Fantastic Creatures Collection

The Temptation of Saint Anthony (Oil on canvas)
7393515 The Temptation of Saint Anthony (Oil on canvas) by Callot, Jacques (1592-1635) (after); 47 x 72 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926440 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 154x256 cm; Chateau d'Angers

The Phoenix, 1607 (litho)
8667756 The Phoenix, 1607 (litho) by English School, (17th century) (after); Private Collection; (add.info.: The Phoenix, 1607)

London: Guards Band returning from Buckingham Palace, after changing of Guard (colour photo)
8627131 London: Guards Band returning from Buckingham Palace, after changing of Guard (colour photo) by English Photographer

Leo Major and Leo Minor, c.1825 (card, paper, tissue )
7340886 Leo Major and Leo Minor, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 20)

Camelopadalis, Tarandus and Custos Messium, c.1825 (card, paper, tissue )
7340873 Camelopadalis, Tarandus and Custos Messium, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London

Urania's Mirror or a View of the Heavens (Constellation cards), c.1825 (card, paper, tissue)
7340871 Urania's Mirror or a View of the Heavens (Constellation cards), c.1825 (card, paper, tissue) by Hall, Sydney (fl.1826); National Maritime Museum, London, UK; (add.info.: Box lid)

Flag or hanging depicting Ziwei Dadi, 1849 (cotton)
7340527 Flag or hanging depicting Ziwei Dadi, 1849 (cotton) by Unknown Artist, (19th century); 221x284.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Woman with unicorn, 1491 (engraving)
8723998 Woman with unicorn, 1491 (engraving) by German School, (15th century); Private Collection; (add.info.: Woman with Unicorn (Lady with Unicorn) engraving after Hortus Sanitatis

Plate, 1710-20 (earthenware)
7340687 Plate, 1710-20 (earthenware) by Unknown artist, (18th century); National Maritime Museum, London, UK; (add.info.: Creator: unknown Earthenware plate)

Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384376 Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Acroterium corner stone representing Medusa's head, belonging to a sarcophagus, 170-190 AD, Luni marble
6384416 Acroterium corner stone representing Medusa's head, belonging to a sarcophagus, 170-190 AD, Luni marble, National Roman Museum at the Baths of Diocletian, Rome

Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384374 Mask of a satyr, 2nd century AD, white marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Pan and a hamadryad (mosaic)
6384228 Pan and a hamadryad (mosaic); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Pan and a hamadryad); Photo © Stefano Baldini.

Dancing faun, Farnese collection (bronze)
6384223 Dancing faun, Farnese collection (bronze); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Dancing faun, Farnese collection); Photo © Stefano Baldini.

Statuette of a satyr
7287258 Statuette of a satyr; Vatican Museums and Galleries, Vatican City; (add.info.: Statuette of a satyr. Early imperial period inspired by late classical Greek art)

Satyr playing the flute
7287222 Satyr playing the flute; Vatican Museums and Galleries, Vatican City; (add.info.: Satyr playing the flute. Roman copy, second half of the 1st century AD of an Hellenistic bronze)

Acete, held prisoner by two soldiers, narrates the deeds of Bacchus to Pentheus and his retinue of warriors
8683582 Acete, held prisoner by two soldiers, narrates the deeds of Bacchus to Pentheus and his retinue of warriors, 1650-52 (wall tempera painting) by Boulanger

Venus gives the crown to Ariadne; on the clouds Venus, surrounded by cupids
8683580 Venus gives the crown to Ariadne; on the clouds Venus, surrounded by cupids, offers the crown of Vulcan to Ariadne seated next to Bacchus, 1650-52 (wall tempera painting) by Boulanger

Medea, in front of a tripod, rejuvenates the nurses of Bacchus placed in front of the sorceress in the company of
8683579 Medea, in front of a tripod, rejuvenates the nurses of Bacchus placed in front of the sorceress in the company of the god, 1650-52 (wall tempera painting) by Boulanger

Pegasus, 19th-20th century (oil on canvas)
8859838 Pegasus, 19th-20th century (oil on canvas) by Redon, Odilon (1840-1916); 65.4 x 54.5 cm; Private Collection; (add.info.: Painting by Odilon Redon); Photo © Christie's Images.

