Gothic Architecture Collection (page 8)

Jesus Chapel, Norwich Cathedral, c. 1807 (w / c and black lead on paper)
CEC128126 Jesus Chapel, Norwich Cathedral, c.1807 (w/c and black lead on paper) by Cotman, John Sell (1782-1842); 27.2x38.8 cm; The Higgins Art Gallery & Museum, Bedford

Durham Cathedral from Prebends Bridge (oil on canvas)
BWM160874 Durham Cathedral from Prebends Bridge (oil on canvas) by Robson, George Fennel (1788-1833); The Bowes Museum, Barnard Castle, County Durham, UK; eBowes Museum; English, out of copyright

Westminster Abbey, pub. 1852 (colour litho)
GHL8763 Westminster Abbey, pub. 1852 (colour litho) by Walker, Edmund (fl.1836-d.1882) (after); London Metropolitan Archives, City of London; eLondon Metropolitan Archives; English, out of copyright

West Front, York Minster, from Lendall Street, 1845 (b / w photo)
STC412024 West Front, York Minster, from Lendall Street, 1845 (b/w photo) by Talbot, William Henry Fox (1800-77); Private Collection; The Stapleton Collection; English, out of copyright

Basilica Saint-Denis, exterior view of the West facade, 1926 (b / w photo)
XIR414681 Basilica Saint-Denis, exterior view of the West facade, 1926 (b/w photo) by Giraudon, studio (1912-53); Saint-Denis, France; (add.info.: founded by Dagobert I on the burial place of St)

Burgos Cathedral, 1838 (oil on panel)
PNH468032 Burgos Cathedral, 1838 (oil on panel) by Roberts, David (1796-1864); 40.5x31.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; Scottish, out of copyright

St. Jacques, Dieppe (oil on canvas)
LEF221003 St. Jacques, Dieppe (oil on canvas) by Sickert, Walter Richard (1860-1942); Private Collection; Photo eLefevre Fine Art Ltd. London; English, out of copyright

The Cathedral of Saint Stephen in Vienna, 1821 (engraving) (b / w photo)
CHT223783 The Cathedral of Saint Stephen in Vienna, 1821 (engraving) (b/w photo) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French

Leaving Church in the Fifteenth Century, 1864 (oil on canvas)
NUL275401 Leaving Church in the Fifteenth Century, 1864 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 57.1x39.4 cm; Private Collection; English, out of copyright

Notre-Dame Cathedral, Paris, 1893 (oil on canvas)
NUL285083 Notre-Dame Cathedral, Paris, 1893 (oil on canvas) by Deakin, Edwin (1838-1923); 140x168 cm; Private Collection; American, out of copyright

The Guildhall, Interior, from London As It Is
STC214687 The Guildhall, Interior, from London As It Is, engraved and published by the artist, 1842 (colour litho) by Boys

The Coronation and the Dormition of the Virgin, from the left tympanum of the west facade
NUL262959 The Coronation and the Dormition of the Virgin, from the left tympanum of the west facade (stone) by French School, (13th century); Poitiers Cathedral, Poitiers

Bristol, 1801 (w / c on paper)
AGN260382 Bristol, 1801 (w/c on paper) by Cotman, John Sell (1782-1842); Private Collection; Photo eAgnew s, London; English, out of copyright

St. Michaels and Holy Trinity Churches, from the North East, Coventry
COV138405 St. Michaels and Holy Trinity Churches, from the North East, Coventry, 1849 (oil on canvas) by Gee, David (1793-1872); Herbert Art Gallery & Museum, Coventry

Magdalen College, Oxford, 1904 (w / c on paper)
AGN125689 Magdalen College, Oxford, 1904 (w/c on paper) by Goodwin, Albert (1845-1932); 25.4x37.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Wells Cathedral (w / c on paper)
NWP153584 Wells Cathedral (w/c on paper) by Shepherd, Thomas Hosmer (1792-1864); 29.2x44.5 cm; Newport Museum and Art Gallery, South Wales; eNewport Museum and Art Gallery; English, out of copyright

The Tombs of Richard the Second and Edward the Third, plate 34 from
STC92152 The Tombs of Richard the Second and Edward the Third, plate 34 from Westminster Abbey, engraved by J. Bluck (fl.1791-1831) pub

