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Blue Paper Collection

And white chalk on blue paper)). "Blue Paper: A Canvas of Artistic Expression" The use as a medium for artistic creations has captivated artists throughout history

Background imageBlue Paper Collection: Rooftop Cafe, 1925 (pastel on blue paper laid down on board)

Rooftop Cafe, 1925 (pastel on blue paper laid down on board)
985265 Rooftop Cafe, 1925 (pastel on blue paper laid down on board) by Shinn, Everett (1876-1953); 28.5x38.8 cm; Private Collection; (add.info.: Rooftop Cafe. Everett Shinn (1876-1953)

Background imageBlue Paper Collection: Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)

Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper)
1199575 Study of Jane Morris Asleep in an Upholstered Armchair, (pencil on blue paper) by Rossetti, Dante Gabriel Charles (1828-82)

Background imageBlue Paper Collection: Julie in Pink by the Lakeside (recto), 1886 (pastel on blue paper)

Julie in Pink by the Lakeside (recto), 1886 (pastel on blue paper)
988513 Julie in Pink by the Lakeside (recto), 1886 (pastel on blue paper) by Morisot, Berthe (1841-95); 52.1x44.4 cm; Private Collection; (add.info)

Background imageBlue Paper Collection: Study of the Head of a Bearded Man Turned to the Left, 1590 (black, red

Study of the Head of a Bearded Man Turned to the Left, 1590 (black, red
659254 Study of the Head of a Bearded Man Turned to the Left, 1590 (black, red, yellow and white chalk, on faded blue paper) by Barocci or Baroccio

Background imageBlue Paper Collection: Praying Hands, 1508 (brush, ink and wash)

Praying Hands, 1508 (brush, ink and wash)
3696948 Praying Hands, 1508 (brush, ink and wash) by DAorer or Duerer, Albrecht (1471-1528); 29.1x19.7 cm; Graphische Sammlung Albertina, Vienna

Background imageBlue Paper Collection: Study of the Bust of Giulio Contarini Seen from the Left (recto)

Study of the Bust of Giulio Contarini Seen from the Left (recto)
659223 Study of the Bust of Giulio Contarini Seen from the Left (recto), (red and white chalk on blue paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Background imageBlue Paper Collection: Study of the Head of Venus, After the Antique, (red and white chalk on blue paper)

Study of the Head of Venus, After the Antique, (red and white chalk on blue paper)
659224 Study of the Head of Venus, After the Antique, (red and white chalk on blue paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 25.2x18.4 cm; Private Collection; (add.info)

Background imageBlue Paper Collection: Peasant Couple in the Cottage, 1919 (woodcut on heavy blue wove paper)

Peasant Couple in the Cottage, 1919 (woodcut on heavy blue wove paper)
988333 Peasant Couple in the Cottage, 1919 (woodcut on heavy blue wove paper) by Kirchner, Ernst Ludwig (1880-1938); 57.2x36.8 cm; Private Collection; (add.info)

Background imageBlue Paper Collection: A Seated Female Nude, (black and white chalk on blue paper)

A Seated Female Nude, (black and white chalk on blue paper)
989642 A Seated Female Nude, (black and white chalk on blue paper) by Prud hon, Pierre-Paul (1758-1823); 52x31.1 cm; Private Collection; (add.info.: A Seated Female Nude)

Background imageBlue Paper Collection: Castle Butte, Green River, Wyoming, 1894 (watercolour and pencil on blue paper)

Castle Butte, Green River, Wyoming, 1894 (watercolour and pencil on blue paper)
985243 Castle Butte, Green River, Wyoming, 1894 (watercolour and pencil on blue paper) by Moran, Thomas (1837-1926); 38x54.5 cm; Private Collection; (add.info.: Castle Butte, Green River, Wyoming)

Background imageBlue Paper Collection: Portrait of Pasitea Crogi, her Eyes Closed in Ecstacy, (black

Portrait of Pasitea Crogi, her Eyes Closed in Ecstacy, (black
827609 Portrait of Pasitea Crogi, her Eyes Closed in Ecstacy, (black, red and white chalk on blue paper) by Vanni, Francesco (1563-1610); 18.2x14.2 cm; Private Collection; (add.info)

Background imageBlue Paper Collection: Head of an Old Man looking up, (red and white chalk on blue paper)

Head of an Old Man looking up, (red and white chalk on blue paper)
1197621 Head of an Old Man looking up, (red and white chalk on blue paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 27x20 cm; Private Collection; Photo eChristies Images; Italian

Background imageBlue Paper Collection: Profile of a Dancer, (charcoal with white chalk on blue paper)

