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Edward, the Black Prince, (1786). Artist: Goldar
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Edward, the Black Prince, (1786). Artist: Goldar
Edward, the Black Prince, (1786). Edward, Prince of Wales and Aquitaine and Duke of Cornwall (1330-1376) was the eldest son of King Edward III of England and the father of King Richard II. His successes as a military commander in France during the Hundred Years War gained him great popularity. From his monument in Canterbury Cathedral
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Media ID 14920025
© The Print Collector / Heritage-Images
100 Years War Black Prince Commander Edward Edward Of Edward Of Woodstock Edward The Black Prince Goldar Hundred Years War Of Woodstock Plantagenet Prince Daquitaine Prince Of Wales The Black Prince War Hero Woodstock Fourteenth Century
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EDITORS COMMENTS
This print showcases the iconic figure of Edward, the Black Prince. Created by the talented artist Goldar in 1786, this portrait immortalizes one of England's most revered historical figures from the 14th century. Edward, Prince of Wales and Aquitaine, was not only a member of royalty but also an esteemed military commander during the Hundred Years War. His remarkable achievements on French soil earned him immense popularity among his countrymen. Dressed in regal attire that reflects the fashion of his time, Edward exudes power and authority. The engraving beautifully captures Edward's noble features and warrior spirit. With a crown atop his head symbolizing his future kingship, he stands as a testament to both medieval chivalry and royal lineage. This monochrome masterpiece transports us back to an era filled with battles, conquests, and heroism. Displayed prominently on his monument at Canterbury Cathedral today, this image serves as a reminder of Edward's significant contributions to English history. As we gaze upon this print, we are transported through time to witness firsthand the bravery and valor that made him such an influential figure. Goldar's artistic skill brings out every intricate detail in this portrait – from Edward's determined expression to his finely crafted armor. It is truly a work that captures both the essence of its subject and the spirit of an era long past.
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