Gothic Architecture Collection (page 7)

East end of Notre Dame, 1163-1345 (photo)
MAE170057 East end of Notre Dame, 1163-1345 (photo) by French School; Paris, France; ePaul Maeyaert; French, out of copyright

South East View of Windsor Castle, from Windsor and its Surrounding Scenery
STC169785 South East View of Windsor Castle, from Windsor and its Surrounding Scenery, 1838 (chromolitho) by Pyne, James Baker (1800-70) (after)

Fol. 85v Two Backgammon Players, from the Book of Games, Chess, Dice and Boards
XIR203411 Fol.85v Two Backgammon Players, from the Book of Games, Chess, Dice and Boards, 1282 (vellum) by Spanish School, (13th century); Biblioteca Monasterio del Escorial, Madrid

Edward the Confessors Monument, plate M from Westminster Abbey
STC92177 Edward the Confessors Monument, plate M from Westminster Abbey, engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint) by Pugin

Glastonbury Abbey, 1795 (pencil & w / c on paper)
BIR106472 Glastonbury Abbey, 1795 (pencil & w/c on paper) by Hearne, Thomas (1744-1817); 19.7x30.3 cm; Birmingham Museums and Art Gallery; English, out of copyright

View in Amsterdam, with the facade of the Stadhuis and the Nieuwe Kerk (oil on panel)
FIT282859 View in Amsterdam, with the facade of the Stadhuis and the Nieuwe Kerk (oil on panel) by Berckheyde, Gerrit Adriaensz (1638-98); 40.3x32.2 cm; Fitzwilliam Museum, University of Cambridge

Interior of the refectory of the monastery, 1215 (photo)
XIR244180 Interior of the refectory of the monastery, 1215 (photo) by Spanish School, (13th century); Santa Maria de la Huerta, Soria, Castilla y Leon, Spain; Spanish, out of copyright

Roslyn Chapel, view of a pendant and groins at the east end, engraved by S
FEH332952 Roslyn Chapel, view of a pendant and groins at the east end, engraved by S. Noble, 1810 (engraving) by Gandy, Joseph Michael (1771-1843) (after); Private Collection; (add.info)

Roslyn Chapel, view of the altars at the east end looking north, engraved by Samuel Lacey
FEH332949 Roslyn Chapel, view of the altars at the east end looking north, engraved by Samuel Lacey, 1811 (engraving) by Elmes

Rheims Cathedral c. 1851 (cyanotype)
CHT257948 Rheims Cathedral c.1851 (cyanotype) by Le Secq, Henri Jean-Louis (1818-82) (after); Bibliotheque des Arts Decoratifs, Paris

Jesus Opens the Eyes of a Man Born Blind, 1311 (tempera on panel) (detail of 188963)
BBC188965 Jesus Opens the Eyes of a Man Born Blind, 1311 (tempera on panel) (detail of 188963) by Duccio di Buoninsegna, (c.1278-1318); National Gallery, London, UK; Italian, out of copyright

Balliol College, Oxford, from Oxonia Illustrata, published 1675 (engraving)
STC172922 Balliol College, Oxford, from Oxonia Illustrata, published 1675 (engraving) by Loggan, David (1633/35-92); Private Collection; (add.info)

East end of Notre Dame, 1163-1345 (photo)
MAE172526 East end of Notre Dame, 1163-1345 (photo) by French School; Paris, France; ePaul Maeyaert; French, out of copyright

Ms 2617 Emilia in her garden, Plate 22, from La Teseida
STC174235 Ms 2617 Emilia in her garden, Plate 22, from La Teseida, by Giovanni Boccaccio (1313-75), 1340-41 (vellum) by French School, (15th century); Osterreichische Nationalbibliothek, Vienna

View of the east facade and the choir, c. 1321-40 (b / w photo)
XIR178858 View of the east facade and the choir, c.1321-40 (b/w photo) by English School, (14th century); Ely Cathedral, Ely, Cambridgeshire, UK; (add.info.: the chapel of the virgin; ); English

Interior view of the nave and the choir, c. 1150-1250 (b / w photo)
XIR217834 Interior view of the nave and the choir, c.1150-1250 (b/w photo) by French School; Angers Cathedral, France; (add.info.: nave and choir of Saint-Maurice; ); French, out of copyright