Profile of a Dancer, (charcoal with white chalk on blue paper)
988316 Profile of a Dancer, (charcoal with white chalk on blue paper) by Degas, Edgar (1834-1917); 46x30 cm; Private Collection; (add.info.: Profile of a Dancer; Danseuse vue de Profil)

Background imageBlue Paper Collection: The Road Mender, (black and white chalks on blue paper)

The Road Mender, (black and white chalks on blue paper)
989373 The Road Mender, (black and white chalks on blue paper) by Millet, Jean-Francois (1814-75); 41.3x30.5 cm; Private Collection; (add.info.: The Road Mender; Le Cantonnier)

Background imageBlue Paper Collection: The Baptism of Christ, (black chalk, grey wash on blue paper)

The Baptism of Christ, (black chalk, grey wash on blue paper)
827540 The Baptism of Christ, (black chalk, grey wash on blue paper) by Caliari, Carlo (1570-1596); 54x36.5 cm; Private Collection; (add.info.: The Baptism of Christ. Carlo Caliari (1570-1596)

Background imageBlue Paper Collection: Views Residency burial ground Maysore Photograph albums

Views Residency burial ground Maysore Photograph albums
Views of the Residency burial ground, Maysore, Photograph albums of Mrs. Lewis Percival, Percival family album, Albumen (on blue paper), 186-?, Album page contains two photographs

Background imageBlue Paper Collection: Head Constant Moyaux letters papers 1852-1886

Head Constant Moyaux letters papers 1852-1886
Head, Constant Moyaux letters and papers, 1852-1886, Lettres de Constant Moyaux, Moyaux, Constant, 1835?-1900?, Watercolor on blue paper, ca

Background imageBlue Paper Collection: Bearded Man Filling Glass Giorgio Vasari Italian

Bearded Man Filling Glass Giorgio Vasari Italian
Bearded Man Filling a Glass; Giorgio Vasari (Italian, 1511 - 1574); about 1544 - 1545; Pen and brown ink and brown wash over black chalk, heightened with white gouache

Background imageBlue Paper Collection: Youth Running Giorgio Vasari Italian 1511 1574

Youth Running Giorgio Vasari Italian 1511 1574
Youth Running; Giorgio Vasari (Italian, 1511 - 1574); about 1544 - 1545; Pen and brown ink and brown wash over traces of black chalk, heightened with white gouache

Background imageBlue Paper Collection: Christ Savior Saints John Baptist Jerome Catherine

Christ Savior Saints John Baptist Jerome Catherine
Christ the Savior above Saints John the Baptist, Jerome, Catherine, and Thomas; Giuseppe Porta (Giuseppe Salviati) (Italian)

Background imageBlue Paper Collection: Study Woman Hands Cornelis Jansen van Ceulen

Study Woman Hands Cornelis Jansen van Ceulen
Study of a Womans Hands; Cornelis Jansen van Ceulen (Cornelius Jonson) (British, 1593 - 1661); Netherlands; 1646; Black and white chalk on blue paper; 19.1 × 29.5 cm (7 1, 2 × 11 5, 8 in.)

Background imageBlue Paper Collection: Conversion Saint Paul Taddeo Zuccaro Italian

Conversion Saint Paul Taddeo Zuccaro Italian
The Conversion of Saint Paul; Taddeo Zuccaro (Italian, 1529 - 1566); Italy; 1558, 1559 - 1566; Pen and brown ink, brush with brown wash, black chalk

Background imageBlue Paper Collection: Saint Paul Giovanni Girolamo Savoldo Italian

Saint Paul Giovanni Girolamo Savoldo Italian
Saint Paul; Giovanni Girolamo Savoldo (Italian (Lombard), about 1480 - after 1548); Italy; 1533; Black, white and red chalk on blue paper; top corners trimmed; 28.4 x 22.5 cm (11 3, 16 x 8 7, 8 in.)

Background imageBlue Paper Collection: Young Man Standing Govaert Flinck Dutch 1615

Young Man Standing Govaert Flinck Dutch 1615
A Young Man Standing; Govaert Flinck (Dutch, 1615 - 1660); Netherlands; about 1658; Black and white chalk on blue paper; 40.8 x 21.4 cm (16 1, 16 x 8 7, 16 in.)

