Jost Collection

The Druggist, using pestle and mortar to grind ingredients. By Jost Amman, 16th century (woodcut)
538125 The Druggist, using pestle and mortar to grind ingredients. By Jost Amman, 16th century (woodcut); Universal History Archive/UIG.

Flagellant: Sect, founded 1260, whipped themselves until blood ran in order to obtain God's mercy
536396 Flagellant: Sect, founded 1260, whipped themselves until blood ran in order to obtain God's mercy and to appease his wrath for the sins of mankind

The Miner: In background man is working at rockface, while another wheels trolley out of mine
531505 The Miner: In background man is working at rockface, while another wheels trolley out of mine. By Jost Amman 16th century (woodcut); Universal History Archive/UIG.

Dice Maker's Workshop. By Jost Amman, 16th century (woodcut)
529950 Dice Maker's Workshop. By Jost Amman, 16th century (woodcut); Universal History Archive/UIG.

Wire Worker. By Jost Amman, 16th century (woodcut)
529949 Wire Worker. By Jost Amman, 16th century (woodcut); Universal History Archive/UIG.

The Clasp Maker's Workshop. By Jost Amman, 16th century (woodcut)
529948 The Clasp Maker's Workshop. By Jost Amman, 16th century (woodcut); Universal History Archive/UIG.

For photomontage Futura. Gebrauchsgraphik, vol. 6, No. 3, March, 1929, 1929. Creator: Jost, Heinrich (1889-1948)
For photomontage Futura. Gebrauchsgraphik, vol. 6, No. 3, March, 1929, 1929. Private Collection

Venus and Cupid, 1906. Creator: Jost Ammon
Venus and Cupid, 1906. From " Chats on Old Prints", by Arthur Hayden. [T. Fisher Unwin, London, 1906]

The wear and tear of a knight, 1565 (1849). Artist: Jost Ammon
The wear and tear of a knight, 1565 (1849). From a fragment of an engraving on wood attributed to Jost Ammon, found in the collection of M Guenebault, Paris

The Baker. 19th century reproduction of 16th century (engraving)
3052931 The Baker. 19th century reproduction of 16th century (engraving) by Amman, Jost (1539-91) (after); Private Collection; (add.info.: engraving by Jost Amman)

The Miller. 19th century reproduction of 16th century engraving by Jost Amman
3052930 The Miller. 19th century reproduction of 16th century engraving by Jost Amman; Private Collection

DDE-90027146
UK, BVI, Jost van Dyke, White Bay. Popular moorings for bareboaters and charter sail. Date: 20/07/2006

DDE-90027145
UK, BVI, Jost van Dyke, White Bay. Popular moorings for bareboaters and charter sail. Date: 20/07/2006

Grove Hill, Camberwell
View of Dr Lettsoms house. John Coakley Lettsom (1744-1815) was an English physician and philanthropist born on Little Jost Van Dyke in the British Virgin Islands into an early Quaker settlements

Street crime, 1554 (woodcut)
XJF277664 Street crime, 1554 (woodcut) by Jode, Gerard de (1509-91); Private Collection; (add.info.: Illustration from ENCHIRIDION RERUM CRIMINALIUM or PRAXIS RERUM CRIMINALIUM by the lawyer Joost de)

Noble women of Senez, Provence, and German
Noble women of Senez, Provence, one riding sidesaddle with a page, and another walking with a boy (top) and German women of the same era from Jost Ammans playing cards

Italian fan or Ventarola of the late 16th century
Italian woven straw fan or Ventarola A, noble Venetian woman in a shell cloak B, noble Venetian C, and noble Genoan D. After paintings in a famous costume book by Jost Amman

Jobst of Moravia (1388-1411) (colour litho)
725436 Jobst of Moravia (1388-1411) (colour litho) by German School, (19th century); Private Collection; (add.info.: Jobst of Moravia (1388-1411). German king from the House of Luxembourg

The Engraver by Jost Amman. 1568

Judith, from Celebrated Women of the Old Testament, 1568-96. Creator: Jost Ammon
Judith, from Celebrated Women of the Old Testament, 1568-96

The Apotheosis of Emperor Maximilian II, 16th century. Creator: Jost Ammon
The Apotheosis of Emperor Maximilian II, 16th century

Wenzel Jamnitzer, 16th century. Creator: Jost Ammon
Wenzel Jamnitzer, 16th century

Allegory on Vanity. Creator: Unknown
Allegory on Vanity

Judith and Holofernes, from Biblia, Frankfurt, 1564. Creator: Unknown
Judith and Holofernes, from Biblia, Frankfurt, 1564. After Jost Amman

