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French Impressionism Collection (page 2)

French Impressionism was a revolutionary art movement that emerged in the late 19th century

Background imageFrench Impressionism Collection: Small Study for a Nude, 1882 (oil on canvas)

Small Study for a Nude, 1882 (oil on canvas)
5614660 Small Study for a Nude, 1882 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 13.3x10.3 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Child with Blond Hair, 1895-1900 (oil on canvas)

Child with Blond Hair, 1895-1900 (oil on canvas)
5614656 Child with Blond Hair, 1895-1900 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 9.5x8.4 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Woman Embroidering, 1855-1860 (black chalk and graphite heightened with white on wove

Woman Embroidering, 1855-1860 (black chalk and graphite heightened with white on wove
5667936 Woman Embroidering, 1855-1860 (black chalk and graphite heightened with white on wove paper) by Degas, Edgar (1834-1917); 38.8 x 25.6 cm; National Gallery of Art, Washington DC, USA; French

Background imageFrench Impressionism Collection: Dancer Fastening the String of Her Tights, c. 1885-1890 (pigmented beeswax, plastiline

Dancer Fastening the String of Her Tights, c. 1885-1890 (pigmented beeswax, plastiline
5667932 Dancer Fastening the String of Her Tights, c.1885-1890 (pigmented beeswax, plastiline, metal armature, cork, on wooden base) by Degas

Background imageFrench Impressionism Collection: Horse Galloping on the Right Foot, 1880s (pigmented beeswax, plastiline, metal armature

Horse Galloping on the Right Foot, 1880s (pigmented beeswax, plastiline, metal armature
5667930 Horse Galloping on the Right Foot, 1880s (pigmented beeswax, plastiline, metal armature, cork, organic material, on wooden base) by Degas

Background imageFrench Impressionism Collection: Young Woman Dressing Herself, 1885 (pastel)

Young Woman Dressing Herself, 1885 (pastel)
5667924 Young Woman Dressing Herself, 1885 (pastel) by Degas, Edgar (1834-1917); 80.1x51.2 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette), c. 1890 (litho)

Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette), c. 1890 (litho)
5667923 Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette), c.1890 (litho) by Degas, Edgar (1834-1917); 32.8x24.6 cm; National Gallery of Art, Washington DC, USA; French

Background imageFrench Impressionism Collection: Woman Stretching, 1896-1911 (pigmented beeswax, metal armature, on wooden base)

Woman Stretching, 1896-1911 (pigmented beeswax, metal armature, on wooden base)
5667918 Woman Stretching, 1896-1911 (pigmented beeswax, metal armature, on wooden base) by Degas, Edgar (1834-1917); 36.4x20.2x15.4 cm; National Gallery of Art, Washington DC, USA; French

Background imageFrench Impressionism Collection: Three Studies of Ludovic Halevy Standing, c. 1880 (charcoal on tan laid paper)

Three Studies of Ludovic Halevy Standing, c. 1880 (charcoal on tan laid paper)
5667941 Three Studies of Ludovic Halevy Standing, c.1880 (charcoal on tan laid paper) by Degas, Edgar (1834-1917); 32x48 cm; National Gallery of Art, Washington DC

Background imageFrench Impressionism Collection: Fallen Jockey, c. 1866 (black chalk and pastel on brown wove paper)

Fallen Jockey, c. 1866 (black chalk and pastel on brown wove paper)
5667934 Fallen Jockey, c.1866 (black chalk and pastel on brown wove paper) by Degas, Edgar (1834-1917); 26.6x35.2 cm; National Gallery of Art, Washington DC

Background imageFrench Impressionism Collection: The Beach at Deauville, 1864 (oil on wood panel)

The Beach at Deauville, 1864 (oil on wood panel)
5673774 The Beach at Deauville, 1864 (oil on wood panel) by Boudin, Eugene Louis (1824-98); 34.7 x 26 cm; Cleveland Museum of Art, OH, USA; French, out of copyright

Background imageFrench Impressionism Collection: The Bathers, 1897 (colour lithograph)

The Bathers, 1897 (colour lithograph)
5672900 The Bathers, 1897 (colour lithograph) by Cezanne, Paul (1839-1906); Cleveland Museum of Art, OH, USA; French, out of copyright

Background imageFrench Impressionism Collection: Ludovic Lepic Holding His Dog, 1889 (pastel)

