Emily Morse Symonds Collection
Emily Morse Symonds was a fascinating figure in the 18th century, known for her eccentricity and love for the arts
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Emily Morse Symonds was a fascinating figure in the 18th century, known for her eccentricity and love for the arts. She was often seen at The Feathered Fair in a Fright, an event that showcased extravagant costumes and performances. One of her favorite artists was Mr James Gillray, who captured her essence in his portrait of her around 1800. Symonds had a particular interest in aerostation, as depicted in Thomas Rowlandson's piece titled "Aerostation out at Elbows or The Itinerant Aeronaut" from 1786. She admired the bravery and innovation behind this new form of transportation. But it wasn't just aerial adventures that captivated Symonds; she also enjoyed ballet tragique, such as the one portrayed in the artwork from 1781. Her passion for theater extended to Charles White's depiction of "The Macarony Dressing Room" in 1772, showcasing the backstage chaos before a performance. Symonds had an affinity for animals too, evident by Isaac Cruikshank's artwork titled "A Goldfinch and his Mistress" from 1796. This piece captured her tender relationship with nature and creatures big or small. Despite being enamored with art and culture, Symonds also had a mischievous side. She found humor in satirical pieces like "Judge Thumb or Sticks of Lawful Size for Family Discipline" by an unknown artist from 1782. Such caricatures brought laughter to many gatherings she attended. As an avid traveler herself, Symonds appreciated both English and French cultures as shown through Thomas Rowlandson's artworks: "English Travelling or the First Stage from Dover" (1785) and "French Travelling or the First Stage from Calais" (1792) respectively. These illustrations captured her adventurous spirit while exploring different lands.