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Harlequin and Colombine, around 1886. Creator: Edgar Degas

Harlequin and Colombine, around 1886. Creator: Edgar Degas


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Harlequin and Colombine, around 1886. Creator: Edgar Degas

Harlequin and Colombine, around 1886

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Media ID 35126173

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1880s Arlecchino Art Movement Austrian Gallery Belvedere Ballet Skirt Belvedere Columbine Commedia Dellarte Degas Edgar Edgar Degas Edgar Germain Hilaire Degas Grabbing Harassment Harlequin Harrassing Harrassment Hilaire Germain Edgar De Gas Historicism Mask Masked Pantomime Pastel Pastel On Paper Post Impressionism Post Impressionist Stage Set Theatre Italien Tragedy Tragic Tutu Unrequited Love Clothing Dress Fashion Clothing Playhouse Young Man Young Men Young Woman


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EDITORS COMMENTS
Harlequin and Colombine: A Timeless Duo in Edgar Degas' Pastel Masterpiece, around 1886 Edgar Degas, a renowned French artist of the 19th century, captured the essence of Commedia dell'Arte's most iconic characters, Harlequin and Colombine, in this pastel on paper work, created around 1886. Degas, a pioneer of Impressionism and Post-Impressionism, masterfully depicted the duo in a full-length portrait, set against an intriguing stage backdrop. Harlequin, traditionally portrayed as a mischievous and agile character, is shown in his distinctive costume, complete with a colorful checkered pattern, bell-shaped cap, and a mask adorned with bells. He is seen grabbing Colombine's arm, an action that could be interpreted as playful teasing or even harassment, adding an element of drama to the scene. Columbine, the graceful and beautiful damsel in distress, is dressed in a flowing ballet skirt, a common attire for the character. Her expression is one of surprise or amusement, as she reacts to Harlequin's antics. The contrast between their costumes and body language adds depth to the composition, reflecting the tragic and comedic aspects of Commedia dell'Arte. This work of art, which is now part of the Austrian Gallery Belvedere's impressive collection, showcases Degas' exceptional skill in capturing the human form and the theatrical spirit of the 1880s. The piece is a testament to Degas' exploration of various art movements, including Impressionism, Post-Impressionism, and Historicism, and continues to inspire and intrigue art enthusiasts around the world.

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