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Mallory and Irvine at the Second Step, Everest, 1924 Featured Related Images Image

Mallory and Irvine at the Second Step, Everest, 1924

Illustration showing an artist's impression of George Leigh Mallory (top) and Andrew Irvine climbing up the Second Step on Everest, 1924. Mallory and Irvine, the British climbers, were last seen by N.E. Odell near the Second Step during their attempt to climb Everest on 8th June 1924. They did not return from their attempt and the question of whether they reached the summit remains

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10217913

A China Clay Pit, Leswidden, Harold Harvey (1874-1941) Featured Related Images Image

A China Clay Pit, Leswidden, Harold Harvey (1874-1941)

Oil on canvas, Newlyn School, 1920 or 1924. This painting shows the harsh, labour-intensive working conditions of a china clay pit. Leswidden China Clay Works, near St Just, was a more primitive works than the larger, more mechanised works in the St Austell area. The pit was closed before 1942. Harold Harvey was one of the few successful artists of the period who was born and raised in Cornwall. He grew up surrounded by the industry he would later paint and counted many of the working people he depicted as friends. He originally studied under Norman Garstin, but also visited Paris as a young man where he was greatly influenced by the Post-Impressionist movement. His earlier work was very much influenced by Stanhope Forbes, though it changed as he grew older, his brushwork becoming less thick and his forms more simple. Some of his later work shows a period stylisation but without the Picasso influences of his contemporaries Ernest and Dod Procter. Harvey continued to work right up to his death in 1941

© RIC

The Clay Pit, Harold Harvey (1874-1941) Featured Related Images Image

The Clay Pit, Harold Harvey (1874-1941)

Oil on canvas, Newlyn School, 1923. View of Leswidden China Clay Works near St Just. This painting shows the harsh, labour-intensive working conditions of a china clay pit. Leswidden China Clay Works, near St Just, was a more primitive works than the larger, more mechanised works in the St Austell area. The pit was closed before 1942. Harold Harvey was one of the few successful artists of the period who was born and raised in Cornwall. He grew up surrounded by the industry he would later paint and counted many of the working people he depicted as friends. He originally studied under Norman Garstin, but also visited Paris as a young man where he was greatly influenced by the Post-Impressionist movement. His earlier work was very much influenced by Stanhope Forbes, though it changed as he grew older, his brushwork becoming less thick and his forms more simple. Some of his later work shows a period stylisation but without the Picasso influences of his contemporaries Ernest and Dod Procter. Harvey continued to work right up to his death in 1941

© RIC