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Framed Print : Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)
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Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)
1199575 Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper) by Rossetti, Dante Gabriel Charles (1828-82); 31.7x26.3 cm; Private Collection; Photo eChristies Images; English, out of copyright
Media ID 23693168
© Christie's Images / Bridgeman Images
Arm Chair Arm Resting Armchair Armchairs Artists Family Artists Model Artists Wife Asleep Blue Paper British Art Brown Hair Brunette Calm Dante Gabriel Rossetti Dark Hair Dozing Dream Dream Like Dreaming Dreams Dreamtime Etude Exhausted Exhaustion Eyes Closed Facial Expression Fatigue Female Garment Hand On Face Hands On Face Head Tilted Human Role Jane Morris Leaning On Elbow Long Hair Model Moment Peace Peaceful Pencil Pencil Drawing Pre Raphaelite Art Quiet Raphaelite Repose Rest Rosetti Rosseti Rossetti Seating Sleepy Somnolance Somnolence Studies Taking A Rest Tired Tired Out Tiredness Tranquil Tranquility Upholstered Upholstery Using Hands Victorian Art Victorian Pictures Weary Woman Alone Apparel Artist British British Artist Ethnic Origin Portrait Style Portraiture Positive Concepts Pre Raphaelite
14"x12" (38x32cm) Modern Frame
Bring timeless beauty into your home with the Media Storehouse Framed Prints featuring "Study of Jane Morris Asleep in an Upholstered Armchair" by Dante Gabriel Rossetti from Bridgeman Images. This exquisite pencil drawing on blue paper captures the serene and ethereal portrait of Jane Morris, muse and model for many of Rossetti's most iconic works. The high-quality print is expertly framed, adding a touch of sophistication and artistry to any room. Immerse yourself in the rich history and allure of Fine Art Finder's extensive collection and make this masterpiece a cherished addition to your personal gallery.
Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 24.4cm (8" x 9.6")
Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Study of Jane Morris Asleep in an Upholstered Armchair
EDITORS COMMENTS
captures a moment of serene tranquility within the confines of a nineteenth-century interior. In this pencil drawing by British artist Dante Gabriel Charles Rossetti, we are presented with a close-up view of Jane Morris, the artist's wife and muse, as she peacefully dozes off in an elegant armchair. The composition focuses on Jane's delicate features and her long brown hair cascading over her shoulder. With her head resting on her hand and eyes closed, she appears lost in dreams while leaning on her elbow. The fine details of the artwork highlight the intricate upholstery of the chair and the folds of Jane's garment. Rossetti's pre-Raphaelite style is evident through his meticulous attention to detail and emphasis on capturing natural beauty. Through this intimate portrayal, he invites us into a world where time seems suspended, allowing us to appreciate both the physicality and emotional depth conveyed by his subjects. This study not only showcases Rossetti's technical skill but also offers insight into Victorian ideals of femininity and domesticity. It serves as a testament to both his artistic prowess and his deep connection with Jane Morris as both his wife and muse. As we gaze upon this image, we cannot help but be drawn into its quiet ambiance—a fleeting glimpse into moments that transcend time itself.
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