Demon and monstrous creatures, detail by an anonymous artist, Cathedral of the Assumption of the Virgin
AIS5363807 Demon and monstrous creatures, detail by an anonymous artist, Cathedral of the Assumption of the Virgin, Monastery of St

Dante Alighieri's Divine Comedy (1265-1321): Dante facing the entrance of Hell
AIS5349558 Dante Alighieri's Divine Comedy (1265-1321): Dante facing the entrance of Hell, from a 14th century manuscript (miniature); Biblioteca Nacional, Madrid, Spain; © Iberfoto.

The Damnation of Faust, c.1900 (illustration)
8698469 The Damnation of Faust, c.1900 (illustration) by Fraipont, Gustave (1849-1923); (add.info.: Music. La damnation de Faust (The Damnation of Faust), opera by Hector Berlioz (1845)

Bootes Canes Venatici, Coma Berenices and Quadrans Muralis, c.1825 (card, paper, tissue)
7339260 Bootes Canes Venatici, Coma Berenices and Quadrans Muralis, c.1825 (card, paper, tissue) by Hall, Sydney (fl.1826); 38.5x37.3x33.4 cm; National Maritime Museum, London

Chinese pirate flag, c.1849 (cotton)
7339172 Chinese pirate flag, c.1849 (cotton) by Unknown Artist, (19th century); 220.9x284.4 cm; National Maritime Museum, London

Volvelle giving the rules for predicting solar and lunar eclipses. One of the volvelles features a dragon with multiple
7340903 Volvelle giving the rules for predicting solar and lunar eclipses. One of the volvelles features a dragon with multiple heads and a partial solar eclipse

Monoceros, Canis Minor and Atelier Typographique, c.1825 (card, paper, tissue )
7340894 Monoceros, Canis Minor and Atelier Typographique, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London

Pisces, c.1825 (card, paper, tissue )
7340892 Pisces, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 27)

Capricornus, c.1825 (card, paper, tissue )
7340890 Capricornus, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 25)

Cancer, c.1825 (card, paper, tissue )
7340885 Cancer, c.1825 (card, paper, tissue ) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 19)

Delphinus, Sagitta, Aquila and Antinous, c.1825 (card, paper, tissue)
7340881 Delphinus, Sagitta, Aquila and Antinous, c.1825 (card, paper, tissue) by Hall, Sydney (fl.1826); 20.3x14 cm; National Maritime Museum, London, UK; (add.info.: Creator: Sidney Hall Plate 13)

Celestial Globe Gores, 1636-95 (paper, copper plate, engraving)
7340779 Celestial Globe Gores, 1636-95 (paper, copper plate, engraving) by Rossi, Domenico de' (1659-1730); 44x19 cm; National Maritime Museum, London

The Fairy felt a sharp nip (colour litho)
8630978 The Fairy felt a sharp nip (colour litho) by White, Flora (1878-1953); Private Collection; (add.info.: The Fairy felt a sharp nip)

Monstrum acephalon : Woodcut, Monstrum acephalon, monster without a head. From the 1642 book Monstrorum Historia by
UIG5327113 Monstrum acephalon : Woodcut, Monstrum acephalon, monster without a head. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Aries Biceps : Renaissance woodcut Ram. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna)
UIG5327069 Aries Biceps : Renaissance woodcut Ram. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Lupus Marinus Lupus Scythius : This creature looks a bit like a lion with a baboon's nose
UIG5327065 Lupus Marinus Lupus Scythius : This creature looks a bit like a lion with a baboon's nose and mane well-tamed by conditioner. "Lupus," however, suggests that it's a wolf

Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters
UIG5327064 Harpy Secunda : Harpyae secunda icon, Egyptian harpy. Renaissance Woodcut monsters. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Puer Cornutus : Puer cornutus: a child with horns. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi
UIG5327158 Puer Cornutus : Puer cornutus: a child with horns. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Sus Capite & Pedibus Humanis : Sus capite & pedibus humanis, pig with human head and hands
UIG5327153 Sus Capite & Pedibus Humanis : Sus capite & pedibus humanis, pig with human head and hands. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Pullus Equinus Humana Facie : Horse with human face. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi
UIG5327149 Pullus Equinus Humana Facie : Horse with human face. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Four Beasts : Hypertrichosis (also called Ambras syndrome) is an abnormal amount of hair growth over the body;
UIG5327174 Four Beasts : Hypertrichosis (also called Ambras syndrome) is an abnormal amount of hair growth over the body; extensive cases of hypertrichosis have informally been called werewolf

Agnus capite monstrifico : Agnus capite monstrifico, lamb with monstrous head
UIG5327169 Agnus capite monstrifico : Agnus capite monstrifico, lamb with monstrous head. From the 1642 book Monstrorum Historia by Ulisse Aldrovandi (Bologna, 1522-1605)

Pan. Sculpture representing Pan, a centaur playing the flute, god of nature in Greek mythology
BEN5468311 Pan. Sculpture representing Pan, a centaur playing the flute, god of nature in Greek mythology. Directed by Niccolo Pericoli Tribolo II (1500-1550), 1549. Bargello Museum, Florence

Roman antiquity: head of a medusa, carved sardoine (glyptic). (Inv. 25864), National Archaeological Museum of Naples
BEN5478373 Roman antiquity: head of a medusa, carved sardoine (glyptic). (Inv. 25864), National Archaeological Museum of Naples, Italy by Roman School ; Photo © Raffaello Bencini.

Plaque representing the portrait of a brig, with a mermaid-shaped bow figure with a mirror and a comb
MMM5475286 Plaque representing the portrait of a brig, with a mermaid-shaped bow figure with a mirror and a comb and the inscription 'Leith', c.1800 (pottery); National Maritime Museum

Double crowned mermaid. Engraving of a 15th century treaty
FGL5484123 Double crowned mermaid. Engraving of a 15th century treaty; Fototeca Gilardi.

Representation of a mermaid and an elf, imaginary creatures. Illustration by William de Morgan (1839-1917), 1877
FGL5484103 Representation of a mermaid and an elf, imaginary creatures. Illustration by William de Morgan (1839-1917), 1877; Fototeca Gilardi.

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Step into a world where imagination runs wild and fantastic creatures come to life. From the captivating painting of "The Temptation of Saint Anthony" to the intricate grottesche decoration at Radnor House, Middlesex, this collection transports you to a realm filled with mythical beings. In the engraving of "The Abduction of Amymone by the Sea Monster, " we witness a mesmerizing encounter between a brave heroine and an awe-inspiring creature from the depths. Meanwhile, "Perseus and Andromeda" showcases an epic battle against a fearsome sea monster, as love triumphs over adversity. Saint George takes center stage in two enchanting engravings - one depicting his valiant fight against the death dragon and another showcasing his legendary victory over the mighty dragon itself. These tales remind us that courage can conquer even the most formidable adversaries. "The Dream of The Doctor" invites us into a surreal dreamscape where bizarre creatures roam freely, blurring lines between reality and fantasy. Similarly, in "Preparations for The Banquet of The Gods for The Wedding of Cupid and Psyche, " we are immersed in an extravagant fresco teeming with fantastical beings celebrating love's union. Goya's haunting etching & aquatint piece titled "El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters)" serves as a reminder that when reason falters, our minds can conjure up both beauty and monstrosity alike. A classical landscape adorned with sphinxes transports us back in time to ancient civilizations where mythological creatures were revered as symbols of power and wisdom. Finally, another rendition of "The Temptation Of Saint Anthony" on wood captivates us with its rich colors and intricate details. These artworks remind us that within our own imaginations lies an entire universe brimming with extraordinary creatures waiting to be discovered.