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Glass Frame : The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
Mounted Prints from Fondazione Alinari per la Fotografia
The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1780. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0018
Media ID 33187697
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Seaeighteenth Century Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "The State of the Church divided into its provinces" by G. Zuliani, taken from Tome II of the renowned "Newest Atlas" published in Venice in 1780 by Antonio Zatta. Housed in a private collection, this artwork represents the epitome of eighteenth-century Renaissance-Baroque styles and periods. Captured with precision and finesse, this engraving is a testament to the mastery of both cartography and graphics. It portrays an abstract concept and symbol through a geographical or topographical map, serving as an essential instrument and document for understanding the history and territories it depicts. Dating back to 1780, during Europe's first millennium A. D. , this remarkable piece offers insights into the modern history of nations, peoples, and territories. Its intricate details transport us to a time when maps were not only means of communication but also works of art that conveyed profound messages. The allegorical representation beautifully captures the complex relationship between church and state during the Renaissance-Baroque era. The meticulous craftsmanship brings forth a scene that evokes contemplation on power dynamics within society. As we delve into this photograph taken in 2009 by Alinari, we are reminded once again how art transcends time. The fusion between past and present allows us to appreciate historical artifacts like these engravings while contemplating their relevance today. Whether you are drawn to its historical significance or simply captivated by its aesthetic beauty, this print invites you on a journey through centuries past – offering glimpses into Europe's rich cultural heritage while celebrating human ingenuity in capturing our world through drawings and graphics.
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