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Jigsaw Puzzle : My Studio by Fortunino Matania
Jigsaw Puzzles from Mary Evans Picture Library
My Studio by Fortunino Matania
Self-portrait of the Italian artist, Fortunino Matania (1881-1963) pictured at work in his studio at 104 Priory Road, Hampstead, London. Date: c.1955
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14229364
© The Estate of Fortunino Matania / Mary Evans Picture Library
Backdrop Fortunino Hampstead Matania Modelling Priory Props Reproduction Artists
Jigsaw Puzzle (400 Pieces)
Discover the captivating world of Fortunino Matania with our exquisite jigsaw puzzles from the Media Storehouse collection. Featuring the enchanting self-portrait "My Studio," this masterpiece showcases the Italian artist at work in his Hampstead, London studio, as captured by Rights Managed from Mary Evans Prints Online. Immerse yourself in the intricate details and vibrant colors of this iconic image, perfect for puzzle enthusiasts and art lovers alike. Engage your mind and bring this stunning piece of art to life, one piece at a time.
400 piece puzzles are custom made in the UK and hand-finished on 100% recycled 1.5 mm millboard. There is a level of repetition in jigsaw shapes with each matching piece away from its pair. The completed puzzle measures 31x47cm and is delivered packaged in an attractive presentation box specially designed to fit most letter box slots
Jigsaw Puzzles are an ideal gift for any occasion
Estimated Product Size is 47.2cm x 31.5cm (18.6" x 12.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This self-portrait by Fortunino Matania, titled "My Studio," offers a rare glimpse into the world of this renowned Italian artist during his later years. Painted around 1955, the image finds Matania seated at his easel in his studio located at 104 Priory Road in the artistic enclave of Hampstead, London. The room is filled with the paraphernalia of an artist's life: brushes, palette, paint tubes, and a smock draped over a chair. The backdrop, adorned with classical motifs, reveals Matania's affinity for historical and mythological themes that characterized his oeuvre. The artist's intense gaze is focused on the canvas before him, while his hands deftly manipulate the bristles of his brush. The intricate details of the painting, from the folds of his costume to the textures of the props, attest to Matania's mastery of the medium. The presence of a mannequin dressed in a 16th-century costume in the corner of the studio suggests that the artist was engaged in the meticulous process of creating a detailed study for a future work. Matania's studio, much like his art, was a testament to his passion for history and the human form. This self-portrait not only serves as an intimate record of the artist at work but also offers a glimpse into the rich artistic legacy of Hampstead, a place that nurtured the creative spirits of countless artists throughout history.
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