The Black Prince Collection

Edward refuses succour to his son at Crecy, 1346 (1864). Artist: James William Edmund Doyle
Edward refuses succour to his son at Crecy, 1864. King Edward III, (1312- 1377) standing on a hillside refusing succour to his son Edward the Black Prince, (1330-1376)) at the at the Battle of Crecy

Representation of Edward, the Black Prince, kneeling in veneration of the Holy Trinity. Edward of Woodstock, Prince of Wales (1330-1376), popularly known as the Black Prince

Pages from Little Mary's Picture-Book of English History (engraving)
8629533 Pages from Little Mary's Picture-Book of English History (engraving) by English School, (19th century); Private Collection; (add.info)

The Investiture of Edward the Black Prince as a Knight of the Garter, 1346 (colour litho)
8661462 The Investiture of Edward the Black Prince as a Knight of the Garter, 1346 (colour litho) by Cope, Charles West (1811-90) (after); Private Collection; (add.info)

The Battle of Poitiers (France) (or Battle of Maupertuis), (1356), between John II Le Bon (1319-1364)
AIS5385629 The Battle of Poitiers (France) (or Battle of Maupertuis), (1356), between John II Le Bon (1319-1364), King of France and Edward Plantagenet (Edward of Woodstock Brackembury)

At the Battle of Poictiers, John, King of France, brought prisoner by Edward the Black Prince (engraving)
8632476 At the Battle of Poictiers, John, King of France, brought prisoner by Edward the Black Prince (engraving) by English School

EDWARD OF WOODSTOCK " The Black Prince" (1330-1376). Prince of Wales
CUL4851414 EDWARD OF WOODSTOCK " The Black Prince" (1330-1376). Prince of Wales, first-born son of Edward III of England. Illustration after his tomb in the Cathedral of Canterbury

Edward of Woodstock - Edward the Black Prince (kneeling) and Joan of Kent 4
FLO4622880 Edward of Woodstock - Edward the Black Prince (kneeling) and Joan of Kent 4, Queen Philippa of Hainault with sceptre and crown 3, and King Richard II in chainmail and plate armour 4

The Battle of Poitiers (1356), the English archers under the orders of Edward Plantagenet (or Edward of Woodstock)
FLO4630248 The Battle of Poitiers (1356), the English archers under the orders of Edward Plantagenet (or Edward of Woodstock)

The English Mediaeval Court, at the Crystal Palace, Sydenham, 1854. Creator: Unknown
The English Mediaeval Court, at the Crystal Palace, Sydenham, [South London], 1854....the central monument is the splendid altar-tomb and recumbent effigies of Edward the Black Prince

Figurehead from "The Black Prince", 1935/1942. Creator: Molly Bodenstein
Figurehead from "The Black Prince", 1935/1942

The Imperial State Crown, 1953. Artist: Rundell, Bridge and Rundell
The Imperial State Crown, worn on State occasions. In front is the balas ruby given to the Black Prince in the fourteenth century, 1953

Hundred years war: King Edward III refuses to help his son Edward Plantagenet, 1864 (engraving)
ELD4872586 Hundred years war: King Edward III refuses to help his son Edward Plantagenet, 1864 (engraving) by English School

Battle of Crecy, France, Hundred Years War, 1346 (engraving)
7147363 Battle of Crecy, France, Hundred Years War, 1346 (engraving) by English School, (18th century) (after); Private Collection; (add.info.: Battle of Crecy, France, Hundred Years War, 1346)

Edward, Prince of Wales, known as the Black Prince, son of King Edward III (engraving)
7147364 Edward, Prince of Wales, known as the Black Prince, son of King Edward III (engraving) by English School, (18th century) (after); Private Collection; (add.info.: Edward)

Edward, the Black Prince conducting King John II of France through the streets of the City of London after his capture
7147362 Edward, the Black Prince conducting King John II of France through the streets of the City of London after his capture at the Battle of Poitiers, 1356 (engraving) by English School

Edward, the Black Prince, recounting the Battle of Poitiers to his wife, Joan of Kent (engraving)
7147359 Edward, the Black Prince, recounting the Battle of Poitiers to his wife, Joan of Kent (engraving) by English School, (18th century) (after); Private Collection; (add.info.: Edward)