Background imageBlue Paper Collection: Raising Son Widow Naim recto Madonna Child Saints

Raising Son Widow Naim recto Madonna Child Saints
Raising of the Son of the Widow of Naim (recto) Madonna and Child with Saints (verso); Giovanni Battista Naldini (Italian, about 1537 - 1591); Italy; about 1570 - 1580; Pen and iron gall ink

Background imageBlue Paper Collection: Nude Man Carrying Rudder Shoulder Titian Tiziano Vecellio

Nude Man Carrying Rudder Shoulder Titian Tiziano Vecellio
Nude Man Carrying a Rudder on His Shoulder; Titian (Tiziano Vecellio) (Italian, about 1487 - 1576); about 1555 - 1556; Black chalk, heightened with white chalk, on blue paper; 28.7 x 15.6 cm (11 5)

Background imageBlue Paper Collection: Angel Musicians Morazzone Pier Francesco Mazzuchelli

Angel Musicians Morazzone Pier Francesco Mazzuchelli
Angel Musicians; Morazzone (Pier Francesco Mazzuchelli) (Italian, 1573 - 1626); Italy; about 1598 - 1599; Black chalk, brown wash and white gouache heightening on blue paper (recto)

Background imageBlue Paper Collection: Resurrection Santi di Tito Italian 1536 1603

Resurrection Santi di Tito Italian 1536 1603
The Resurrection; Santi di Tito (Italian, 1536 - 1603); about 1568; Pen and brown ink over black chalk on blue paper; 37.5 x 25.4 cm (14 3, 4 x 10 in.)

Background imageBlue Paper Collection: Reclining Male Figure Francois Boucher French

Reclining Male Figure Francois Boucher French
Reclining Male Figure; Francois Boucher (French, 1703 - 1770); 1736; Black, red and white chalk on blue paper; 27.9 x 44.1 cm (11 x 17 3, 8 in.)

Background imageBlue Paper Collection: Figure Study Federico Barocci Italian 1535 1612

Figure Study Federico Barocci Italian 1535 1612
Figure Study; Federico Barocci (Italian, about 1535 - 1612); Italy; 1603 - 1607; Black and white chalk, beige chalk on right knee, stylus indentations

Background imageBlue Paper Collection: Young Man Fur Hat Holding Staff recto Study Head

Young Man Fur Hat Holding Staff recto Study Head
A Young Man with a Fur Hat Holding a Staff (recto); Study of the Head of a Man with a White Collar (verso); Jacob Adriaensz Backer (Dutch)

Background imageBlue Paper Collection: Portrait Theophile Van Robais Jean-Baptiste Perronneau

Portrait Theophile Van Robais Jean-Baptiste Perronneau
Portrait of Theophile Van Robais; Jean-Baptiste Perronneau (French, 1715 - 1783); France; 1770; Pastel on three sheets of blue paper, mounted on a prepared canvas; 74.3 × 57.5 cm (29 1, 4 × 22 5)

Background imageBlue Paper Collection: Portrait Lady Jean-Etienne Liotard Swiss 1702

Portrait Lady Jean-Etienne Liotard Swiss 1702
Portrait of a Lady; Jean-Etienne Liotard (Swiss, 1702 - 1789); 1758 - 1762; Black, white and traces of red chalk on blue paper; 62.2 × 50.8 cm (24 1, 2 × 20 in.)

Background imageBlue Paper Collection: Eagle Magpie Jean-Baptiste Oudry French 1686

Eagle Magpie Jean-Baptiste Oudry French 1686
The Eagle and the Magpie; Jean-Baptiste Oudry (French, 1686 - 1755); 1733; Brush and black ink, gray wash, heightened with white gouache, on blue paper; 30.6 × 25.6 cm (12 1, 16 × 10 1, 16 in.)

Background imageBlue Paper Collection: Wolf Fox Jean-Baptiste Oudry French 1686 1755

Wolf Fox Jean-Baptiste Oudry French 1686 1755
The Wolf and the Fox; Jean-Baptiste Oudry (French, 1686 - 1755); 1733; Brush and black ink and brush and gray wash, heightened with white gouache, on blue paper; 31.1 × 26 cm (12 1, 4 × 10 1)

Background imageBlue Paper Collection: Belphagore Jean-Baptiste Oudry French 1686 1755

Belphagore Jean-Baptiste Oudry French 1686 1755
Belphagore; Jean-Baptiste Oudry (French, 1686 - 1755); 1734; Brush and black ink, gray wash, heightened with white gouache, on blue paper; 31.1 x 26 cm (12 1, 4 x 10 1, 4 in.)

Background imageBlue Paper Collection: Study Female Nude Pierre-Paul Prud hon French

Study Female Nude Pierre-Paul Prud hon French
Study of a Female Nude; Pierre-Paul Prud hon (French, 1758 - 1823); about 1800; Black and white chalk with stumping on blue paper; 60.3 x 31.8 cm (23 3, 4 x 12 1, 2 in.)

Background imageBlue Paper Collection: Portrait Joseph Gulston Brother John Gulston

Portrait Joseph Gulston Brother John Gulston
Portrait of Joseph Gulston and his Brother John Gulston; Francis Cotes (British, 1726 - 1770); 1754; Pastel on blue paper; in original gilt wood, Carlo, frame; 67.3 × 82.6 cm (26 1, 2 × 32 1)

Background imageBlue Paper Collection: Portrait Man Joseph Vivien French 1657 1734 France

Portrait Man Joseph Vivien French 1657 1734 France
Portrait of a Man; Joseph Vivien (French, 1657 - 1734); France; about 1725; Pastel on blue paper; 91.4 × 66 cm (36 × 26 in.)

