life. Renaissance art. Trecento. Tempera on wood. ITALY. Pescia. Church of St. Francis

Leaf Gratians Decretum Table Consanguinity 1270-1300
Leaf from Gratians Decretum: Table of Consanguinity, c. 1270-1300. Italy, probably Naples, 13th century. Ink, tempera and gold on parchment; sheet: 28.9 x 21.2 cm (11 3/8 x 8 3/8 in.)

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"Exploring the Richness of Tempera: From Evening Church to Salcombe, Devon" Discover the captivating world of tempera, a versatile and timeless medium that has been used by artists throughout history. In Samuel Palmer's "Evening Church, 1830, " we are transported to a serene scene where warm hues blend harmoniously with delicate brushstrokes. Embark on "The Road to the West" as you delve into Our Lady of Vladimir, an ancient icon dating back to the 12th century. This masterpiece was carefully moved through time, preserving its ethereal beauty for generations to come. In "The Mournes, " experience the breathtaking landscapes rendered in tempera. The meticulous strokes capture nature's grandeur while evoking a sense of tranquility and awe-inspiring beauty. Step into Fra Angelico's world with his iconic piece "The Annunciation. " With each stroke meticulously applied using tempera, this masterpiece transports us back in time and immerses us in divine serenity. Peter Bruegel the Elder's "Triumph of Death" showcases his mastery over tempera on panel. The intricate details bring this haunting composition to life, leaving viewers captivated by its macabre allure. Travel back centuries with a French manuscript leaf from ca. 1280-1300 depicting The Book of Nehemias. Each vibrant pigment tells a story as it adorns delicate parchment pages with exquisite precision. Paolo Uccello's epic battle scene in "The Battle of San Romano" mesmerizes viewers through his skillful use of tempera. Every stroke conveys movement and intensity, capturing the essence of war like never before. Antonio Canova immortalized grace and beauty in his work "The Graces and Venus. " Through masterful application paint, he brings these mythological figures to life with remarkable realism. Fra Angelico once again enchants us with his "Annunciation Altarpiece.