Entrance into Poets Corner, plate 26 from Westminster Abbey, engraved by J
STC92148 Entrance into Poets Corner, plate 26 from Westminster Abbey, engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint) by Pugin

View of the facade, 13th-14th century (photo)
XIR169133 View of the facade, 13th-14th century (photo) by French School; Cathedral of Notre Dame, Reims, France; French, out of copyright

The Church at Moret in the Rain, 1894 (oil on canvas)
BIR189830 The Church at Moret in the Rain, 1894 (oil on canvas) by Sisley, Alfred (1839-99); 73x60 cm; Birmingham Museums and Art Gallery; English, out of copyright

Double flying buttresses (stone)
MAE171270 Double flying buttresses (stone) by French School; Beauvais Cathedral, Beauvais, France; (add.info.: supports highest known vault of a Gothic building at 46metres;)

La Rue Pecquet, Dieppe, 1900 (oil on canvas)
BIR189846 La Rue Pecquet, Dieppe, 1900 (oil on canvas) by Sickert, Walter Richard (1860-1942); 54.6x45.7 cm; Birmingham Museums and Art Gallery; English, out of copyright

The Coronation of Queen Victoria, June 28th 1838 (oil on canvas)
FC68096 The Coronation of Queen Victoria, June 28th 1838 (oil on canvas) by Parris, Edmund Thomas (1793-1873); 167.6x229. cm; The FORBES Magazine Collection

Jerez de la Frontera. (engraving, ca. 1840)
5975588 Jerez de la Frontera. (engraving, ca. 1840) by French School, (19th century); Private Collection; (add.info.: Geography. Spain)

The Church of St Denis, illustration from Versailles, Paris and Saint Denis
3250839 The Church of St Denis, illustration from Versailles, Paris and Saint Denis, pub. 1805 (aquatint) by Nattes, John Claude (c.1765-1822) (after); Private Collection; (add.info)

The Interior of the Buurkerk at Utrecht, 1644 (oil on panel)
3700859 The Interior of the Buurkerk at Utrecht, 1644 (oil on panel) by Saenredam, Pieter Jansz (1597-1665); 60.1x50.1 cm; National Gallery, London

On the River Ouse (w / c on paper)
AGN355087 On the River Ouse (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Moor Street Primitive Methodist Church (oil on board)
TW426506 Moor Street Primitive Methodist Church (oil on board) by Hall, R.M. (fl. 1888); 43.7x59.9 cm; Shipley Art Gallery, Gateshead, Tyne & Wear

Basilica Saint-Denis, exterior view of the apse from North-East, 1926 (b / w photo)
XIR414682 Basilica Saint-Denis, exterior view of the apse from North-East, 1926 (b/w photo) by Giraudon, studio (1912-53); Saint-Denis

The Choir, plate 7 from Westminster Abbey, engraved by J. Bluck (fl
STC92137 The Choir, plate 7 from Westminster Abbey, engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1811 (aquatint) by Mackenzie

Lichfield, c. 1830-35 (w / c on paper)
LEF221033 Lichfield, c.1830-35 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 28.6x43.8 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; English, out of copyright

Austin Friars Church, Broad Street, from the North West, c. 1780 (w / c on paper)
GHL45488 Austin Friars Church, Broad Street, from the North West, c.1780 (w/c on paper) by English School, (18th century); London Metropolitan Archives

Interior of St. Omer Cathedral, 1836 (oil on canvas)
XIR232600 Interior of St. Omer Cathedral, 1836 (oil on canvas) by Cuvelier, Hippolyte Joseph (1803-76); Hotel de Ville, Saint-Omer

Notre Dame, early nineteenth century (colour engraving)
CHT231148 Notre Dame, early nineteenth century (colour engraving) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; eArchives Charmet; French

Gothic Church, 1831 (oil on canvas)
XKH204867 Gothic Church, 1831 (oil on canvas) by Ainmiller, Max Emanuel (1807-70); 73x53 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Westminster Hall during the celebrations after the Coronation of James II
STC221823 Westminster Hall during the celebrations after the Coronation of James II, 23 April 1685 (engraving) by English School; Private Collection; (add.info)

The Coronation of King James II (1633-1701) from a commemorative book by Francis Sandford
STC221822 The Coronation of King James II (1633-1701) from a commemorative book by Francis Sandford, first published 1697 (colour engraving) by Sherwin