Background imageBlue Paper Collection: Ariadne 1900 Henri Fantin-Latour French 1836-1904

Ariadne 1900 Henri Fantin-Latour French 1836-1904
Ariadne, 1900. Henri Fantin-Latour (French, 1836-1904). Lithograph on blue paper; sheet: 31.6 x 24.2 cm (12 7/16 x 9 1/2 in.); image: 16 x 12 cm (6 5/16 x 4 3/4 in.)

Background imageBlue Paper Collection: Traunstein River Road Empfig Bavaria 1893-96

Traunstein River Road Empfig Bavaria 1893-96
Traunstein River on the Road to Empfig, Bavaria, about 1893-96. William Stanley Haseltine (American, 1835-1900). Watercolor and gouache on blue paper; sheet

Background imageBlue Paper Collection: Agony Garden 1591 Santi di Tito Italian 1536-1602

Agony Garden 1591 Santi di Tito Italian 1536-1602
The Agony in the Garden, c. 1591. Santi di Tito (Italian, 1536-1602). Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs

Background imageBlue Paper Collection: Gentlel Night Nuit douce 1899 Henri-Jules Guinier

Gentlel Night Nuit douce 1899 Henri-Jules Guinier
Gentlel Night (Nuit douce), 1899. Henri-Jules Guinier (French, 1867-1927). Lithograph on blue paper; sheet: 31.4 x 26.5 cm (12 3/8 x 10 7/16 in.); secondary support

Background imageBlue Paper Collection: Calligraphy 1702 Ahmad al-Husaini Gold blue paper

Calligraphy 1702 Ahmad al-Husaini Gold blue paper
Calligraphy, 1702. Ahmad al-Husaini. Gold on blue paper, four lines of thuluth calligraphy (verso); page: 28.2 x 24.1 cm (11 1/8 x 9 1/2 in.)

Background imageBlue Paper Collection: Akbar supervising capture wild elephants Malwa

Akbar supervising capture wild elephants Malwa
Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90 from an Akbar-nama (Book of Akbar) of Abu l Fazl (Indian 1551-1602), c. 1602-3; borders added c. 1700s

Background imageBlue Paper Collection: A female figure standing landscape holding four-stringed khuuchir”

A female figure standing landscape holding four-stringed khuuchir”
A female figure standing in a landscape holding a four-stringed " khuuchir" and a lotus, c. 1590. India, Mughal, late 16th century

Background imageBlue Paper Collection: Church Saints Peter Paul Schelle Antwerp North

Church Saints Peter Paul Schelle Antwerp North
Artokoloro

Background imageBlue Paper Collection: Four Studies Recumbent Female Nudes Galatea ca

Four Studies Recumbent Female Nudes Galatea ca
Artokoloro



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And white chalk on blue paper)). "Blue Paper: A Canvas of Artistic Expression" The use as a medium for artistic creations has captivated artists throughout history. From delicate pencil sketches to vibrant pastel compositions, this unique canvas adds depth and character to their masterpieces. In "Study of Jane Morris Asleep in an Upholstered Armchair, " the artist's pencil strokes gracefully dance across the blue paper, capturing the peaceful slumber of Jane Morris with remarkable detail. The soft hues blend seamlessly with the tranquil scene, creating a sense of serenity that envelops the viewer. "Julie in Pink by the Lakeside" showcases another facet of blue paper's versatility. With pastels delicately applied on its surface, this artwork transports us to a picturesque lakeside setting. The subtle interplay between pink and blue evokes a dreamlike ambiance, inviting us to immerse ourselves in its ethereal beauty. "A View in the Roman Campagna" demonstrates how watercolor and gouache effortlessly meld with blue paper. The vibrant colors breathe life into ancient ruins, while hints of red add intrigue and drama to this captivating landscape. Moving back through time, "Study of the Head of a Bearded Man Turned to the Left" reveals an intriguing contrast between black and red ink against deep-blue parchment. This striking combination accentuates every contour and expression etched onto this enigmatic figure's face, leaving us pondering his story. Diving further into history brings us "Praying Hands, " where brushwork meets ink and wash techniques on blue paper. The simplicity yet profound emotion captured within these hands resonates deeply within our souls—a testament to both faith and artistry combined harmoniously on this unconventional canvas. In "Study of the Bust Giulio Contarini Seen from Left (recto), " we witness how even pen strokes find solace upon textured blue parchment. Every line meticulously drawn breathes life into the subject, immortalizing their presence for generations to come.