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Glass Coaster : How to escape winning, 1791. Artist: Thomas Rowlandson
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How to escape winning, 1791. Artist: Thomas Rowlandson
How to escape winning, 1791. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917343
© The Print Collector / Heritage-Images
Betting Emily Morse Emily Morse Symonds Galloping Gambler Gambling George Paston Horse Race Horse Racing Jockey Paston Race Races Racing Rowlandson Sportsman Symonds Thomas Rowlandson Winner Winning Punter
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 7.6cm x 5cm (3" x 2")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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How to Escape Winning
EDITORS COMMENTS
is a captivating print that takes us back to the vibrant world of 18th century horse racing in Britain. Created by renowned artist Thomas Rowlandson, this illustration captures the essence of the era's gambling culture and sporting enthusiasm. In this scene, we witness a thrilling race unfolding on a countryside track. A jockey clad in traditional riding attire skillfully guides his galloping horse towards victory. However, what makes this artwork truly intriguing is its ironic title - "How to Escape Winning". It seems that even in an exhilarating sport like horse racing, there are those who prefer not to win. The print depicts a group of men eagerly observing the race from various vantage points. Among them is our central character, a dapper gambler or punter who appears more interested in the thrill of betting than actually winning. His expression suggests both excitement and apprehension as he watches his chosen steed charging ahead. Rowlandson's intricate lines and shading bring life to every detail - from the muscular form of the horses to the animated gestures of spectators caught up in their own wagers. The monochrome palette adds depth and drama while emphasizing the timelessness of this centuries-old tradition. This print serves as a window into an era when horse racing was not only about competition but also about socializing and indulging one's passion for risk-taking. It reminds us that sometimes it's not just about crossing first over that finish line; it's about embracing all
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