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William (1789-1862) Turner Cushion Collection

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Background imageWilliam (1789-1862) Turner Cushion Collection: Enamels from the Royal Manufactory at Sevres, for the Great Exhibition, 1851, by F. Moras (litho)

Enamels from the Royal Manufactory at Sevres, for the Great Exhibition, 1851, by F. Moras (litho)
GHL55908 Enamels from the Royal Manufactory at Sevres, for the Great Exhibition, 1851, by F. Moras (litho); London Metropolitan Archives, City of London; © London Metropolitan Archives

Background imageWilliam (1789-1862) Turner Cushion Collection: Charles Augustus Howell, 1882 (coloured chalk on pale blue paper)

Charles Augustus Howell, 1882 (coloured chalk on pale blue paper)
1217520 Charles Augustus Howell, 1882 (coloured chalk on pale blue paper) by Sandys, Anthony Frederick Augustus (1829-1904); 91x65 cm; Ashmolean Museum, University of Oxford

Background imageWilliam (1789-1862) Turner Cushion Collection: Oxford from Hinksey Hill

Oxford from Hinksey Hill
AGN49558 Oxford from Hinksey Hill by Turner, William (Turner of Oxford) (1789-1862); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Corpus Christi College, Oxford, (pencil and watercolour)

Corpus Christi College, Oxford, (pencil and watercolour)
824154 Corpus Christi College, Oxford, (pencil and watercolour) by Turner, William (Turner of Oxford) (1789-1862); 22.3x33.4 cm; Private Collection; (add.info.: Corpus Christi College, Oxford)

Background imageWilliam (1789-1862) Turner Cushion Collection: Interior of Villa Emo (photo)

Interior of Villa Emo (photo)
3527053 Interior of Villa Emo (photo) by Palladio, Andrea (1508-80)

Background imageWilliam (1789-1862) Turner Cushion Collection: A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris, c

A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris, c
XOS5884340 A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris, c. 1850 (w/c with scratch-away, heightened with white) by Turner

Background imageWilliam (1789-1862) Turner Cushion Collection: Dort, Holland, 1826 (watercolour on paper)

Dort, Holland, 1826 (watercolour on paper)
7528572 Dort, Holland, 1826 (watercolour on paper) by Austin, Samuel (1796-1834); 50x33.5 cm; Gallery Oldham, UK; (add.info)

Background imageWilliam (1789-1862) Turner Cushion Collection: The Old Mill, date unknown (watercolour on paper)

The Old Mill, date unknown (watercolour on paper)
7528563 The Old Mill, date unknown (watercolour on paper) by Turner, William (Turner of Oxford) (1789-1862); 68x53 cm; Gallery Oldham

Background imageWilliam (1789-1862) Turner Cushion Collection: Extensive Wooded Landscape with a Distant View of a Town (oil)

Extensive Wooded Landscape with a Distant View of a Town (oil)
7076687 Extensive Wooded Landscape with a Distant View of a Town (oil) by Turner, William (Turner of Oxford) (1789-1862); 89.7x157 cm; Private Collection; (add.info.: Turner)

Background imageWilliam (1789-1862) Turner Cushion Collection: Study for Horace and Lydia (oil on canvas)

Study for Horace and Lydia (oil on canvas)
7064908 Study for Horace and Lydia (oil on canvas) by Collier, John (1850-1934); 60, 9x76, 2 cm; Private Collection

Background imageWilliam (1789-1862) Turner Cushion Collection: Dale Park, Arundel, Sussex (pencil and w / c)

Dale Park, Arundel, Sussex (pencil and w / c)
7064890 Dale Park, Arundel, Sussex (pencil and w/c) by Turner, William (Turner of Oxford) (1789-1862); Private Collection

Background imageWilliam (1789-1862) Turner Cushion Collection: Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog

Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog
824261 Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog, a Landscape Beyond, c.1817-1824 (oil on canvas) by Lawrence

Background imageWilliam (1789-1862) Turner Cushion Collection: A View of Richmond Bridge with Boats on the River and Figures Promenading

