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Canvas Print : The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving)

The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving)



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The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving)

5997520 The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving) by Gillray, James (1757-1815) (after); Private Collection; (add.info.: The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803. Illustration from Caricature History of the Georges or, Annals of the House of Hanover, Compiled from the Squibs, Broadsides, Window Pictures, Lampoons and Political Caricatures of the Time, by Thomas Wright (John Cmden Hotten, Piccadilly, London, c1867).); © Look and Learn

Media ID 23588050

© Look and Learn / Bridgeman Images

Belshazzar Consul Dinner Drank Early 19th Century Feast Feasting Guards Lampooning Mocking Napoleon Bonaparte Napoleonic Battle Napoleonic Conquest Napoleonic War Napoleonic Wars Parody Josephine Beauharnais War Scene War Zone


20"x16" (50x40cm) Canvas Print

Bring historical artistry into your home with Media Storehouse's Canvas Prints. This captivating piece, "The Hand-writing on the Wall: Parody on Belshazzar's Feast Depicting Napoleon and His Wife Josephine, 1803," is an engraving by the renowned British satirist James Gillray. The witty parody of Belshazzar's feast replaces the biblical figures with Napoleon and Josephine, adding a fascinating twist to the original story. Each Canvas Print is meticulously crafted with premium materials, ensuring vibrant colors and a stunning finish. Elevate your interior décor with this intriguing work of art from Fine Art Finder.

Ready to hang Premium Gloss Canvas Print. Our archival quality canvas prints are made from Polyester and Cotton mix and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Architecture > Great Houses

> Arts > Artists > G > James Gillray

> Arts > Artists > H > Thomas Hand

> Arts > Pop art > Satire > Humorous artworks

> Arts > Pop art > Satire > Satirical artwork

> Asia > Georgia > Related Images

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> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > Politics

> Fine Art Finder > Artists > James (after) Gillray

> Fine Art Finder > Artists > Lawrence (after) Alma-Tadema


EDITORS COMMENTS
The Hand-writing on the Wall: parody on Belshazzar's feast depicting Napoleon and his wife Josephine, 1803" is a satirical engraving by James Gillray that offers a humorous take on the historical events of its time. The artwork, originally published in Thomas Wright's "Caricature History of the Georges" showcases Gillray's talent for political caricature. In this print, we see Napoleon Bonaparte and his wife Josephine depicted as King Belshazzar and Queen Nitocris from the biblical story. Surrounding them are soldiers and guards engaged in feasting and revelry. The scene is filled with witty details that mock both French and British politics of the early 19th century. Gillray uses satire to lampoon Napoleon's reign as Consul of France, highlighting his ambition through this playful comparison to an ancient king. By portraying him at a lavish feast, Gillray suggests that Napoleon is indulging in excess while neglecting his responsibilities as a leader. The inclusion of Josephine adds another layer to the satire, poking fun at her influence over Napoleon. Her presence implies that she holds significant power within their relationship, perhaps even overshadowing her husband. Overall, this engraving serves as a scathing commentary on both French and British society during this period. It demonstrates Gillray's skill in using humor to critique political figures and events while providing viewers with an entertaining glimpse into history.

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