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Antique Framed Print : Lions and Dead Quagga, by Thomas Baines
Framed Photos from Mary Evans Picture Library
Lions and Dead Quagga, by Thomas Baines
Lions and Dead Quagga, Vultures and Adjutants, Zululand, by Thomas Baines (1820-1875). (3 of 5) Date: 1874
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Media ID 11469406
© Mary Evans Picture Library
1874 Baines Dead Lion Lions Matabeleland Prey Quagga Striped Stripes Survival Vulture Vultures Wild Zebra Zululand Adjutants
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 18.8cm (9.6" x 7.4")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Lions and Dead Quagga, Vultures and Adjutants
EDITORS COMMENTS
is a captivating oil painting by the renowned Victorian artist Thomas Baines, created in 1874. This masterpiece showcases the raw and untamed beauty of the African wilderness, with its rich scenery, diverse wildlife, and the harsh realities of survival in the natural world. The painting depicts a group of majestic lions, their golden manes glowing against the lush green grasslands, as they gather around the carcass of a dead Quagga, an extinct subspecies of zebra. The Quagga's distinctive stripes, a unique blend of both zebra and horse patterns, are evident in the lifeless body, a stark reminder of the circle of life in the African savannah. Surrounding the scene are vultures and adjutants, scavenging the remains of the Quagga, their sharp eyes and beaks focused on their next meal. The vultures, with their dark, feathered bodies and distinctive wing shapes, are a common sight in the African skies, playing a crucial role in the ecosystem by cleaning up the land of decaying carcasses. The adjutants, with their regal white plumage and red faces, add a striking contrast to the scene, their long, curved beaks poised to tear into the flesh. Baines, a skilled artist and explorer, captured the essence of the African wilderness in this painting, providing a glimpse into the natural world of the late 1800s. The painting is a testament to the beauty and brutality of the natural world, and a reminder of the delicate balance that exists between predator and prey, life and death. This masterpiece, with its vivid colors and intricate details, is a must-see for anyone interested in the history and wildlife of Africa during the Victorian era.
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