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Greetings Card : Lions and Dead Quagga, by Thomas Baines
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Lions and Dead Quagga, by Thomas Baines
Lions and Dead Quagga, Vultures and Adjutants, Zululand, by Thomas Baines (1820-1875). (3 of 5) Date: 1874
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 11469406
© Mary Evans Picture Library
1874 Baines Dead Lion Lions Matabeleland Prey Quagga Striped Stripes Survival Vulture Vultures Wild Zebra Zululand Adjutants
Greetings Card (A5)
Introducing the captivating range of greeting cards from Media Storehouse, featuring the iconic artwork "Lions and Dead Quagga" by Thomas Baines. This exquisite piece, originally dated 1874, was sourced from Mary Evans Prints Online and is now available as a unique and thoughtful greeting card option. The captivating image of lions gathered around the carcass of a dead quagga, surrounded by vultures and adjutants, is a stunning reminder of the beauty and power of nature. Perfect for wildlife enthusiasts or those with an appreciation for historical art, these cards are sure to make any recipient feel special. Delve into the rich history and natural wonder of the past with our Media Storehouse greeting cards.
Create your own greetings card. Size when folded is A5 (14.5x21cm or 5.7x8.3 inches)
Greetings Cards suitable for Birthdays, Weddings, Anniversaries, Graduations, Thank You and much more
Estimated Image Size (if not cropped) is 21cm x 14.5cm (8.3" x 5.7")
Estimated Product Size is 21cm x 29cm (8.3" x 11.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Lions and Dead Quagga, Vultures and Adjutants
EDITORS COMMENTS
is a captivating oil painting by the renowned Victorian artist Thomas Baines, created in 1874. This masterpiece showcases the raw and untamed beauty of the African wilderness, with its rich scenery, diverse wildlife, and the harsh realities of survival in the natural world. The painting depicts a group of majestic lions, their golden manes glowing against the lush green grasslands, as they gather around the carcass of a dead Quagga, an extinct subspecies of zebra. The Quagga's distinctive stripes, a unique blend of both zebra and horse patterns, are evident in the lifeless body, a stark reminder of the circle of life in the African savannah. Surrounding the scene are vultures and adjutants, scavenging the remains of the Quagga, their sharp eyes and beaks focused on their next meal. The vultures, with their dark, feathered bodies and distinctive wing shapes, are a common sight in the African skies, playing a crucial role in the ecosystem by cleaning up the land of decaying carcasses. The adjutants, with their regal white plumage and red faces, add a striking contrast to the scene, their long, curved beaks poised to tear into the flesh. Baines, a skilled artist and explorer, captured the essence of the African wilderness in this painting, providing a glimpse into the natural world of the late 1800s. The painting is a testament to the beauty and brutality of the natural world, and a reminder of the delicate balance that exists between predator and prey, life and death. This masterpiece, with its vivid colors and intricate details, is a must-see for anyone interested in the history and wildlife of Africa during the Victorian era.
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