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Phaetona, or Modern Female Taste, 1776. Artist: Colley

Phaetona, or Modern Female Taste, 1776. Artist: Colley


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Phaetona, or Modern Female Taste, 1776. Artist: Colley

Phaetona, or Modern Female Taste, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917315

© The Print Collector / Heritage-Images

Carriage Colley Emily Morse Emily Morse Symonds Exaggerated Feather Feathers George Paston Modern Ostrich Feather Ostrich Feathers Paston Phaeton Symonds Taste Whip Horse Drawn Vehicle


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Phaetona, or Modern Female Taste - A Satirical Glimpse into 18th Century Fashion

EDITORS COMMENTS
. This print titled "Phaetona, or Modern Female Taste" offers a humorous yet thought-provoking commentary on the fashion trends of 1776. Created by Colley and illustrated by George Paston (pseudonym of Emily Morse Symonds), this piece showcases the exaggerated style choices that were prevalent during this era. In the image, we see a woman elegantly seated in a horse-drawn phaeton carriage, adorned with ostentatious accessories. Her hair is intricately styled and topped with an extravagant hat embellished with an ostrich feather. The woman's outfit is equally flamboyant, featuring layers of voluminous dress fabric and more feathers adorning her attire. The artist skillfully employs satire to highlight the absurdity of these fashionable excesses. Through their exaggerated portrayal, they invite viewers to reflect on societal norms surrounding beauty standards and personal expression. Transportation plays a significant role in this artwork as well; the horse-drawn vehicle symbolizes both luxury and status. By juxtaposing it with outlandish fashion choices, the artist challenges conventional notions of taste while subtly critiquing society's obsession with materialism. This remarkable print serves as a reminder that throughout history, fashion has always been subject to change and scrutiny. It invites us to ponder how our own contemporary styles may be viewed through future lenses - will they

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