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Framed Print : The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
Framed Photos from Fondazione Alinari per la Fotografia
The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
The State of the Church divided into its provinces, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1780. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0018
Media ID 33187697
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Seaeighteenth Century Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed
14"x12" (38x32cm) Modern Frame
Introducing the Media Storehouse Framed Print of "The State of the Church Divided into Its Provinces," an exquisite engraving by G. Zuliani from Tome II of the "Newest Atlas," published in Venice in 1780 by Antonio Zatta. This captivating work of art, from the esteemed Alinari archive, offers a historical glimpse into the geographical and ecclesiastical divisions of the Church in the late 18th century. Each framed print is meticulously crafted to preserve the intricate details and rich history of this remarkable piece. Add a touch of timeless elegance and historical insight to your home or office with this beautiful framed print from Media Storehouse.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.7cm x 24.4cm (7.8" x 9.6")
Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "The State of the Church divided into its provinces" by G. Zuliani, taken from Tome II of the renowned "Newest Atlas" published in Venice in 1780 by Antonio Zatta. Housed in a private collection, this artwork represents the epitome of eighteenth-century Renaissance-Baroque styles and periods. Captured with precision and finesse, this engraving is a testament to the mastery of both cartography and graphics. It portrays an abstract concept and symbol through a geographical or topographical map, serving as an essential instrument and document for understanding the history and territories it depicts. Dating back to 1780, during Europe's first millennium A. D. , this remarkable piece offers insights into the modern history of nations, peoples, and territories. Its intricate details transport us to a time when maps were not only means of communication but also works of art that conveyed profound messages. The allegorical representation beautifully captures the complex relationship between church and state during the Renaissance-Baroque era. The meticulous craftsmanship brings forth a scene that evokes contemplation on power dynamics within society. As we delve into this photograph taken in 2009 by Alinari, we are reminded once again how art transcends time. The fusion between past and present allows us to appreciate historical artifacts like these engravings while contemplating their relevance today. Whether you are drawn to its historical significance or simply captivated by its aesthetic beauty, this print invites you on a journey through centuries past – offering glimpses into Europe's rich cultural heritage while celebrating human ingenuity in capturing our world through drawings and graphics.
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