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Fine Art Print : Lions and Dead Quagga, by Thomas Baines

Lions and Dead Quagga, by Thomas Baines



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Lions and Dead Quagga, by Thomas Baines

Lions and Dead Quagga, Vultures and Adjutants, Zululand, by Thomas Baines (1820-1875). (3 of 5) Date: 1874

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 11469406

© Mary Evans Picture Library

1874 Baines Dead Lion Lions Matabeleland Prey Quagga Striped Stripes Survival Vulture Vultures Wild Zebra Zululand Adjutants


A2 (42x59cm) Fine Art Print

Experience the raw beauty and power of the African wilderness with our exquisite selection of Fine Art Prints from Media Storehouse. This captivating piece, "Lions and Dead Quagga, Vultures and Adjutants, Zululand" by Thomas Baines, transports you to the heart of the African savannah. The image, taken from Mary Evans Prints Online, showcases the majesty of lions in their natural habitat, with the contrasting scene of a dead quagga lying nearby. The vultures and adjutants circling above add an intriguing layer of depth to this iconic work. Bring the essence of the African bushveld into your home or office with this stunning Fine Art Print, available now through Media Storehouse's Rights Managed collection.

Our Fine Art Prints are printed on 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions. Hahnemühle certified studio for digital fine art printing. Printed on 308gsm Photo Rag Paper.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 54.5cm x 42cm (21.5" x 16.5")

Estimated Product Size is 59.4cm x 42cm (23.4" x 16.5")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Africa > Related Images

> Animals > Birds > Accipitriformes > Vultures > Related Images

> Animals > Mammals > African lion

> Animals > Mammals > Cats (Wild) > Lion

> Animals > Mammals > Zebra

> Arts > Artists > B > Thomas Baines

> Arts > Still life artwork > Still life art > Nature-inspired artwork

> Arts > Still life artwork > Nature-inspired art

> Arts > Still life artwork > Oil paintings

> Arts > Portraits > Still life artwork > Nature-inspired artwork

> Mary Evans Prints Online > Latest Fine Art


Lions and Dead Quagga, Vultures and Adjutants

EDITORS COMMENTS
is a captivating oil painting by the renowned Victorian artist Thomas Baines, created in 1874. This masterpiece showcases the raw and untamed beauty of the African wilderness, with its rich scenery, diverse wildlife, and the harsh realities of survival in the natural world. The painting depicts a group of majestic lions, their golden manes glowing against the lush green grasslands, as they gather around the carcass of a dead Quagga, an extinct subspecies of zebra. The Quagga's distinctive stripes, a unique blend of both zebra and horse patterns, are evident in the lifeless body, a stark reminder of the circle of life in the African savannah. Surrounding the scene are vultures and adjutants, scavenging the remains of the Quagga, their sharp eyes and beaks focused on their next meal. The vultures, with their dark, feathered bodies and distinctive wing shapes, are a common sight in the African skies, playing a crucial role in the ecosystem by cleaning up the land of decaying carcasses. The adjutants, with their regal white plumage and red faces, add a striking contrast to the scene, their long, curved beaks poised to tear into the flesh. Baines, a skilled artist and explorer, captured the essence of the African wilderness in this painting, providing a glimpse into the natural world of the late 1800s. The painting is a testament to the beauty and brutality of the natural world, and a reminder of the delicate balance that exists between predator and prey, life and death. This masterpiece, with its vivid colors and intricate details, is a must-see for anyone interested in the history and wildlife of Africa during the Victorian era.

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