Tutu Collection

ballerina's back 2
Young beautiful ballerina is posing in studio. Alexander Yakovlev

Dancers, Pink and Green, ca. 1890. Creator: Edgar Degas
Dancers, Pink and Green, ca. 1890

Ballerina Margot Fonteyn
New York, New York: September 15, 1950 Ballerina Margot Fonteyn in a production of Swan Lake

Fin d arabesque Painting a essence taken from the pastel by Edgar Degas (1834-1917
JLJ4689430 Fin d arabesque Painting a essence taken from the pastel by Edgar Degas (1834-1917) 1877 Sun. 0, 67x0, 38 m Paris, musee d Orsay by Degas, Edgar (1834-1917); Musee d Orsay, Paris

Ballerina at class
Young beautiful ballet dancer is posing in studio. Alexander Yakovlev

Veronica Vail - Ballerina seen here with the children of Little Hadham. July 1952 C3355-001

The Star (L Etoile), 1878. Artist: Edgar Degas
The Star (L Etoile), 1878. Painting housed in the Musee d Orsay, Paris. From French Painting by T. W. Earp. [Avalon Press, London, 1945]

MELISSA HAYDEN (1923-2006). Canadian ballerina. Photographed by Carl Van Vechten, 1956

Olive Borden applies lipstick in the mirror
Actress Olive Borden putting the finishing touches to her face in a scene from The Monkey Talks, a film adaptation of the stage play produced in London and New York. Date: 1927

WASHINGTON D. C. 1942. A group of young dancers at the Frederick Douglass housing
WASHINGTON D.C. 1942. A group of young dancers at the Frederick Douglass housing project in the Anacostia neighborhood of Washington D.C. Photograph by Gordon Parks, July 1942

Two Dancers Resting (charcoal on paper)
LEF221020 Two Dancers Resting (charcoal on paper) by Degas, Edgar (1834-1917); 78x81 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; French, out of copyright

Dancer adjusting her shoe (ballerina). Drawing by Edgar Degas (1834-1917) New York City
XEE5033393 Dancer adjusting her shoe (ballerina). Drawing by Edgar Degas (1834-1917) New York City. Metropolitan Museum of Art

The dance class, 1873-1876 (oil on canvas)
JLJ4567981 The dance class, 1873-1876 (oil on canvas) by Degas, Edgar (1834-1917); Musee d Orsay, Paris, France; (add.info.: a dance teacher within young students); Photo ePhoto Josse; French

Anna Pavlova in The Swan, 20th century
Anna Pavlova, Russian ballerina, in The Swan, early 20th century. Pavlova (1881-1931) was the most famous classical ballerina of her era

Dancers in pink and green (Dancers, Pink and Green) (oil on canvas)
XEE5033341 Dancers in pink and green (Dancers, Pink and Green) (oil on canvas) by Degas, Edgar (1834-1917); 82x75 cm; Metropolitan Museum of Art, New York, USA; (add.info.: H.O)

Miss Libbys Fruits - Peaches
Libbys Happy Families Card Game, Miss Libbys Fruits - Peaches. circa 1950s

Mrs Laura Henderson owner of the Windmill Theatre seen here taking coffee with some of the girls during a break in rehearsals August 1943

Little Dancer, Aged 14 (polychrome bronze, muslin, satin and wood base) (b / w photo)
XIR155357 Little Dancer, Aged 14 (polychrome bronze, muslin, satin and wood base) (b/w photo) (see also 100777 and 100778) by Degas, Edgar (1834-1917); height: 97.8 cm; Musee d Orsay, Paris

a ballerina in tutu, jacket and boots climbed on the air conditioner and poses against the sky
Alexandr

Ballet, 1944 (oil on canvas)
1767564 Ballet, 1944 (oil on canvas) by Shinn, Everett (1876-1953); 53.3x78.8 cm; Private Collection; (add.info.: Ballet. Everett Shinn (1876-1953). Oil on canvas. Painted in 1944

Illustration for "Mitsou" by Colette, 1930 (woodcut)
8683012 Illustration for "Mitsou" by Colette, 1930 (woodcut) by Hermann-Paul, Rene George (1874-1940); Private Collection; (add.info)

Ballet Girls, (oil on canvas laid down on board)
823003 Ballet Girls, (oil on canvas laid down on board) by Shinn, Everett (1876-1953); 25.5x20.3 cm; Private Collection; (add.info.: Ballet Girls. Everett Shinn (1876-1953)

Dancers Backstage, 1933 (oil on canvas)
1767491 Dancers Backstage, 1933 (oil on canvas) by Shinn, Everett (1876-1953); 26x31.1 cm; Private Collection; (add.info.: Dancers Backstage. Everett Shinn (1876-1953). Oil on canvas

portrait of a ballerina in a black tutu lying on the floor leaning on her hands
Alexandr

Poster of Folies Bergere, concert hall, Parisian music hall inaugurated in 1869
YOU4419027 Poster of Folies Bergere, concert hall, Parisian music hall inaugurated in 1869, publicity for a programme of matinee reserved for families showing two dancers in tutu on stage

Art. Dance. Ballet at the theatre of La Scala, Milan. Postcard, italy, c.1920 (postcard)
3434028 Art. Dance. Ballet at the theatre of La Scala, Milan. Postcard, italy, c.1920 (postcard); (add.info.: Art. Representation au theatre de la Scala, Milan. Coll. Part. Art. Dance)

Ballet Girl on Stage, 1948 (oil on canvas)
1767379 Ballet Girl on Stage, 1948 (oil on canvas) by Shinn, Everett (1876-1953); 45.1x61 cm; Private Collection; (add.info.: Ballet Girl on Stage. Everett Shinn (1876-1953). Oil on canvas

The Ballet, 1943 (oil on canvas)
823004 The Ballet, 1943 (oil on canvas) by Shinn, Everett (1876-1953); 40.8x50.8 cm; Private Collection; (add.info.: The Ballet. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1943

France, Dancer in dress posing in studio, 1865
LUX4731713 France, Dancer in dress posing in studio, 1865; (add.info.: France, Dancer in dress posing in studio, 1865); Photo © Lux-in-Fine.

