Fraud Blocker Skip to main content
Our beautiful Wall Art and Photo Gifts include Framed Prints, Photo Prints, Poster Prints, Canvas Prints, Jigsaw Puzzles, Metal Prints and so much more
Wall Art and Prints since 2003

mail_outline sales@mediastorehouse.com

Reviews IO

French Impressionism Collection (page 4)

French Impressionism was a revolutionary art movement that emerged in the late 19th century

Background imageFrench Impressionism Collection: Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-80

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-80
5667943 Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-80 (soft-ground etching and drypoint on laid paper) by Degas, Edgar (1834-1917); 26.8x23.4 cm; National Gallery of Art, Washington DC

Background imageFrench Impressionism Collection: Study of a Jockey, c. 1884 (charcoal on brown paper)

Study of a Jockey, c. 1884 (charcoal on brown paper)
5667939 Study of a Jockey, c.1884 (charcoal on brown paper) by Degas, Edgar (1834-1917); 31.8x24.8 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Dancer Holding Her Right Foot in Her Right Hand, 1900-11 (pigmented beeswax, plastiline

Dancer Holding Her Right Foot in Her Right Hand, 1900-11 (pigmented beeswax, plastiline
5667916 Dancer Holding Her Right Foot in Her Right Hand, 1900-11 (pigmented beeswax, plastiline, metal armature, on wooden base) by Degas

Background imageFrench Impressionism Collection: View from the Jas de Bouffan, 1875-76 (oil on canvas)

View from the Jas de Bouffan, 1875-76 (oil on canvas)
5320739 View from the Jas de Bouffan, 1875-76 (oil on canvas) by Cezanne, Paul (1839-1906); Musee Granet, Aix-en-Provence, France; (add.info.: Jas de Bouffan)

Background imageFrench Impressionism Collection: Bouquet, c. 1900 (oil on silk on canvas)

Bouquet, c. 1900 (oil on silk on canvas)
3959993 Bouquet, c.1900 (oil on silk on canvas) by Pissarro, Camille (1830-1903); 18 x 14.1 cm; Kunstmuseum, Basel, Switzerland; French, out of copyright

Background imageFrench Impressionism Collection: The Lion-tamer (oil on canvas)

The Lion-tamer (oil on canvas)
3941040 The Lion-tamer (oil on canvas) by Forain, Jean Louis (1852-1931); 36.83 x 41.91 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: ); French, out of copyright

Background imageFrench Impressionism Collection: Trouville at Low Tide, c. 1888-95 (oil on panel)

Trouville at Low Tide, c. 1888-95 (oil on panel)
3941025 Trouville at Low Tide, c.1888-95 (oil on panel) by Boudin, Eugene Louis (1824-98); 21.9 x 31.4 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: ); French, out of copyright

Background imageFrench Impressionism Collection: Sous-Bois, c. 1894 (oil on canvas)

Sous-Bois, c. 1894 (oil on canvas)
3588504 Sous-Bois, c.1894 (oil on canvas) by Cezanne, Paul (1839-1906); 116.2x81.3 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: Means roughly Under the Trees ); French, out of copyright

Background imageFrench Impressionism Collection: Still Life with Cherries and Peaches, 1885-7 (oil on canvas)

Still Life with Cherries and Peaches, 1885-7 (oil on canvas)
3588457 Still Life with Cherries and Peaches, 1885-7 (oil on canvas) by Cezanne, Paul (1839-1906); 50.2x61 cm; Los Angeles County Museum of Art, CA, USA; French, out of copyright

Background imageFrench Impressionism Collection: The Bouchardon Mill, Crozant, c. 1898 (oil on canvas)

The Bouchardon Mill, Crozant, c. 1898 (oil on canvas)
3472272 The Bouchardon Mill, Crozant, c.1898 (oil on canvas) by Guillaumin, Jean Baptiste Armand (1841-1927); 65.1x81.6 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Landscape from the River Creuse, c. 1912 (oil on canvas)

Landscape from the River Creuse, c. 1912 (oil on canvas)
38030 Landscape from the River Creuse, c.1912 (oil on canvas) by Guillaumin, Jean Baptiste Armand (1841-1927); 60.5x73.5 cm; Ny Carlsberg Glyptotek, Copenhagen, Denmark; French, out of copyright

Background imageFrench Impressionism Collection: The Road (La route), c. 1878-80 (monotype (black ink) on china paper)

