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Glass Frame : Scenes of the exploration of Patagonia
Mounted Prints from Mary Evans Picture Library
Scenes of the exploration of Patagonia
Penguins in South America 28, Patagonian giants in animal skins 29, and Patagonians delighted by the sight of a mirror on Captain Samuel Wallis ship 30. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in America, for the Amusement and Instruction of Little Tarry-at-Home Travelers, John Harris, London, 1821
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23391660
© Florilegius
Americans Amusement Beverage Buenos Cattle Cowboys Educational Exploration Gaucho Horseback Instruction Isaac Jesuits Mate Paraguay Patagonia Spaniards Tarry Taylor Tube Wild Ayres Childrens
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This trio of hand-colored copperplate engravings, taken from Reverend Isaac Taylor's Scenes in America, offers a glimpse into the intriguing world of Patagonia during the early 19th century. The first scene (No. 28) showcases a group of penguins waddling on the rocky shores of Patagonia, their black and white bodies contrasting against the azure sea and lush greenery. The exploration of Patagonia was a significant event in the history of South America, with European travelers and Jesuit missionaries documenting the unique flora and fauna of the region. The second scene (No. 29) introduces us to the Patagonian natives, depicted here wearing animal skins as they marvel at the sight of a European house. The Patagonians were a diverse people, with some tribes living as hunter-gatherers and others practicing agriculture. The arrival of Europeans brought new technologies and cultural exchanges, as evidenced by the European house in the background. The third scene (No. 30) captures the delight of Patagonian people as they gaze at their reflection in a mirror on Captain Samuel Wallis' ship. This scene underscores the sense of wonder and curiosity that characterized early encounters between Europeans and indigenous peoples. The Patagonians are shown in traditional costume, complete with feathers and animal skins, while in the background, Spaniards can be seen drinking the local beverage, mate, from silver tubes. The cowboys, or gauchos, are depicted on horseback, their wild cattle herds roaming the vast Patagonian plains. These scenes offer a fascinating window into the history and culture of Patagonia, providing amusement and instruction for little travelers and scholars alike.
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