A View of Richmond Bridge with Boats on the River and Figures Promenading
824260 A View of Richmond Bridge with Boats on the River and Figures Promenading, (oil on canvas) by Turner, William (Turner of Oxford) (1789-1862); 67.3x87.6 cm; Private Collection; (add.info)

Background imageWilliam (1789-1862) Turner Cushion Collection: The Lord of Burleigh (pen and black ink)

The Lord of Burleigh (pen and black ink)
1217749 The Lord of Burleigh (pen and black ink) by Millais, John Everett (1829-96); 8.3x9.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: View of Oxford from Headington (watercolour on paper)

View of Oxford from Headington (watercolour on paper)
1217744 View of Oxford from Headington (watercolour on paper) by Turner, William (Turner of Oxford) (1789-1862); 26.1x39.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageWilliam (1789-1862) Turner Cushion Collection: Gravel Pit on Shotover Hill, near Oxford, c. 1818 (oil on millboard)

Gravel Pit on Shotover Hill, near Oxford, c. 1818 (oil on millboard)
1217519 Gravel Pit on Shotover Hill, near Oxford, c. 1818 (oil on millboard) by Turner, William (Turner of Oxford) (1789-1862); 27x40 cm; Ashmolean Museum, University of Oxford

Background imageWilliam (1789-1862) Turner Cushion Collection: View of Marston, near Oxford (oil on millboard)

View of Marston, near Oxford (oil on millboard)
1217518 View of Marston, near Oxford (oil on millboard) by Turner, William (Turner of Oxford) (1789-1862); 27x40 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageWilliam (1789-1862) Turner Cushion Collection: Design for the Lodges in Edensor in Chatsworth Park, 1837 (w / c on paper)

Design for the Lodges in Edensor in Chatsworth Park, 1837 (w / c on paper)
621569 Design for the Lodges in Edensor in Chatsworth Park, 1837 (w/c on paper) by Wyatville, Jeffry (1766-1840); eThe Devonshire Collections, Chatsworth; (add.info.: Edensor, Derbyshire)

Background imageWilliam (1789-1862) Turner Cushion Collection: View of Stonehenge (w / c on paper)

View of Stonehenge (w / c on paper)
621562 View of Stonehenge (w/c on paper) by Turner, William (Turner of Oxford) (1789-1862); 26.6x39.7 cm; eThe Devonshire Collections

Background imageWilliam (1789-1862) Turner Cushion Collection: Head of a Young Man (oil on panel)

Head of a Young Man (oil on panel)
BAL112801 Head of a Young Man (oil on panel) by Cadell, Francis Campbell Boileau (1883-1937); 45.7x35.6 cm; Private Collection; Scottish, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: View of Broadway Hill, Worcester (w / c on paper)

View of Broadway Hill, Worcester (w / c on paper)
LMG109193 View of Broadway Hill, Worcester (w/c on paper) by Turner, William (Turner of Oxford) (1789-1862); 32.2x55.8 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageWilliam (1789-1862) Turner Cushion Collection: A Bargain With the Devil, 1907 (w / c, pen & ink on paper)

A Bargain With the Devil, 1907 (w / c, pen & ink on paper)
RWS137268 A Bargain With the Devil, 1907 (w/c, pen & ink on paper) by Rackham, Arthur (1867-1939); Trustees of the Royal Watercolour Society, London, UK; eRoyal Watercolour Society; English

Background imageWilliam (1789-1862) Turner Cushion Collection: River Cherwell Waterlilies, 1851 (w / c on paper)

River Cherwell Waterlilies, 1851 (w / c on paper)
RWS137250 River Cherwell Waterlilies, 1851 (w/c on paper) by Turner, William (Turner of Oxford) (1789-1862); Trustees of the Royal Watercolour Society, London

Background imageWilliam (1789-1862) Turner Cushion Collection: Portrait of General James Edward Oglethorpe, c. 1932 (oil on canvas)