The Road (La route), c. 1878-80 (monotype (black ink) on china paper)
5667942 The Road (La route), c.1878-80 (monotype (black ink) on china paper) by Degas, Edgar (1834-1917); 11.7x16.1 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Study of Horses, c. 1886 (charcoal and graphite on brown paper)

Study of Horses, c. 1886 (charcoal and graphite on brown paper)
5667938 Study of Horses, c.1886 (charcoal and graphite on brown paper) by Degas, Edgar (1834-1917); 24.3x30.8 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Woman Washing Her Left Leg, c. 1890 (beeswax, metal armature, ceramic, on wooden base)

Woman Washing Her Left Leg, c. 1890 (beeswax, metal armature, ceramic, on wooden base)
5667933 Woman Washing Her Left Leg, c.1890 (beeswax, metal armature, ceramic, on wooden base) by Degas, Edgar (1834-1917); 20.5x16.4x25 cm; National Gallery of Art, Washington DC, USA; French

Background imageFrench Impressionism Collection: Horse with Head Lowered, 1880-1890 (pigmented beeswax, clay, metal armature, wood

Horse with Head Lowered, 1880-1890 (pigmented beeswax, clay, metal armature, wood
5667928 Horse with Head Lowered, 1880-1890 (pigmented beeswax, clay, metal armature, wood, on wooden base) by Degas, Edgar (1834-1917); 18.4x7.9x27.2 cm; National Gallery of Art, Washington DC

Background imageFrench Impressionism Collection: Dancer Seen from Behind and Three Studies of Feet, c. 1878

Dancer Seen from Behind and Three Studies of Feet, c. 1878
5667925 Dancer Seen from Behind and Three Studies of Feet, c.1878 (black chalk and pastel on blue-gray laid paper) by Degas, Edgar (1834-1917); 45.6x59.8 cm; National Gallery of Art, Washington DC

Background imageFrench Impressionism Collection: Spanish Dancers and Musicians, 1868-1869 (w / c and pen and black ink on wove paper)

Spanish Dancers and Musicians, 1868-1869 (w / c and pen and black ink on wove paper)
5667922 Spanish Dancers and Musicians, 1868-1869 (w/c and pen and black ink on wove paper) by Degas, Edgar (1834-1917); 51.4x26 cm; National Gallery of Art, Washington DC, USA; French

Background imageFrench Impressionism Collection: Actresses in Their Dressing Rooms, 1879-1880 (etching and aquatint on wove paper)

Actresses in Their Dressing Rooms, 1879-1880 (etching and aquatint on wove paper)
5667920 Actresses in Their Dressing Rooms, 1879-1880 (etching and aquatint on wove paper) by Degas, Edgar (1834-1917); 22.5x31 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Little Dancer Aged Fourteen, c. 1878-81 (painted plaster, fabric, metal armature

Little Dancer Aged Fourteen, c. 1878-81 (painted plaster, fabric, metal armature
5667919 Little Dancer Aged Fourteen, c.1878-81 (painted plaster, fabric, metal armature, on plaster base) by Degas, Edgar (1834-1917); 98.9x34.7x35.2 cm; National Gallery of Art, Washington DC

Background imageFrench Impressionism Collection: Dancer Adjusting Her Slipper, 1873 (graphite heightened with black

Dancer Adjusting Her Slipper, 1873 (graphite heightened with black
5667791 Dancer Adjusting Her Slipper, 1873 (graphite heightened with black and white chalk on pink wove paper) by Degas, Edgar (1834-1917); 33 x 24.4 cm; Metropolitan Museum of Art, New York

Background imageFrench Impressionism Collection: Two Dancers, 1873 ( Dark brown wash and white gouache on paper)

Two Dancers, 1873 ( Dark brown wash and white gouache on paper)
5667790 Two Dancers, 1873 ( Dark brown wash and white gouache on paper) by Degas, Edgar (1834-1917); 61.3 x 39.4 cm; Metropolitan Museum of Art, New York

Background imageFrench Impressionism Collection: Roses in a Vase, c. 1890 (oil on canvas)

Roses in a Vase, c. 1890 (oil on canvas)
5672869 Roses in a Vase, c. 1890 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 25.5x34 cm; Cleveland Museum of Art, OH, USA; French, out of copyright

Background imageFrench Impressionism Collection: Italian Woman, c. 1856-57 (graphite and w / c on laid paper)