Edward, the Black Prince, waiting on his captive, King John II of France, 1356 (engraving)
7149387 Edward, the Black Prince, waiting on his captive, King John II of France, 1356 (engraving) by English School, (19th century); Private Collection; (add.info.: Edward, the Black Prince)

Prince Edward, the Black Prince, and Don Pedro
LLM455840 Prince Edward, the Black Prince, and Don Pedro by English School, (19th century); Private Collection; (add.info.: Prince Edward, the Black Prince, and Don Pedro)

Edward, the Black Prince, serving King John at table
LLM455839 Edward, the Black Prince, serving King John at table by English School, (19th century); Private Collection; (add.info.: Edward, the Black Prince, serving King John at table)

Prince Edward, the Black Prince, being knighted by his father, King Edward III
LLM455835 Prince Edward, the Black Prince, being knighted by his father, King Edward III by English School, (19th century); Private Collection; (add.info.: Prince Edward, the Black Prince)

The Black Prince waiting on his prisoner King John
LLM454143 The Black Prince waiting on his prisoner King John by Doyle, Richard (1824-83); Private Collection; (add.info.: The Black Prince waiting on his prisoner King John)

The Black Prince after the Battle of Crecy (colour litho)
3101962 The Black Prince after the Battle of Crecy (colour litho) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: The Black Prince after the Battle of Crecy)

Then said Sir John Chandos "Sire, Ride Forward, The Day is Yours"
IL323243 Then said Sir John Chandos " Sire, Ride Forward, The Day is Yours", illustration from British Battles on Land and Sea, published by Cassell, London, c.1910 (litho) by Woodville

Edward III crossing the Somme before the Battle of Crecy
IL323237 Edward III crossing the Somme before the Battle of Crecy, illustration from British Battles on Land and Sea, published by Cassell, London, c.1910 (litho) by Woodville

The Last Stand by John II France at the Battle of Poitiers
IL323245 The Last Stand by John II France at the Battle of Poitiers, illustration form British Battles on Land and Sea, published by Cassell, London, c.1910 (litho) by Woodville

King Edward III greeting his son, the Black Prince, after the battle of Crecy
LLM455834 King Edward III greeting his son, the Black Prince, after the battle of Crecy by English School, (19th century); Private Collection; (add.info.: King Edward III greeting his son)

The Black Prince and the French King entering London
LLM454141 The Black Prince and the French King entering London by Doyle, Richard (1824-83); Private Collection; (add.info.: The Black Prince and the French King entering London)

The Feathers of the Prince of Wales (engraving)
2781035 The Feathers of the Prince of Wales (engraving) by English School, (19th century); Private Collection; (add.info.: The Feathers of the Prince of Wales)

Noble d or de Guyenne (pavillon), Edward the Black Prince
5944005 Noble d or de Guyenne (pavillon), Edward the Black Prince (1362-72) (gold) (obverse of 5944006) by French School, (14th century); Fitzwilliam Museum, University of Cambridge

The Black Prince, about 1355, from St Stephens Chapel, Westminster (engraving)
3621180 The Black Prince, about 1355, from St Stephens Chapel, Westminster (engraving) by Shaw, Henry (1800-73); Private Collection; (add.info.: The Black Prince, about 1355, from St Stephens Chapel)

Edward III greeting the Prince of Wales after the Battle of Crecy
IL323238 Edward III greeting the Prince of Wales after the Battle of Crecy, illustration from British Battles on Land and Sea, published by Cassell, London, c.1910 (litho) by Woodville

Guyennois d or of Edward The Black Prince
5944007 Guyennois d or of Edward The Black Prince, 1362-72 (gold) (obverse of 5944008) by French School, (14th century); Fitzwilliam Museum, University of Cambridge

Noble d or de Guyenne (pavillon), Edward the Black Prince
5944006 Noble d or de Guyenne (pavillon), Edward the Black Prince (1362-72) (gold) (obverse of 5944005) by French School, (14th century); Fitzwilliam Museum, University of Cambridge

King Edward III and Prince Edward (coloured engraving)
2797119 King Edward III and Prince Edward (coloured engraving) by English School, (19th century); Private Collection; (add.info.: King Edward III and Prince Edward)