The Ceremony of the Homage, 19th July 1821, from an album celebrating the Coronation of
STC221818 The Ceremony of the Homage, 19th July 1821, from an album celebrating the Coronation of King George IV (1762-1830) engraved by William James Bennett (1787-1844) published 1824 (colour litho)

Coudenberg Palace, Brussels (oil on panel)
AGN281872 Coudenberg Palace, Brussels (oil on panel) by Dutch School, (17th century); Private Collection; (add.info.: attributed to Jan van der Heyden or Jan van de Capelle; destroyed by fire in)

Scholars and Figures outside St. Mary Magdalen Church, Oxford (pencil & w / c on paper)
AGN281892 Scholars and Figures outside St. Mary Magdalen Church, Oxford (pencil & w/c on paper) by Ince, Joseph Murray (1806-59); 19x24.7 cm; Private Collection; Photo eAgnew s, London; Welsh

Westminster Hospital (w / c on paper)
XCF285156 Westminster Hospital (w/c on paper) by Shepherd, Thomas Hosmer (1792-1864); Private Collection; English, out of copyright

Cathedral in the 1850s, Roskilde, Denmark, from Le Tour du Monde
KW211637 Cathedral in the 1850s, Roskilde, Denmark, from Le Tour du Monde, published in Paris, 1860s (engraving) by French School

The Abbey of Saint-Bertin at Saint-Omer, 1776 (oil on canvas)
XIR212581 The Abbey of Saint-Bertin at Saint-Omer, 1776 (oil on canvas) by Lemaire, Jacques Francois (1712-80); 87x131 cm; Musee de l Hotel Sandelin, Saint-Omer, France; French, out of copyright

York Minster from near the Ship Builders (w / c on paper)
AGN270955 York Minster from near the Ship Builders (w/c on paper) by Varley, John (1778-1842); Private Collection; Photo eAgnew s, London; English, out of copyright

Hurstmontceaux Castle, Sussex (w / c)
AGN268107 Hurstmontceaux Castle, Sussex (w/c) by Buckler, John Chessell (1793-1894); 63.5x45.7 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

View of the choir at New College Chapel, 1860-70 (b / w photo)
NCO232967 View of the choir at New College Chapel, 1860-70 (b/w photo) by English Photographer, (19th century); Courtesy of the Warden and Scholars of New College

All Professionally Made to Order for Quick Shipping

Gothic architecture, with its intricate designs and towering structures, has left an indelible mark on the world. From the majestic Thurles Cathedral in Co Tipperary, Ireland to the iconic Westminster Abbey in London, these architectural wonders are a testament to human creativity and ingenuity. One cannot help but be captivated by the enchanting beauty of New College in Oxford, as depicted in the 1675 engraving from Oxonia Illustrata. The delicate details and grandeur of this Gothic masterpiece transport us back to a time when craftsmanship was revered. Across Europe, from Budapest's Danube Architecture to Munich's Gothic Town Hall in Bavaria, Germany, one can witness how this style transcended borders and became a symbol of cultural identity. Each structure tells its own story through its unique design elements and historical significance. Durham Cathedral stands proudly amidst England's North Yorkshire landscape. With watercolor brushstrokes capturing its essence on paper, it reminds us of the enduring legacy that Gothic architecture has bestowed upon our world. Venturing further into Central America brings us to St. Georges' unfinished church in Bermuda. This hauntingly beautiful structure serves as a reminder that even incomplete works can possess an ethereal charm that leaves visitors awe-struck. The Buxtehude Altar's right wing painting "Visit of the Angel" transports us back to medieval times when artistry flourished alongside architectural marvels. Its tempera colors evoke emotions while showcasing how Gothic art seamlessly blended with architecture during this period. Finally, an aerial view at sunset reveals Santa Maria del Carmine church in Pavia, Lombardy - a true gem nestled within Italy's picturesque landscapes. Its soaring spires against the backdrop of golden hues remind us why Gothic architecture continues to inspire awe centuries later. Whether it is Thurles Cathedral or York Minster or any other magnificent example across continents – Gothic architecture remains an everlasting testament to human creativity, craftsmanship, and the power of architectural design to transcend time and borders.