Italian Woman, c. 1856-57 (graphite and w / c on laid paper)
5667155 Italian Woman, c.1856-57 (graphite and w/c on laid paper) by Degas, Edgar (1834-1917) (attr. to); 21 x 10.5 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Young Parisian, c. 1875 (oil on canvas)

Young Parisian, c. 1875 (oil on canvas)
5037540 Young Parisian, c.1875 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 40x32 cm; National Museum, Stockholm, Sweden; (add.info.: Also called La grisette)

Background imageFrench Impressionism Collection: Fleurs, 1908 (oil on canvas)

Fleurs, 1908 (oil on canvas)
3742640 Fleurs, 1908 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); Private Collection; French, out of copyright

Background imageFrench Impressionism Collection: Les Baigneurs, Petite planche, 1896-97 (lithograph)

Les Baigneurs, Petite planche, 1896-97 (lithograph)
3959926 Les Baigneurs, Petite planche, 1896-97 (lithograph) by Cezanne, Paul (1839-1906); 22.3 x 27.3 cm; Kunstmuseum, Basel

Background imageFrench Impressionism Collection: Woman by a Fence, 1866 (oil on canvas)

Woman by a Fence, 1866 (oil on canvas)
5614653 Woman by a Fence, 1866 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 25x16.1 cm; National Gallery of Art, Washington DC

Background imageFrench Impressionism Collection: Girl with a Basket of Oranges, c. 1889 (oil on canvas)

Girl with a Basket of Oranges, c. 1889 (oil on canvas)
5614640 Girl with a Basket of Oranges, c.1889 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 128.8x41.8 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: In the Dining Room, 1886 (oil on canvas)

In the Dining Room, 1886 (oil on canvas)
5614638 In the Dining Room, 1886 (oil on canvas) by Morisot, Berthe (1841-95); 61.3x50 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: The Sisters, 1869 (oil on canvas)

The Sisters, 1869 (oil on canvas)
5614634 The Sisters, 1869 (oil on canvas) by Morisot, Berthe (1841-95); 52.1x81.3 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imageFrench Impressionism Collection: Pushing in the Poles, c. 1882 (oil on canvas)

Pushing in the Poles, c. 1882 (oil on canvas)
5310448 Pushing in the Poles, c.1882 (oil on canvas) by Seurat, Georges Pierre (1859-91); 15x25 cm; Private Collection; French, out of copyright

Background imageFrench Impressionism Collection: Dancing Girl with Castanets, 1909 (oil on canvas)

Dancing Girl with Castanets, 1909 (oil on canvas)
3709998 Dancing Girl with Castanets, 1909 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 155x64.8 cm; National Gallery, London

Background imageFrench Impressionism Collection: Le Havre, 1883 (oil on canvas)

Le Havre, 1883 (oil on canvas)
3709923 Le Havre, 1883 (oil on canvas) by Boudin, Eugene Louis (1824-98); 52.4x72.9 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; French, out of copyright

Background imageFrench Impressionism Collection: Regatta at Sainte-Adresse, 1867 (oil on canvas)

Regatta at Sainte-Adresse, 1867 (oil on canvas)
3472146 Regatta at Sainte-Adresse, 1867 (oil on canvas) by Monet, Claude (1840-1926); 75.2x101.6 cm; Metropolitan Museum of Art, New York

Background imageFrench Impressionism Collection: Apples and Grapes, 1879a'80 (oil on canvas)

Apples and Grapes, 1879a'80 (oil on canvas)
3472145 Apples and Grapes, 1879a'80 (oil on canvas) by Monet, Claude (1840-1926); 67.6x89.5 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Chrysanthemums, 1882 (oil on canvas)

Chrysanthemums, 1882 (oil on canvas)
3472144 Chrysanthemums, 1882 (oil on canvas) by Monet, Claude (1840-1926); 100.3x81.9 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Palm Trees at Bordighera, 1884 (oil on canvas)

Palm Trees at Bordighera, 1884 (oil on canvas)
3472143 Palm Trees at Bordighera, 1884 (oil on canvas) by Monet, Claude (1840-1926); 64.8x81.3 cm; Metropolitan Museum of Art, New York

Background imageFrench Impressionism Collection: Vetheuil in Summer, 1880 (oil on canvas)

Vetheuil in Summer, 1880 (oil on canvas)
3472142 Vetheuil in Summer, 1880 (oil on canvas) by Monet, Claude (1840-1926); 60x99.7 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: The Doges Palace Seen from San Giorgio Maggiore, 1908 (oil on canvas)