Ludovic Lepic Holding His Dog, 1889 (pastel)
5672898 Ludovic Lepic Holding His Dog, 1889 (pastel) by Degas, Edgar (1834-1917); 49.8 x 32.1 cm; Cleveland Museum of Art, OH

Background imageFrench Impressionism Collection: Nude with Figure in Background, c. 1882 (oil on canvas)

Nude with Figure in Background, c. 1882 (oil on canvas)
5614661 Nude with Figure in Background, c.1882 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 12.8x8.3 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Landscape at Vetheuil, c. 1890 (oil on canvas)

Landscape at Vetheuil, c. 1890 (oil on canvas)
5614659 Landscape at Vetheuil, c.1890 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 11.5x16.5 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Landscape between Storms, 1874-75 (oil on canvas)

Landscape between Storms, 1874-75 (oil on canvas)
5614652 Landscape between Storms, 1874-75 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 24.4x32.6 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: The Young Soldier, c. 1880 (oil on canvas)

The Young Soldier, c. 1880 (oil on canvas)
5614637 The Young Soldier, c.1880 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 54.9x33 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Young Woman Knitting, c. 1883 (oil on canvas)

Young Woman Knitting, c. 1883 (oil on canvas)
5614621 Young Woman Knitting, c.1883 (oil on canvas) by Morisot, Berthe (1841-95); 50.2 x 60 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: The House in Aix (Jas de Bouffan), 1885-87 (oil on canvas)

The House in Aix (Jas de Bouffan), 1885-87 (oil on canvas)
5614488 The House in Aix (Jas de Bouffan), 1885-87 (oil on canvas) by Cezanne, Paul (1839-1906); 60.8x73.8 cm; Narodni Galerie, Prague, Czech Republic; (add.info.: Jas de Bouffan)

Background imageFrench Impressionism Collection: The Artists Sister, Edma, with Her Daughter, Jeanne

The Artists Sister, Edma, with Her Daughter, Jeanne
5614663 The Artists Sister, Edma, with Her Daughter, Jeanne, 1872 (w/c over graphite on laid paper) by Morisot, Berthe (1841-95); 25.1x25.9 cm; National Gallery of Art, Washington DC

Background imageFrench Impressionism Collection: The Maria at Honfleur, 1886 (oil on canvas)

The Maria at Honfleur, 1886 (oil on canvas)
5614489 The Maria at Honfleur, 1886 (oil on canvas) by Seurat, Georges Pierre (1859-91); 53x63.5 cm; Narodni Galerie, Prague, Czech Republic; French, out of copyright

Background imageFrench Impressionism Collection: Still Life with Apples and Pears, c. 1891-2 (oil on canvas)

Still Life with Apples and Pears, c. 1891-2 (oil on canvas)
3928801 Still Life with Apples and Pears, c.1891-2 (oil on canvas) by Cezanne, Paul (1839-1906); 44.8 x 58.7 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: The Escaut River in Antwerp, c. 1871-74 (oil on panel)

The Escaut River in Antwerp, c. 1871-74 (oil on panel)
3941010 The Escaut River in Antwerp, c.1871-74 (oil on panel) by Boudin, Eugene Louis (1824-98); 43.5 x 58.4 cm; Yale University Art Gallery, New Haven, CT

Background imageFrench Impressionism Collection: Still Life with Two Apples, c. 1880 (oil on canvas)

Still Life with Two Apples, c. 1880 (oil on canvas)
3941008 Still Life with Two Apples, c.1880 (oil on canvas) by Manet, Edouard (1832-83); 24.1 x 31.8 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Background imageFrench Impressionism Collection: Flowers in a Vase, c. 1866 (oil on canvas)

Flowers in a Vase, c. 1866 (oil on canvas)
4073406 Flowers in a Vase, c.1866 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 81.3x65.1 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Vase of Flowers, 1900-3 (oil on canvas)

Vase of Flowers, 1900-3 (oil on canvas)
4073401 Vase of Flowers, 1900-3 (oil on canvas) by Cezanne, Paul (1839-1906); 101x81.9 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: First Snow at Veneux-Nadon, 1878 (oil on canvas)

First Snow at Veneux-Nadon, 1878 (oil on canvas)
4073399 First Snow at Veneux-Nadon, 1878 (oil on canvas) by Sisley, Alfred (1839-99); 49.2x65.2 cm; National Gallery of Art, Washington DC, USA; English, out of copyright

