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Cushion : The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue
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The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue
The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue Misty Outline of a Human Figure, 1896
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Media ID 19644390
© Heritage Art/Heritage Images
1840 1916 1858 1936 Auguste Clot Auguste Clot French Late 19th Century Odilon Redon Odilon Redon French
Medium 18" Cushion (46x46cm)
18"x18" (46x46cm) Fibre filled cushion with a plush soft feel. Your choice of image fills the front, with a stone coloured faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft cushions
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this lithograph titled "The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue Misty Outline of a Human Figure" created in 1896 by French artist Odilon Redon, we are transported into a world of mystery and intrigue. The print, now housed at The Cleveland Museum of Art, showcases Redon's mastery in capturing ethereal elements. As our eyes delve into the scene, we find ourselves fixated on an empty chair that seems to hold an otherworldly presence. A pale blue misty outline takes shape upon its surface, hinting at the existence of a ghostly figure. Redon's use of delicate lines and subtle shading creates an atmosphere filled with both tension and curiosity. The composition evokes feelings of uncertainty as we wonder about the story behind this haunted house. What secrets lie within its walls? Is there a connection between the spectral figure and the abandoned chair? With each gaze upon this lithograph, new questions arise. Through his unique artistic style, Odilon Redon transports us to another realm where reality intertwines with fantasy. This late 19th-century masterpiece is not just a mere depiction but rather an invitation for viewers to explore their own imagination and conjure up their interpretations. "The Haunted House" serves as a testament to Redon's ability to capture intangible emotions through visual artistry while leaving room for personal reflection. It stands as one of his most enigmatic works
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