Salisbury Cathedral (oil)
FC28045 Salisbury Cathedral (oil) by Jennens, L. (fl.1830-97) and Bettridge, H. (fl.1830-1900); FORBES Magazine Collection, New York

Western Facade of Notre Dame, and Pont St. Michel, Paris, pub. c. 1900 (colour litho)
1449112 Western FaAzade of Notre Dame, and Pont St. Michel, Paris, pub. c.1900 (colour litho) by French Photographer, (19th century); Private Collection; The Stapleton Collection; French

Jamb sculptures of the central portral on the west facade (photo)
JFS249928 Jamb sculptures of the central portral on the west facade (photo) by Spanish School, (13th century); Leon Cathedral, Leon, Spain; eJohn Ferro Sims; Spanish, out of copyright

View of the nave and the choir, built 1314-15th century (photo)
XIR229510 View of the nave and the choir, built 1314-15th century (photo) by French School; Cathedral of SS. Peter and Paul, Troyes, France; (add.info.: the nave and the choir; ); French

Introduction of the art of printing, from Illustrations of English
KW259451 Introduction of the art of printing, from Illustrations of English and Scottish History Volume I (engraving) by Wehnert

Cologne on the Rhine (w / c on paper)
AGN355041 Cologne on the Rhine (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 19.7x30.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Roslyn Chapel, engraved by J. Burnett, 1810 (engraving)
FEH332953 Roslyn Chapel, engraved by J. Burnett, 1810 (engraving) by Gandy, Joseph Michael (1771-1843) (after); Private Collection; (add.info)

Roslyn Chapel, view of buttresses and pinnacles at the north east corner
FEH332951 Roslyn Chapel, view of buttresses and pinnacles at the north east corner, engraved by William Woolnoth, 1810 (engraving) by Gandy

East rose window, c. 1520 (stained glass)
PC341117 East rose window, c.1520 (stained glass) by French School, (16th century); Church of St. Etienne, Beauvais, Oise, France; French, out of copyright

Jesus Opens the Eyes of a Man Born Blind, 1311 (tempera on panel) (detail of 188963)
BBC188964 Jesus Opens the Eyes of a Man Born Blind, 1311 (tempera on panel) (detail of 188963) by Duccio di Buoninsegna, (c.1278-1318); National Gallery, London, UK; Italian, out of copyright

The Royal Banquet, First Course, from an album celebrating the Coronation of King George
STC221820 The Royal Banquet, First Course, from an album celebrating the Coronation of King George IV (1762-1830) 19th July 1821

Plan of the Benedictine Abbey of Saint-Riquier in 1673 (engraving)
XIR187073 Plan of the Benedictine Abbey of Saint-Riquier in 1673 (engraving) by French School, (17th century); Bibliotheque Nationale, Paris

View of the choir (photo)
XIR173155 View of the choir (photo) by French School, (13th century); Cathedral of Notre Dame, Amiens, France; French, out of copyright

View of the nave, c. 1162-80 (photo)
MAE172545 View of the nave, c.1162-80 (photo) by French School, (12th century); Poitiers Cathedral, Poitiers, France; ePaul Maeyaert; French, out of copyright

Notre Dame from the South, 1163-1345 (photo)
MAE172527 Notre Dame from the South, 1163-1345 (photo) by French School; Paris, France; ePaul Maeyaert; French, out of copyright

View of the nave (photo)
MAE172190 View of the nave (photo) by French School, (12th century); Cathedral of St. Lazare, Autun, France; ePaul Maeyaert; French, out of copyright

Sainte Chapelle, 1266 (photo)
MAE172185 Sainte Chapelle, 1266 (photo) by French School, (13th century); Abbey Church of St.-Germer-de-Fly, France; (add.info)

Jamb figures from the right side of the central portal, west facade, c. 1240 (stone)
MAE170058 Jamb figures from the right side of the central portal, west facade, c.1240 (stone) by French School, (13th century); Cathedral of Notre Dame, Reims, France; ePaul Maeyaert; French

View of the munster from the south-east (photo)
MAE175203 View of the munster from the south-east (photo) by German School; Freiburg im Breisgau, Germany; (add.info.: built in four distinct architectural phases between c.1170)

West facade of the Church of San Pablo, built 15th-17th century (photo)
MAE176963 West facade of the Church of San Pablo, built 15th-17th century (photo) by Spanish School; Valladolid, Spain; ePaul Maeyaert; Spanish, out of copyright