Portrait of General James Edward Oglethorpe, c. 1932 (oil on canvas)
CCC95124 Portrait of General James Edward Oglethorpe, c.1932 (oil on canvas) by Ravenet, Simon Francois (1706/21-74) (after); Corpus Christi College, Oxford

Background imageWilliam (1789-1862) Turner Cushion Collection: View of Oxford from a Distance (oil on canvas)

View of Oxford from a Distance (oil on canvas)
CCC95121 View of Oxford from a Distance (oil on canvas) by Turner, William (Turner of Oxford) (1789-1862); 58.4x73.6 cm; Corpus Christi College, Oxford, UK; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Figurine of Demosthenes, Burslem, Staffordshire, c. 1790 (lead glazed earthenware)

Figurine of Demosthenes, Burslem, Staffordshire, c. 1790 (lead glazed earthenware)
FIT55392 Figurine of Demosthenes, Burslem, Staffordshire, c.1790 (lead glazed earthenware) by Wood, Enoch (1759-1840); Fitzwilliam Museum, University of Cambridge

Background imageWilliam (1789-1862) Turner Cushion Collection: Grouse Shooting on the Moor near Dalmally (w / c)

Grouse Shooting on the Moor near Dalmally (w / c)
AGN55379 Grouse Shooting on the Moor near Dalmally (w/c) by Turner, William (Turner of Oxford) (1789-1862); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Pembroke Castle

Pembroke Castle
AGN49554 Pembroke Castle by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Water Lillies on the Cherwell

Water Lillies on the Cherwell
AGN49552 Water Lillies on the Cherwell by Turner, William (Turner of Oxford) (1789-1862); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Crested Boatbill, 1781-5 (handcoloured engraving)

Crested Boatbill, 1781-5 (handcoloured engraving)
KDC407323 Crested Boatbill, 1781-5 (handcoloured engraving) by Latham, John (1740-1837); 7.5 x 9.5 cm; Private Collection; (add.info.: Illustration from Lathams General Synopsis of Birds)

Background imageWilliam (1789-1862) Turner Cushion Collection: Bolton Abbey from the River Wharfe (w / c on paper)

Bolton Abbey from the River Wharfe (w / c on paper)
CTS407296 Bolton Abbey from the River Wharfe (w/c on paper) by Turner, William (Turner of Oxford) (1789-1862); 26.6x39.7 cm; eThe Devonshire Collections

Background imageWilliam (1789-1862) Turner Cushion Collection: Reflections, 1911 (w / c on paper)

Reflections, 1911 (w / c on paper)
FLF75109 Reflections, 1911 (w/c on paper) by Hopkins, Arthur (1848-1930); 34.3x25.4 cm; Private Collection; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Italianate Landscape with Travellers on a winding Road, 1775 - 1779

Italianate Landscape with Travellers on a winding Road, 1775 - 1779
1217782 Italianate Landscape with Travellers on a winding Road, 1775 - 1779 (black chalk with watercolour and bodycolour, varnished) by Gainsborough, Thomas (1727-88); 22.5x30.9 cm; Ashmolean Museum

Background imageWilliam (1789-1862) Turner Cushion Collection: Stonehenge: Stormy Day, 1846 (watercolour over graphite, on paper)

Stonehenge: Stormy Day, 1846 (watercolour over graphite, on paper)
1217771 Stonehenge: Stormy Day, 1846 (watercolour over graphite, on paper) by Turner, William (Turner of Oxford) (1789-1862); 45.7x67.8 cm; Ashmolean Museum, University of Oxford

Background imageWilliam (1789-1862) Turner Cushion Collection: Mariana (pen & black ink)

Mariana (pen & black ink)
1217746 Mariana (pen & black ink) by Millais, John Everett (1829-96); 9.6x7.9 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Mariana is the subject of an 1830 poem by Alfred)

Background imageWilliam (1789-1862) Turner Cushion Collection: Iffley Mill (watercolour with pen and brown ink)

