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Glass Place Mat : Mitsukuni and the Skeleton Specter (image 3 of 3), mid 1840s. Creator: Utagawa Kuniyoshi
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Mitsukuni and the Skeleton Specter (image 3 of 3), mid 1840s. Creator: Utagawa Kuniyoshi
Mitsukuni and the Skeleton Specter (image 3 of 3), mid 1840s
Heritage Images features heritage image collections
Media ID 36369869
© Heritage Art/Heritage Images
Afterlife Bone Bones Colour Woodblock Print Triptych Ghost Ghosts Ichiyusai Japanese Era Kuniyoshi Kuniyoshi Utagawa Phantom Phantoms Ribcage Skeleton Spectre Spine Utagawa Kuniyoshi Ribs Vertebra Vertebrae
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 17.3cm x 25.4cm (6.8" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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Mitsukuni and the Skeleton Specter
EDITORS COMMENTS
is a captivating triptych woodblock print created by the renowned Japanese artist Utagawa Kuniyoshi in the mid-1840s. This stunning work of art, currently housed at the Los Angeles County Museum of Art (LACMA), offers a fascinating glimpse into the rich cultural heritage of Japan during the Edo period. The central image of this triptych depicts the legendary samurai lord Mitsukuni, who is said to have protected the people of Japan from evil spirits and calamities. Here, he is shown standing resolutely, clad in armor, with a determined expression on his face. He holds a sword in one hand and a fan in the other, symbolizing his readiness to defend against both physical and spiritual threats. To his left, a spectral figure looms ominously. This is the Skeleton Specter, a phantom that was believed to haunt the land and cause harm to the living. The skeleton's ribcage and spine are prominently displayed, emphasizing its otherworldly nature. Its hollow eyes and gaping mouth convey a sense of menace, adding to the overall eerie atmosphere. To the right, a group of villagers cower in fear, their faces etched with terror as they witness the confrontation between Mitsukuni and the Skeleton Specter. The use of bold colors and intricate details in this print showcases Kuniyoshi's mastery of the ukiyo-e style, which was popular during the nineteenth century in Japan. This triptych not only serves as a visual representation of Japanese folklore but also offers a glimpse into the beliefs and fears of the people during the Tokugawa period. It is a testament to the enduring power of art to capture the imagination and convey complex concepts, making it an invaluable addition to the collections of LACMA and the world of heritage art.
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