JOST AMMAN / BOOK PRINTING
Printing a book in Germany Date: 16th Century

Powder flask, c1580-1600, (1881). Creator: W Wise
Powder flask, c1580-1600, (1881). Etching of a gilt bronze powder flask in the shape of a section of antler, made in Germany, possibly Nuremberg or Augsburg, in the late 16th century

Drinker, 1581, (1943). Creator: Jost Amman
Drinker, 1581, (1943). Drawing in the Kupferstichkabinett, Staatlichen Museen, Berlin. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart

Goldsmith, reproduction of 16th century woodcut by Jost Amman, 19th century
3085219 Goldsmith, reproduction of 16th century woodcut by Jost Amman, 19th century by Amman, Jost (1539-91) (after); (add.info)

Woodcut by Jost Amman (1539-1591), (1927). Artist: Jost Amman
Woodcut by Jost Amman (1539-1591), 1927. From Old Furniture, Volume I. edited by Lieut.-Col. E. F. Strange, C.B.E. [Old Furniture Ltd. London, 1927]

Still Life, c1922, (1923). Artist: Joseph Jost
Still Life, c1922, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Hans Sachs, German meistersinger (mastersinger), poet, playwright and shoemaker, 1623. Artist: L Kilina
Hans Sachs, German meistersinger (mastersinger), poet, playwright and shoemaker, 1623. A print from Les Musiciens Celebres, Lucien Mazenod, Paris, 1948

Military trumpeter, 16th century (1849). Artist: Jost Amman
Military trumpeter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Flute and cornetto players, 16th century (1849). Artist: Jost Amman
Flute and cornetto players, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

A guitarist, a lutenist and a trombone player, 16th century (1849). Artist: Jost Amman
A guitarist, a lutenist and a trombone player, 16th century (1849). A 19th century version based on an original 16th century wood engraving

A violinist and two cellists, 16th century (1849). Artist: Jost Amman
A violinist and two cellists, 16th century (1849). A 19th century version based on an original 16th century wood engraving

A German man of letters, 16th century (1849). Artist: Jost Amman
A German man of letters, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Barber, 16th century (1849). Artist: Jost Amman
Barber, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Bookbinder, 16th century (1849). Artist: Jost Amman
Bookbinder, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Coppersmith, 16th century (1849). Artist: Jost Amman
Coppersmith, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Spur maker, 16th century (1849). Artist: Jost Amman
Spur maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Coin maker, 16th century (1849). Artist: Jost Amman
Coin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Goldbeater, 16th century (1849). Artist: Jost Amman
Goldbeater, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Miner, 16th century (1849). Artist: Jost Amman
Miner, 16th century (184). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Dentist, 16th century (1849). Artist: Jost Amman
Dentist, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Tailor, 16th century (1849). Artist: Jost Amman
Tailor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Cobbler, 16th century (184). Artist: Jost Amman
Cobbler, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Wheelwright, 16th century (1849). Artist: Jost Amman
Wheelwright, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Cooper, 16th century (1849). Artist: Jost Amman
Cooper, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

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"Jost: A Journey through Time and Artistic Mastery" Step into the world of Jost, a renowned artist whose works spanned centuries. From his exquisite reproductions to his original creations, Jost's talent knew no bounds. In "The Baker, " we are transported back to the 19th century, where Jost skillfully reproduced a 16th-century engraving. The attention to detail is evident as we witness the baker's dedication in creating mouthwatering delights that have stood the test of time. Moving forward in time, we encounter "Venus and Cupid" from 1906. Created by none other than Jost Ammon himself, this masterpiece captures the eternal beauty and love between mother and child. It serves as a testament to Jost's ability to evoke emotions through his art. "The wear and tear of a knight" takes us back even further, showcasing an illustration by Jost Ammon dating back to 1565 (1849). Here, we witness the battle scars on a valiant knight who has fought countless battles for honor and chivalry. As we delve deeper into history, we come across depictions such as "Knight of the Order of Santiago. " This illustration brings forth images of bravery and loyalty associated with knights during medieval times – another example of Jost's versatility as an artist. In contrast to these noble figures stands "The Miller, " another reproduction from the 16th century. Through this engraving by Jost Amman, we catch a glimpse into everyday life – hard work mixed with moments of respite amidst nature's beauty. Amongst these remarkable artworks lie DDE-90027146 and DDE-90027145 – mysterious codes that perhaps hold hidden stories only decipherable by those willing to explore further. Venturing beyond engravings, our journey takes us to Grove Hill in Camberwell – an enchanting place where inspiration may have struck Jost, leading to the creation of his masterpieces.