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Glass Place Mat : George Clay (engraving)
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George Clay (engraving)
3655959 George Clay (engraving) by English School, (19th century); Private Collection; (add.info.: George Clay. Illustration for The Borderers Table Book by M A Richardson (Henry C Bohn, 1846).); © Look and Learn
Media ID 23645496
© Look and Learn / Bridgeman Images
Chemistry Local Scottish English Borders
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 22.5cm x 25.4cm (8.9" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This print showcases an exquisite engraving of George Clay, a renowned Scottish English borders painter from the 19th century. The artwork is part of a private collection and was originally created as an illustration for "The Borderers Table Book" by M. A. Richardson in 1846. In this remarkable piece, we witness the fusion of art and science as Clay's expertise in both botany and chemistry shines through. The artist skillfully captures the essence of local fruits, meticulously depicting their vibrant colors and intricate details. This botanical masterpiece not only serves as a visual delight but also offers insight into the natural history of these delectable treats. George Clay's profound knowledge in various fields is evident here, making him a true polymath artist. His dedication to capturing historical elements alongside his artistic prowess elevates this engraving to another level altogether. It serves as a testament to his passion for preserving history through art. Bridgeman Images has done justice to this exceptional artwork with their high-quality print reproduction. As we admire this enchanting piece, we are transported back in time, appreciating the intersection between art and science that George Clay so brilliantly encapsulated within his work.
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