The Black Prince at Crecy
LLM338143 The Black Prince at Crecy by English School, (20th century); Private Collection; (add.info.: The Black Prince at Crecy)

Portrait of Edward, Prince of Wales (engraving)
960069 Portrait of Edward, Prince of Wales (engraving) by English School, (19th century); Private Collection; (add.info.: Edward, Prince of Wales and Aquitane, Duke of Cornwall)

Tomb of the Black Prince, Canterbury Cathedral, c1870. Tomb of Edward the Black Prince, one of the greatest knights of his age in Canterbury Cathedral, a UNESCO World Heritage Site

King John at Poitiers, (1356), 1890. Creator: Unknown
King John at Poitiers, (1356), 1890. John II of France (1319-1364), surrounded and captured by the French army of Edward the Black Prince at the Battle of Poitiers in 1356 during the Hundred Years

Edward the Black Prince waiting on John King of France his Prisoner, 1773. Creator
Edward the Black Prince waiting on John King of France his Prisoner, 1773. King John II of France (1319-1364), taken prisoner after defeat at the Battle of Poitiers in 1356 was invited to supper in

The Gallery of Costume: In the Days of the Second and Third Edwards, c1934. Illustration of costume worn during the reigns of King Edward II (1307-1327) and King Edward III (1327-1377)

Prince Edward serves John of Artois at table after having defeated him at Poitiers, 1356 (1864). Edward the Black Prince (1330-1376) consoles John of Artois (1321-1387)

King Edward III refuses succour to his son at the Battle of Crecy, France, 1346 (1864). One of the defining battles of the Hundred Years War between England and France

Edward The Black Prince, c1787. From A New, Universal and Impartial History of England: From the Earliest Authentic Records, and most Genuine Historical Evidence, to the Winter of the Year 1784

Edward, the Black Prince, c1618 (1894). Artist: Renold Elstrack
Edward, the Black Prince (1330-1376), c1618 (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

The First Cannon at Crecy, 1902. Artist: Patten Wilson
The First Cannon at Crecy, 1902. A major engagement of the Hundred Years War between England and France (1337-1453). Edward III of England and his son Edward, the Black Prince

Tomb of the Black Prince, Canterbury Cathedral, 1903. Artist: Carl Norman
Tomb of the Black Prince, Canterbury Cathedral, 1903. From Social England, Volume II, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

Edward the Black Prince waiting on his Royal Prisoner John, King of France, c1787
Edward the Black Prince waiting on his Royal Prisoner John, King of France, after defeating him at the Battle of Poictiers, c1787

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"The Black Prince: A Warrior's Legacy" Step into the tumultuous era of the Hundred Years War, where Edward, Prince of Wales, known as the Black Prince, carved his name in history. In James William Edmund Doyle's poignant artwork "Edward refuses succour to his son at Crecy, " we witness a defining moment when King Edward III denies aid to his valiant son during the Battle of Crecy in 1346. As we delve deeper into this captivating narrative, Rundell, Bridge and Rundell's masterpiece "The Imperial State Crown" beckons us to explore the regal splendor that adorned this legendary figure. The crown symbolizes not only power but also responsibility borne by an exceptional leader like Edward. In another engraving depicting King Edward III refusing assistance to his son during the Hundred Years War, we are transported back to a time when loyalty was tested on blood-soaked battlefields. The Battle of Crecy comes alive through intricate details etched onto paper—a testament to both artistic skill and historical significance. Yet it is not just on battlefields that Edward left an indelible mark; he possessed a chivalrous spirit that extended beyond warfare. Engravings such as "Edward conducting King John II through London streets after capture at Poitiers" reveal a complex character who displayed honor even towards defeated foes. Amidst these triumphs and trials, love found its place within Edward's heart. As depicted in yet another engraving titled "Edward recounting the Battle of Poitiers to Joan of Kent, " we glimpse tender moments shared between husband and wife amidst tales of valorous conquests. But it is perhaps in captivity where true strength shines brightest—captured king or captive prince? In engravings like "The Black Prince waiting on his prisoner King John, " we witness respect transcending borders as two adversaries forge an unlikely bond amid their confinement. And let us not forget the camaraderie that existed between Edward and his allies.