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Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Artist: Alma-Tadema, Sir Lawrence (1836-1912)
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Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Artist: Alma-Tadema, Sir Lawrence (1836-1912)
Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Found in the collection of the University of Michigan Museum of Art
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Media ID 14857081
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Great Britain Jerusalem Pre Raphaelite Brotherhood Pre Raphaelites Roman Emperor Roman Empire Roman Politician Sir Lawrence 1836 1912 Titus Vespasian Victorian Art Allegory And Literature Neoclassicism Vespasianus
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The painting "Vespasian hearing from one of his generals of the taking of Jerusalem by Titus" by Sir Lawrence Alma-Tadema captures a significant moment in ancient Roman history. Painted in 1866, this neoclassical masterpiece depicts Emperor Vespasian receiving news from one of his trusted generals about the successful conquest of Jerusalem by his son, Titus. Alma-Tadema's attention to detail is evident as he portrays Vespasian seated on an ornate fur-covered throne, surrounded by members of his court. The artist skillfully brings to life the emotions and expressions on their faces, conveying a mix of triumph and solemnity. The scene takes us back to a pivotal event during the Roman Empire when Jerusalem fell under Roman control in 70 AD. This historical moment marked the end of a Jewish revolt against Roman rule and had far-reaching consequences for both cultures. As part of the Pre-Raphaelite Brotherhood, Alma-Tadema was known for his meticulous research and accurate representation of historical events. His use of oil on wood adds depth and richness to this genre painting that combines elements from mythology, allegory, literature, and history. Today, this remarkable artwork can be found in the collection at the University of Michigan Museum of Art. It serves as a testament to Sir Lawrence Alma-Tadema's mastery as an artist and offers viewers a glimpse into ancient Rome's political power struggles through its depiction of Vespasianus' reign as emperor.
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