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The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving)
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The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving)
5997520 The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving) by Gillray, James (1757-1815) (after); Private Collection; (add.info.: The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803. Illustration from Caricature History of the Georges or, Annals of the House of Hanover, Compiled from the Squibs, Broadsides, Window Pictures, Lampoons and Political Caricatures of the Time, by Thomas Wright (John Cmden Hotten, Piccadilly, London, c1867).); © Look and Learn
Media ID 23588050
© Look and Learn / Bridgeman Images
Belshazzar Consul Dinner Drank Early 19th Century Feast Feasting Guards Lampooning Mocking Napoleon Bonaparte Napoleonic Battle Napoleonic Conquest Napoleonic War Napoleonic Wars Parody Josephine Beauharnais War Scene War Zone
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EDITORS COMMENTS
The Hand-writing on the Wall: parody on Belshazzar's feast depicting Napoleon and his wife Josephine, 1803" is a satirical engraving by James Gillray that offers a humorous take on the historical events of its time. The artwork, originally published in Thomas Wright's "Caricature History of the Georges" showcases Gillray's talent for political caricature. In this print, we see Napoleon Bonaparte and his wife Josephine depicted as King Belshazzar and Queen Nitocris from the biblical story. Surrounding them are soldiers and guards engaged in feasting and revelry. The scene is filled with witty details that mock both French and British politics of the early 19th century. Gillray uses satire to lampoon Napoleon's reign as Consul of France, highlighting his ambition through this playful comparison to an ancient king. By portraying him at a lavish feast, Gillray suggests that Napoleon is indulging in excess while neglecting his responsibilities as a leader. The inclusion of Josephine adds another layer to the satire, poking fun at her influence over Napoleon. Her presence implies that she holds significant power within their relationship, perhaps even overshadowing her husband. Overall, this engraving serves as a scathing commentary on both French and British society during this period. It demonstrates Gillray's skill in using humor to critique political figures and events while providing viewers with an entertaining glimpse into history.
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