Background imageFrench Impressionism Collection: Conversation with the Gardener, c. 1870 (oil on canvas)

Conversation with the Gardener, c. 1870 (oil on canvas)
5037516 Conversation with the Gardener, c.1870 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 45x38 cm; National Museum, Stockholm

Background imageFrench Impressionism Collection: The Country Road, c. 1871 (oil on canvas)

The Country Road, c. 1871 (oil on canvas)
3597152 The Country Road, c.1871 (oil on canvas) by Cezanne, Paul (1839-1906); 59.5x72.7 cm; Kunstmuseum, Basel, Switzerland; (add.info.: La route; ); French, out of copyright

Background imageFrench Impressionism Collection: The Cup of Hot Chocolate, 1900-5 (pastel on paper)

The Cup of Hot Chocolate, 1900-5 (pastel on paper)
3597144 The Cup of Hot Chocolate, 1900-5 (pastel on paper) by Degas, Edgar (1834-1917); 93x79 cm; Kunstmuseum, Basel, Switzerland; (add.info.: La tasse de chocolat); French, out of copyright

Background imageFrench Impressionism Collection: Five Bathers, 1885-87 (oil on canvas)

Five Bathers, 1885-87 (oil on canvas)
3597139 Five Bathers, 1885-87 (oil on canvas) by Cezanne, Paul (1839-1906); 65.3x65.3 cm; Kunstmuseum, Basel, Switzerland; (add.info.: Cinq baigneuses; ); French, out of copyright

Background imageFrench Impressionism Collection: Landscape: The Parc Monceau, 1876 (oil on canvas)

Landscape: The Parc Monceau, 1876 (oil on canvas)
3472252 Landscape: The Parc Monceau, 1876 (oil on canvas) by Monet, Claude (1840-1926); 59.7x82.6 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Danseuse au repos, c. 1897-1900 (pastel and counterproof on paper)

Danseuse au repos, c. 1897-1900 (pastel and counterproof on paper)
3742637 Danseuse au repos, c.1897-1900 (pastel and counterproof on paper) by Degas, Edgar (1834-1917); 21.5 x 17.2 cm; Private Collection; French, out of copyright

Background imageFrench Impressionism Collection: La Corniche near Monaco, 1884 (oil on canvas)

La Corniche near Monaco, 1884 (oil on canvas)
3545874 La Corniche near Monaco, 1884 (oil on canvas) by Monet, Claude (1840-1926); 75x94 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info)

Background imageFrench Impressionism Collection: In the Bois de Boulogne, c. 1875-9 (oil on canvas)

In the Bois de Boulogne, c. 1875-9 (oil on canvas)
3545972 In the Bois de Boulogne, c.1875-9 (oil on canvas) by Morisot, Berthe (1841-95); 61x73.5 cm; National Museum, Stockholm, Sweden; French, out of copyright

Background imageFrench Impressionism Collection: Bathers by a Bridge, 1900-06 (w / c over graphite)

Bathers by a Bridge, 1900-06 (w / c over graphite)
3493160 Bathers by a Bridge, 1900-06 (w/c over graphite) by Cezanne, Paul (1839-1906); 21x27.2 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Injured Jockey, 1896-98 (oil on canvas)

Injured Jockey, 1896-98 (oil on canvas)
3588572 Injured Jockey, 1896-98 (oil on canvas) by Degas, Edgar (1834-1917); 180.6x150.9 cm; Kunstmuseum, Basel, Switzerland; (add.info.: Jockey blesse; ); French, out of copyright

Background imageFrench Impressionism Collection: Young Boy Peeling a Pear, c. 1867 (oil on canvas)

Young Boy Peeling a Pear, c. 1867 (oil on canvas)
3588433 Young Boy Peeling a Pear, c.1867 (oil on canvas) by Manet, Edouard (1832-83); 85x71 cm; National Museum, Stockholm, Sweden; (add.info.: Leon KoA'lla-Leenhoff was Manets stepson); French

Background imageFrench Impressionism Collection: Still Life with Flowers and Prickly Pears, c. 1885 (oil on canvas)

Still Life with Flowers and Prickly Pears, c. 1885 (oil on canvas)
3616017 Still Life with Flowers and Prickly Pears, c.1885 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 73.3x59.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Dancer, 1880-85 (pastel on paper, laid down on board)

