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Glass Frame : Spur maker, 16th century (1849). Artist: Jost Amman

Spur maker, 16th century (1849). Artist: Jost Amman



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Spur maker, 16th century (1849). Artist: Jost Amman

Spur maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

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Media ID 14936866

© The Print Collector / Heritage-Images

A Rivaud Amman Customer Ferdinand Ferdinand Sere Filing Jost Jost Amman Justus Amman Lacroix Making Manufacture Manufacturing Metalworker Metalworking Paul Paul Lacroix Rivaud Sere Spur Spurs Workbench Workshop Wood Engraving


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")

Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > A > Jost Amman

> Arts > Artists > Related Images

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Historic > Renaissance art

> Renaissance art

> Renaissance art


EDITORS COMMENTS
This print captures the essence of a 16th-century spur maker, as depicted by Jost Amman in 1849. Based on an original wood engraving from the same century, this 19th-century version showcases the craftsmanship and industry prevalent during that era. The image portrays a male metalworker sitting at his workbench, fully engrossed in creating spurs – essential accessories for horse riders of the time. The workshop is filled with tools and materials necessary for metalworking, emphasizing the meticulousness required to fashion these intricate pieces. The customer's presence hints at a thriving trade environment where skilled artisans catered to specific needs. Dressed in period attire, this man exemplifies professionalism and dedication to his craft. His focused expression reveals years of experience honing his skills as he files away at the metalwork. This snapshot offers us a glimpse into an occupation that was vital not only for equestrian enthusiasts but also for maintaining functional equipment within society. The monochrome aesthetic adds depth and nostalgia to this historical scene while highlighting every detail captured by Amman's masterful engraving technique. Preserved through time, this print serves as a testament to both artistic prowess and cultural significance. As we observe this image from centuries past, it reminds us of how professions have evolved over time while honoring those who dedicated their lives to their chosen trades.

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