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Antique Framed Print : My Studio by Fortunino Matania
Framed Photos from Mary Evans Picture Library
My Studio by Fortunino Matania
Self-portrait of the Italian artist, Fortunino Matania (1881-1963) pictured at work in his studio at 104 Priory Road, Hampstead, London. Date: c.1955
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14229364
© The Estate of Fortunino Matania / Mary Evans Picture Library
Backdrop Fortunino Hampstead Matania Modelling Priory Props Reproduction Artists
21"x16" (54x41cm) Antique Frame
Bevelled wood effect frame, card mounted, 15x10 archival quality photo print. Overall outside dimensions 21x16 inches (54x41cm). Environmentally and ozone friendly, Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 37.1cm x 23.4cm (14.6" x 9.2")
Estimated Product Size is 54cm x 41.4cm (21.3" x 16.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This self-portrait by Fortunino Matania, titled "My Studio," offers a rare glimpse into the world of this renowned Italian artist during his later years. Painted around 1955, the image finds Matania seated at his easel in his studio located at 104 Priory Road in the artistic enclave of Hampstead, London. The room is filled with the paraphernalia of an artist's life: brushes, palette, paint tubes, and a smock draped over a chair. The backdrop, adorned with classical motifs, reveals Matania's affinity for historical and mythological themes that characterized his oeuvre. The artist's intense gaze is focused on the canvas before him, while his hands deftly manipulate the bristles of his brush. The intricate details of the painting, from the folds of his costume to the textures of the props, attest to Matania's mastery of the medium. The presence of a mannequin dressed in a 16th-century costume in the corner of the studio suggests that the artist was engaged in the meticulous process of creating a detailed study for a future work. Matania's studio, much like his art, was a testament to his passion for history and the human form. This self-portrait not only serves as an intimate record of the artist at work but also offers a glimpse into the rich artistic legacy of Hampstead, a place that nurtured the creative spirits of countless artists throughout history.
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