Dancer, 1880-85 (pastel on paper, laid down on board)
3614152 Dancer, 1880-85 (pastel on paper, laid down on board) by Degas, Edgar (1834-1917); 48.9x32.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Dancer Onstage, c. 1877 (gouache over graphite)

Dancer Onstage, c. 1877 (gouache over graphite)
3614142 Dancer Onstage, c.1877 (gouache over graphite) by Degas, Edgar (1834-1917); 17.1x21.3 cm; Metropolitan Museum of Art, New York

Background imageFrench Impressionism Collection: The Louvre, Afternoon, Rainy Weather, 1900 (oil on canvas)

The Louvre, Afternoon, Rainy Weather, 1900 (oil on canvas)
3526189 The Louvre, Afternoon, Rainy Weather, 1900 (oil on canvas) by Pissarro, Camille (1830-1903); 66.7x81.6 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Background imageFrench Impressionism Collection: Marly-le-Roi, c. 1875 (oil on canvas)

Marly-le-Roi, c. 1875 (oil on canvas)
3526181 Marly-le-Roi, c.1875 (oil on canvas) by Sisley, Alfred (1839-99); 38.1x56.2 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; English, out of copyright

Background imageFrench Impressionism Collection: The Seine at Vetheuil, 1880 (oil on canvas)

The Seine at Vetheuil, 1880 (oil on canvas)
3472250 The Seine at Vetheuil, 1880 (oil on canvas) by Monet, Claude (1840-1926); 60.3x100.3 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Rapids on the Petite Creuse at Fresselines, 1889 (oil on canvas)

Rapids on the Petite Creuse at Fresselines, 1889 (oil on canvas)
3472248 Rapids on the Petite Creuse at Fresselines, 1889 (oil on canvas) by Monet, Claude (1840-1926); 65.4x91.8 cm; Metropolitan Museum of Art, New York

Background imageFrench Impressionism Collection: Violinist, Study for 'The Dance Lesson', 1878-79

Violinist, Study for "The Dance Lesson", 1878-79
3493162 Violinist, Study for " The Dance Lesson", 1878-79 (pastel and charcoal on green wove paper) by Degas, Edgar (1834-1917); 39.1 x 29.8 cm; Metropolitan Museum of Art, New York

Background imageFrench Impressionism Collection: Antibes, les Rochers de L Ilette, 1893 (oil on canvas)

Antibes, les Rochers de L Ilette, 1893 (oil on canvas)
3928647 Antibes, les Rochers de L Ilette, 1893 (oil on canvas) by Boudin, Eugene Louis (1824-98); 40.3 x 55.5 cm; Private Collection; French, out of copyright



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French Impressionism was a revolutionary art movement that emerged in the late 19th century, challenging traditional artistic conventions and capturing fleeting moments of everyday life with vibrant brushstrokes and vivid colors. Artists like Claude Monet, Pierre-Auguste Renoir, and Edgar Degas sought to depict the essence of their subjects rather than focusing on precise details. In "Madame Cezanne in a Red Dress, " Paul Cezanne portrays his wife with loose brushwork and bold red tones, showcasing his mastery of color. Similarly, Vincent van Gogh's "The House of Dr. Gachet" captures the picturesque beauty of Auvers-sur-Oise through expressive brushstrokes. Edgar Degas' "Four Jockeys" showcases his fascination with movement as he skillfully depicts horses racing across the canvas. Meanwhile, Camille Pissarro's "Spring (Fruit Trees in Bloom)" transports viewers to a blossoming orchard filled with delicate pink flowers. "The Parc Monceau" by Gustave Caillebotte invites us into an elegant Parisian park where people stroll leisurely amidst lush greenery. Henri de Toulouse-Lautrec's "The Riders" offers a glimpse into horse races, highlighting his unique ability to capture energy and excitement. Berthe Morisot's intimate portrait titled "The Gardener" reveals her sensitivity towards domestic scenes while also emphasizing her technical prowess. In contrast, Édouard Manet's self-portrait exudes confidence as he gazes directly at the viewer. Impressionist artists were not limited to painting; they also experimented with other mediums such as etching and aquatint. Mary Cassatt's "Loges daActrices (Actressesa Dressing Rooms)" provides an insider view into theater life during that era while Edgar Degas' "At the Ambassadeurs" captures the lively atmosphere of a bustling cabaret.