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Framed Print : The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue

The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue



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The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue

The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue Misty Outline of a Human Figure, 1896

Heritage Images features heritage image collections

Media ID 19644390

© Heritage Art/Heritage Images

1840 1916 1858 1936 Auguste Clot Auguste Clot French Late 19th Century Odilon Redon Odilon Redon French


14"x12" (38x32cm) Modern Frame

Step into the captivating world of Heritage Art's "The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue" print. This intriguing piece, originally created in 1896, invites you to explore the depths of the unknown. The haunting image of an old, abandoned house beckons, as your gaze is drawn to the chair in the foreground. A sense of unease settles in as a pale blue misty outline of a human figure begins to take shape. Add an air of mystery and intrigue to any room with this beautifully framed print from Media Storehouse's extensive collection. Each print is meticulously framed and delivered ready to hang, ensuring a stunning addition to your home or office decor.

Wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (38x32cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 16.8cm x 24.4cm (6.6" x 9.6")

Estimated Product Size is 32.5cm x 37.6cm (12.8" x 14.8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > Odilon Redon

> Europe > United Kingdom > England > Cleveland

> Heritage Images > Halloween


EDITORS COMMENTS
In this lithograph titled "The Haunted House: I Continued to Gaze on the Chair, and Fancied I Saw on it a Pale Blue Misty Outline of a Human Figure" created in 1896 by French artist Odilon Redon, we are transported into a world of mystery and intrigue. The print, now housed at The Cleveland Museum of Art, showcases Redon's mastery in capturing ethereal elements. As our eyes delve into the scene, we find ourselves fixated on an empty chair that seems to hold an otherworldly presence. A pale blue misty outline takes shape upon its surface, hinting at the existence of a ghostly figure. Redon's use of delicate lines and subtle shading creates an atmosphere filled with both tension and curiosity. The composition evokes feelings of uncertainty as we wonder about the story behind this haunted house. What secrets lie within its walls? Is there a connection between the spectral figure and the abandoned chair? With each gaze upon this lithograph, new questions arise. Through his unique artistic style, Odilon Redon transports us to another realm where reality intertwines with fantasy. This late 19th-century masterpiece is not just a mere depiction but rather an invitation for viewers to explore their own imagination and conjure up their interpretations. "The Haunted House" serves as a testament to Redon's ability to capture intangible emotions through visual artistry while leaving room for personal reflection. It stands as one of his most enigmatic works

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