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Antique Framed Print : The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving)

The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving)



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The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving)

5997520 The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803 (engraving) by Gillray, James (1757-1815) (after); Private Collection; (add.info.: The Hand-writing on the Wall: parody on Belshazzars feast depicting Napoleon and his wife Josephine, 1803. Illustration from Caricature History of the Georges or, Annals of the House of Hanover, Compiled from the Squibs, Broadsides, Window Pictures, Lampoons and Political Caricatures of the Time, by Thomas Wright (John Cmden Hotten, Piccadilly, London, c1867).); © Look and Learn

Media ID 23588050

© Look and Learn / Bridgeman Images

Belshazzar Consul Dinner Drank Early 19th Century Feast Feasting Guards Lampooning Mocking Napoleon Bonaparte Napoleonic Battle Napoleonic Conquest Napoleonic War Napoleonic Wars Parody Josephine Beauharnais War Scene War Zone


14"x12" (36x31cm) Antique Frame

Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 24.4cm x 19.8cm (9.6" x 7.8")

Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Animals > Mammals > Muridae > House Mouse

> Architecture > Great Houses

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> Arts > Artists > H > Thomas Hand

> Arts > Pop art > Satire > Humorous artworks

> Arts > Pop art > Satire > Satirical artwork

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> Europe > United Kingdom > England > Politics

> Fine Art Finder > Artists > James (after) Gillray

> Fine Art Finder > Artists > Lawrence (after) Alma-Tadema


EDITORS COMMENTS
The Hand-writing on the Wall: parody on Belshazzar's feast depicting Napoleon and his wife Josephine, 1803" is a satirical engraving by James Gillray that offers a humorous take on the historical events of its time. The artwork, originally published in Thomas Wright's "Caricature History of the Georges" showcases Gillray's talent for political caricature. In this print, we see Napoleon Bonaparte and his wife Josephine depicted as King Belshazzar and Queen Nitocris from the biblical story. Surrounding them are soldiers and guards engaged in feasting and revelry. The scene is filled with witty details that mock both French and British politics of the early 19th century. Gillray uses satire to lampoon Napoleon's reign as Consul of France, highlighting his ambition through this playful comparison to an ancient king. By portraying him at a lavish feast, Gillray suggests that Napoleon is indulging in excess while neglecting his responsibilities as a leader. The inclusion of Josephine adds another layer to the satire, poking fun at her influence over Napoleon. Her presence implies that she holds significant power within their relationship, perhaps even overshadowing her husband. Overall, this engraving serves as a scathing commentary on both French and British society during this period. It demonstrates Gillray's skill in using humor to critique political figures and events while providing viewers with an entertaining glimpse into history.

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