Economy. Figaro washing powder. Poster by Leo Gausson, France, c.1890 (poster)
3434478 Economy. Figaro washing powder. Poster by Leo Gausson, France, c.1890 (poster); (add.info.: Economie. Lessive Figaro. Coll. Part. Economy. Figaro washing powder)

Portrait of a Ballet Dancer, 1939 (oil on canvas)
BAL244835 Portrait of a Ballet Dancer, 1939 (oil on canvas) by Sorin, Savelij Abramovich (1878-1953); 176x141 cm; Regional Art Museum, Donetsk; (add.info.: Irina Baranova (b.1919);).

Anna Pavlova in the role of the Dying Swan, c.1905 (b/w photo)
XJF366807 Anna Pavlova in the role of the Dying Swan, c.1905 (b/w photo); Private Collection; (add.info.: Anna Pavlova (1881-1931)

Resting
Corine Ross

Milen Dobrev

Mr. Thiers embrasse un membre de la comission de permanence et lui prouve combien... 1872. Creator: Cham
Mr. Thiers embrasse un membre de la comission de permanence et lui prouve combien la mer l'a fortifie, 1872. Series: Actualites; Periodical: Le Charivari, Thursday, 26 September 1872

Swiskaya, Countess, and male dance partner, between 1917 and 1929. Creator: Arnold Genthe
Swiskaya, Countess, and male dance partner, between 1917 and 1929

Le danseur qui se pique d'avoir conservé... 19th century. Creator: Honore Daumier
Le danseur qui se pique d'avoir conserve... 19th century. [Male dancer in a tutu]. The dancer who regrets having maintained the wonderful traditions of Vestris

Caracceole, Princess, 1924 May 9. Creator: Arnold Genthe
Caracceole, Princess, 1924 May 9

Brovish, Miss, 1923 Feb. 10. Creator: Arnold Genthe
Brovish, Miss, 1923 Feb. 10

Brovish, Miss, 1923 Feb. 10. Creator: Arnold Genthe
Brovish, Miss, 1923 Feb. 10

Swiskaya, Countess, between 1917 and 1929. Creator: Arnold Genthe
Swiskaya, Countess, between 1917 and 1929

Swiskaya, Countess, and male dance partner, between 1917 and 1929. Creator: Arnold Genthe
Swiskaya, Countess, and male dance partner, between 1917 and 1929

De Carleton, Grace, Miss, 1918 Aug. Creator: Arnold Genthe
De Carleton, Grace, Miss, 1918 Aug

Brovish, Miss, 1923 Feb. 10. Creator: Arnold Genthe
Brovish, Miss, 1923 Feb. 10

AB
Eleonora Fridman

ballet
Dmitry Skvortsov

Harlequin and Colombine, around 1886. Creator: Edgar Degas
Harlequin and Colombine, around 1886

Harlequin and Colombine, around 1886. Creator: Edgar Degas
Harlequin and Colombine, around 1886

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"Tutu: A Timeless Symbol of Elegance and Grace" Ballerina's back 2, gracefully adorned with a delicate tutu, captures the essence of ethereal beauty. Inspired by the legendary Ballerina Margot Fonteyn, this iconic garment has become synonymous with ballet. Influenced by Edgar Degas' masterpiece "Dancers, Pink and Green, " ca. 1890, the tutu takes center stage as dancers twirl effortlessly across the canvas. In "Two Dancers Resting, " charcoal on paper brings out their intricate details while showcasing the enchanting allure of their tutus. "The dance class" brings together aspiring ballerinas in an oil-on-canvas spectacle from 1873-1876. Amidst rigorous training sessions, each dancer dons her own unique tutu – a symbol of dedication and passion for their craft. The elegance continues as we step into a ballerina's world at class; her graceful movements accentuated by her exquisite tutu. Just like Edgar Degas' captivating artwork "The Star (L'Etoile)" from 1878, where every brushstroke emphasizes both strength and delicacy. Beyond ballet studios lies another realm where glamour meets artistry - Olive Borden applies lipstick in front of a mirror before stepping onto the silver screen. Her shimmering gown reminiscent of a radiant tutu adds an extra touch of allure to her Hollywood persona. Amidst all these artistic expressions stands Miss Libby's Fruits - Peaches; nature's own colorful interpretation of pink and green hues found in dancers' costumes throughout history. Their vibrant shades echo the vibrancy seen in ballet performances worldwide. Even during wartime struggles in Washington D. C. , young dancers at Frederick Douglass housing find solace through movement – their resilient spirits shining brightly even amidst adversity. Tutus serve as symbols of hope and dreams that transcend any hardship they may face.