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Harlequin and Colombine, around 1886. Creator: Edgar Degas

Harlequin and Colombine, around 1886. Creator: Edgar Degas


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Harlequin and Colombine, around 1886. Creator: Edgar Degas

Harlequin and Colombine, around 1886

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Media ID 35126171

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1880s Arlecchino Art Movement Austrian Gallery Belvedere Ballet Skirt Belvedere Columbine Commedia Dellarte Degas Edgar Edgar Degas Edgar Germain Hilaire Degas Grabbing Harassment Harlequin Harrassing Harrassment Hilaire Germain Edgar De Gas Historicism Mask Masked Pantomime Pastel Pastel On Paper Post Impressionism Post Impressionist Stage Set Theatre Italien Tragedy Tragic Tutu Unrequited Love Clothing Dress Fashion Clothing Playhouse Young Man Young Men Young Woman


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> Arts > Art Movements > Impressionism

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> Arts > Artists > Edgar Degas > Pastel drawings

> Arts > Artists > Edgar Degas > Portraits of women

> Arts > Artists > Edgar Degas

> Arts > Artists > Edgar Degas

> Arts > Contemporary art > Portraits > Impressionism


EDITORS COMMENTS
Harlequin and Colombine: A Timeless Tale of Commedia dell'Arte by Edgar Degas (around 1886) Edgar Degas, a renowned French artist of the late 19th century, captured the essence of the theatrical world in his pastel drawing, "Harlequin and Colombine." Dating back to approximately 1886, this artwork is a testament to Degas' mastery of the Impressionist and Post-Impressionist movements. The dynamic duo of Harlequin and Colombine, central figures in the Commedia dell'Arte tradition, come to life in this full-length drawing. Harlequin, the mischievous and agile character, is depicted in his iconic costume - a colorful, patterned jacket, bell-bottomed breeches, and a mask adorned with bells and a long, curved hat. His arm is outstretched, as if in mid-grab, adding an element of intrigue and perhaps even a hint of harassment towards the graceful Columbine. Columbine, the damsel in distress, is dressed in a flowing ballet skirt, a common choice for the character in various theatrical productions. Her body language conveys a sense of vulnerability and apprehension, as she turns her head to look over her shoulder at Harlequin. The pastel on paper creates a soft, ethereal quality to the image, enhancing the delicate beauty of the female form. This artwork, a stunning example of Degas' artistic vision, transports us back to a time when European theatre was at the height of its popularity. The location, reminiscent of a stage set, further emphasizes the theatrical nature of the piece. The interaction between Harlequin and Colombine, frozen in time, invites us to ponder the complexities of human emotion and the enduring allure of the performing arts.

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