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Night, 1833. Artist: William Radclyffe
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Night, 1833. Artist: William Radclyffe
Night, 1833. Scene from Hogarths Times of the day. View showing a street near Charing Cross, London, by moonlight. A drunken freemason (Sir Thomas De Veil, the Bow Street magistrate) is led along by the tyler of his lodge beneath inn and trade signs
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Media ID 15169132
© London Metropolitan Archives (City of London) / Heritage-Images
Charing Cross Drunk Drunkenness Freemason Freemasonry Guiding Helping Hogarth Leading Magistrate Pub Sign Public House Radclyffe Rambling Sign Tavern Thomas De Veil W Hogarth William Hogarth William Radclyffe City Of Westminster
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Night, 1833 - A Glimpse into Hogarth's London Under Moonlight
EDITORS COMMENTS
. This print, titled "Night, 1833" takes us back to the bustling streets of Charing Cross in 18th century London. Painted by William Radclyffe as part of his series inspired by William Hogarth's "Times of the Day" this scene offers a satirical glimpse into the city's nocturnal activities. Under the enchanting glow of the moon, we witness an amusing encounter between Sir Thomas De Veil, a prominent Bow Street magistrate known for his fondness for Freemasonry, and his loyal tyler. The drunken freemason is guided through a labyrinthine street adorned with inn and trade signs that symbolize various aspects of English society at that time. Radclyffe masterfully captures both humor and social commentary in this engraving. With intricate details showcasing architectural elements such as taverns and public houses lining the road, he transports us to an era where revelry was intertwined with law enforcement. As we observe Sir Thomas De Veil stumbling along with comical disarray while being assisted by his faithful companion, we are reminded of the eccentricities prevalent during those times. This artwork serves as a testament to Radclyffe's skillful execution in depicting not only physical surroundings but also capturing human behavior within historical context. Preserved within Guildhall Library and Art Gallery today, this monochrome masterpiece continues to captivate viewers with its witty satire and vivid portrayal of life after dark in 19th century London.
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