The Angels Pillar, in the south transept, c. 1230 (stone)
XIR242447 The Angels Pillar, in the south transept, c.1230 (stone) by German School, (13th century); Strasbourg Cathedral, Strasbourg, Alsace

Exeter College Chapel, from Ship Street, 1903 (colour litho)
STC364736 Exeter College Chapel, from Ship Street, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info)

Tom Tower, Christ Church College, 1903 (colour litho)
STC364717 Tom Tower, Christ Church College, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Tom Tower is bell tower named for its bell)

Roslyn Chapel, section of the south side of the choir, engraved by Richard Roffe
FEH332947 Roslyn Chapel, section of the south side of the choir, engraved by Richard Roffe, 1810 (engraving) by Gandy, Joseph Michael (1771-1843) (after); Private Collection; (add.info)

View of the Tour Saint-Jacques, 1508-22 (photo)
XIR166378 View of the Tour Saint-Jacques, 1508-22 (photo) by French School, (16th century); Paris, France; French, out of copyright

View of Bourges and the University, Capital of Berry, 1646 (coloured engraving)
XIR166077 View of Bourges and the University, Capital of Berry, 1646 (coloured engraving) by French School, (17th century); Bibliotheque Nationale, Paris, France; French, out of copyright

West Facade, c. 1220-70 (photo) (for details see 94631-34)
PWI94635 West Facade, c.1220-70 (photo) (for details see 94631-34) by French School, (13th century); Cathedral of Notre Dame, Amiens, France; ePeter Willi; French, out of copyright

South East Angle of the Cloisters, plate T from Westminster Abbey
STC92181 South East Angle of the Cloisters, plate T from Westminster Abbey, engraved by J.R. Hamble (fl.1775-1825) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint) by Thompson

St. Johns College, Cambridge from Fishers Lane
COB55703 St. Johns College, Cambridge from Fishers Lane, plate from A History of Cambridge by R. Ackermann, 1815 (colour litho) by English School, (19th century); Private Collection; English

View of the Cathedral from the Seine, 1163-1345 (photo) (see also 98568)
XIR54953 View of the Cathedral from the Seine, 1163-1345 (photo) (see also 98568) by French School; Notre Dame, Paris, France; French, out of copyright

Jesus Chapel, Norwich Cathedral, c. 1807 (w / c and black lead on paper)
CEC128126 Jesus Chapel, Norwich Cathedral, c.1807 (w/c and black lead on paper) by Cotman, John Sell (1782-1842); 27.2x38.8 cm; The Higgins Art Gallery & Museum, Bedford

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Gothic architecture, with its intricate designs and towering structures, has left an indelible mark on the world. From the majestic Thurles Cathedral in Co Tipperary, Ireland to the iconic Westminster Abbey in London, these architectural wonders are a testament to human creativity and ingenuity. One cannot help but be captivated by the enchanting beauty of New College in Oxford, as depicted in the 1675 engraving from Oxonia Illustrata. The delicate details and grandeur of this Gothic masterpiece transport us back to a time when craftsmanship was revered. Across Europe, from Budapest's Danube Architecture to Munich's Gothic Town Hall in Bavaria, Germany, one can witness how this style transcended borders and became a symbol of cultural identity. Each structure tells its own story through its unique design elements and historical significance. Durham Cathedral stands proudly amidst England's North Yorkshire landscape. With watercolor brushstrokes capturing its essence on paper, it reminds us of the enduring legacy that Gothic architecture has bestowed upon our world. Venturing further into Central America brings us to St. Georges' unfinished church in Bermuda. This hauntingly beautiful structure serves as a reminder that even incomplete works can possess an ethereal charm that leaves visitors awe-struck. The Buxtehude Altar's right wing painting "Visit of the Angel" transports us back to medieval times when artistry flourished alongside architectural marvels. Its tempera colors evoke emotions while showcasing how Gothic art seamlessly blended with architecture during this period. Finally, an aerial view at sunset reveals Santa Maria del Carmine church in Pavia, Lombardy - a true gem nestled within Italy's picturesque landscapes. Its soaring spires against the backdrop of golden hues remind us why Gothic architecture continues to inspire awe centuries later. Whether it is Thurles Cathedral or York Minster or any other magnificent example across continents – Gothic architecture remains an everlasting testament to human creativity, craftsmanship, and the power of architectural design to transcend time and borders.