Iffley Mill (watercolour with pen and brown ink)
1217745 Iffley Mill (watercolour with pen and brown ink) by Turner, William (Turner of Oxford) (1789-1862); 23.9x32.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageWilliam (1789-1862) Turner Cushion Collection: A set of sixteen tiles arranged in pairs to form eight illustrations of the

A set of sixteen tiles arranged in pairs to form eight illustrations of the
1217584 A set of sixteen tiles arranged in pairs to form eight illustrations of the Briar Rose tale, 1862 - 1865 (ceramic) by Burne-Jones, Edward Coley (1833-98); 131.6x40.3 cm; Ashmolean Museum

Background imageWilliam (1789-1862) Turner Cushion Collection: Stonehenge - A Showery Day (watercolour on paper)

Stonehenge - A Showery Day (watercolour on paper)
1217575 Stonehenge - A Showery Day (watercolour on paper) by Turner, William (Turner of Oxford) (1789-1862); 27.6x40.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageWilliam (1789-1862) Turner Cushion Collection: James Oglivie Fairlie Esq. Knight of the Golden Lion, 1839 (pencil

James Oglivie Fairlie Esq. Knight of the Golden Lion, 1839 (pencil
AJV366234 James Oglivie Fairlie Esq. Knight of the Golden Lion, 1839 (pencil, w/c & gouache on paper) by Nixon, James Henry (1802-57); 34x49 cm; Private Collection; (add.info)

Background imageWilliam (1789-1862) Turner Cushion Collection: Birch tree (gouache on paper)

Birch tree (gouache on paper)
NCO368345 Birch tree (gouache on paper) by Turner, William (Turner of Oxford) (1789-1862); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Ludlow Castle, Shropshire

Ludlow Castle, Shropshire
MAL49577 Ludlow Castle, Shropshire by English School, (18th century); Private Collection; eMallett Gallery, London, UK; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: British scouts leaving their aerodrome on patrol over Asiago Plateau, Italy

British scouts leaving their aerodrome on patrol over Asiago Plateau, Italy
3435629 British scouts leaving their aerodrome on patrol over Asiago Plateau, Italy, from British Adventure published by Collins, 1947 (litho) by Carline

Background imageWilliam (1789-1862) Turner Cushion Collection: Ben Nevis, from British Adventure published by Collins, 1947 (colour litho)

Ben Nevis, from British Adventure published by Collins, 1947 (colour litho)
3435589 Ben Nevis, from British Adventure published by Collins, 1947 (colour litho) by Turner, William (Turner of Oxford) (1789-1862); Private Collection; (add.info)

Background imageWilliam (1789-1862) Turner Cushion Collection: The Gate of Memory, 1864 (coloured chalks on paper)

The Gate of Memory, 1864 (coloured chalks on paper)
MAK79789 The Gate of Memory, 1864 (coloured chalks on paper) by Rossetti, Dante Gabriel Charles (1828-82); The Makins Collection; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Oxford from Hinksey Ferry, 1852 (w / c)

Oxford from Hinksey Ferry, 1852 (w / c)
MAK79772 Oxford from Hinksey Ferry, 1852 (w/c) by Turner, William (Turner of Oxford) (1789-1862); 21x18.4 cm; The Makins Collection; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Cyril Benoni Holman Hunt, 1880 (oil on canvas)

Cyril Benoni Holman Hunt, 1880 (oil on canvas)
FIT55396 Cyril Benoni Holman Hunt, 1880 (oil on canvas) by Hunt, William Holman (1827-1910); 60.9x50.8 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageWilliam (1789-1862) Turner Cushion Collection: The Dawn, Loch Torridon (w / c)

The Dawn, Loch Torridon (w / c)
AGN55380 The Dawn, Loch Torridon (w/c) by Turner, William (Turner of Oxford) (1789-1862); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageWilliam (1789-1862) Turner Cushion Collection: Three girls on rocking horse, 1860s (albumen print)

Three girls on rocking horse, 1860s (albumen print)
3035798 Three girls on rocking horse, 1860s (albumen print) by Ross & Thompson (fl.1840s-60s) (after); Private Collection; Scottish, out of copyright



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