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Framed Print : Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605). He is considered the founder of modern Natural History

Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605). He is considered the founder of modern Natural History



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Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605). He is considered the founder of modern Natural History

UIG5327064 Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605). He is considered the founder of modern Natural History. In Greek mythology and Roman mythology, a harpy was a female monster in the form of a bird with a human face. They steal food from their victims while they are eating and carry evildoers (especially those who have killed their family) to the Erinyes. They seem originally to have been wind spirits. Their name means "snatchers". Ulisse Aldrovandi, 1642 ©Buyenlarge/UIG/Leemage; Buyenlarge Archive/UIG

Media ID 38514374

© Buyenlarge Archive/UIG / Bridgeman Images

Do It Yourself Fantastic Animal Fantastic Creature Fantastic Creatures Internal Anatomy Monstruous Mythical Animal Mythical Beast Mythical Creature Mythical Creatures Science Fiction Skull Skulls Anatomist Monster


22"x18" (58x48cm) Modern Frame

Discover the fascinating world of Renaissance Woodcut monsters with this framed print featuring Harpy Secunda from the 1642 book Monstrorum Historia by Ulisse Aldrovandi. A unique piece of art for any natural history enthusiast.

Wood effect frame, card mounted, 16x12 archival quality photo print. Overall outside dimensions 22x18 inches (58x48cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 26.4cm x 39.6cm (10.4" x 15.6")

Estimated Product Size is 47.8cm x 57.9cm (18.8" x 22.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Hans Memling

> Africa > Egypt > Related Images

> Arts > Art Movements > Renaissance Art

> Arts > Artists > R > Roman Roman

> Arts > Modern art pieces

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Europe > Italy > Bologna

> Europe > Italy > Emilia-Romagna > Bologna

> Historic > Ancient civilizations > Ancient Egypt > Egyptian mythology

> Historic > Ancient civilizations > Ancient Greece > Greek history


EDITORS COMMENTS
This stunning Renaissance woodcut print of Harpy Secunda from the 1642 book Monstrorum Historia by Ulisse Aldrovandi captures the essence of this mythical creature in all its terrifying glory. The Egyptian harpy, with its bird-like body and human face, is depicted in intricate detail, showcasing Aldrovandi's pioneering work in natural history. In Greek and Roman mythology, harpies were feared for their ability to steal food from their victims and carry evildoers to the Erinyes. Originally believed to be wind spirits, these "snatchers" were a symbol of vengeance and punishment. Aldrovandi's meticulous engraving brings this fantastical creature to life, highlighting his expertise as an anatomist and artist. The intricate details of the harpy's anatomy are both fascinating and eerie, drawing viewers into a world where mythical beasts roam freely. This print serves as a reminder of Aldrovandi's contributions to modern natural history and his dedication to capturing the wonders of the animal kingdom. It is a testament to his skill as an engraver and his passion for exploring the unknown through art. As we gaze upon this image of Harpy Secunda, we are transported back in time to an era where monsters roamed the earth and legends came alive. It is a true masterpiece that continues to captivate audiences centuries after its creation.

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