The Doges Palace Seen from San Giorgio Maggiore, 1908 (oil on canvas)
3472141 The Doges Palace Seen from San Giorgio Maggiore, 1908 (oil on canvas) by Monet, Claude (1840-1926); 65.4x92.7 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Ice Floes, 1893 (oil on canvas)

Ice Floes, 1893 (oil on canvas)
3472140 Ice Floes, 1893 (oil on canvas) by Monet, Claude (1840-1926); 66x100.3 cm; Metropolitan Museum of Art, New York, USA; (add.info)

Background imageFrench Impressionism Collection: Cote des Grouettes, near Pontoise, c. 1878 (oil on canvas)

Cote des Grouettes, near Pontoise, c. 1878 (oil on canvas)
3471300 CAśte des Grouettes, near Pontoise, c.1878 (oil on canvas) by Pissarro, Camille (1830-1903); 74x60 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Bather in the Woods, 1895 (oil on canvas)

Bather in the Woods, 1895 (oil on canvas)
3471299 Bather in the Woods, 1895 (oil on canvas) by Pissarro, Camille (1830-1903); 60.3x73 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Haystacks, Morning, Eragny, 1899 (oil on canvas)

Haystacks, Morning, Eragny, 1899 (oil on canvas)
3471289 Haystacks, Morning, Eragny, 1899 (oil on canvas) by Pissarro, Camille (1830-1903); 63.5x80 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: Rue de l Epicerie, Rouen (Effect of Sunlight), 1898 (oil on canvas)

Rue de l Epicerie, Rouen (Effect of Sunlight), 1898 (oil on canvas)
3471288 Rue de l Epicerie, Rouen (Effect of Sunlight), 1898 (oil on canvas) by Pissarro, Camille (1830-1903); 81.3x65.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageFrench Impressionism Collection: A Cowherd at Valhermeil, Auvers-sur-Oise, 1874 (oil on canvas)

A Cowherd at Valhermeil, Auvers-sur-Oise, 1874 (oil on canvas)
3471287 A Cowherd at Valhermeil, Auvers-sur-Oise, 1874 (oil on canvas) by Pissarro, Camille (1830-1903); 54.9x92.1 cm; Metropolitan Museum of Art, New York

Background imageFrench Impressionism Collection: Washerwoman, Study, 1880 (oil on canvas)

Washerwoman, Study, 1880 (oil on canvas)
3471285 Washerwoman, Study, 1880 (oil on canvas) by Pissarro, Camille (1830-1903); 73x59.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Pissarros neighbour in Pontoise)



All Professionally Made to Order for Quick Shipping

French Impressionism was a revolutionary art movement that emerged in the late 19th century, challenging traditional artistic conventions and capturing fleeting moments of everyday life with vibrant brushstrokes and vivid colors. Artists like Claude Monet, Pierre-Auguste Renoir, and Edgar Degas sought to depict the essence of their subjects rather than focusing on precise details. In "Madame Cezanne in a Red Dress, " Paul Cezanne portrays his wife with loose brushwork and bold red tones, showcasing his mastery of color. Similarly, Vincent van Gogh's "The House of Dr. Gachet" captures the picturesque beauty of Auvers-sur-Oise through expressive brushstrokes. Edgar Degas' "Four Jockeys" showcases his fascination with movement as he skillfully depicts horses racing across the canvas. Meanwhile, Camille Pissarro's "Spring (Fruit Trees in Bloom)" transports viewers to a blossoming orchard filled with delicate pink flowers. "The Parc Monceau" by Gustave Caillebotte invites us into an elegant Parisian park where people stroll leisurely amidst lush greenery. Henri de Toulouse-Lautrec's "The Riders" offers a glimpse into horse races, highlighting his unique ability to capture energy and excitement. Berthe Morisot's intimate portrait titled "The Gardener" reveals her sensitivity towards domestic scenes while also emphasizing her technical prowess. In contrast, Édouard Manet's self-portrait exudes confidence as he gazes directly at the viewer. Impressionist artists were not limited to painting; they also experimented with other mediums such as etching and aquatint. Mary Cassatt's "Loges daActrices (Actressesa Dressing Rooms)" provides an insider view into theater life during that era while Edgar Degas' "At the Ambassadeurs" captures the lively atmosphere of a bustling cabaret.