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Antique Framed Print : A spectre rising from the prone body of a knight in armour
Framed Photos from Mary Evans Picture Library
A spectre rising from the prone body of a knight in armour
A spectre rising from the prone body of a knight in armour. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from The Tournament, or Days of Chivalry, William Sams, London, 1823
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Media ID 23390064
© Florilegius
Alan Armour Body Chivalry Comedy Comical Days Ethelbert Gallantry Heraldry Horseback Humor Knight Knights Lance Pennant Portcullis Prone Rising Rowlandson Spectre Tournament Tourney
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 17.5cm (9.6" x 6.9")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
A Spectre Rising: The Unsettling Moment of Reckoning for a Fallen Knight This haunting image captures the moment of revelation for a fallen knight, as a spectral figure emerges from his prone body, encased in gleaming armour. The scene, reminiscent of medieval tournaments, is depicted in exquisite detail through the handcoloured copperplate engraving after an illustration by Thomas Rowlandson, from The Tournament, or Days of Chivalry, published in London in 1823 by William Sams. The knight lies motionless on the ground, his helmet askew, a lance shattered at his side, and a pennant fluttering in the wind behind him. The castle gate, with its portcullis raised, looms in the background, as if to signal the end of the tourney. The knight's horse, reins slack, stands nearby, adding to the sense of stillness and finality. The spectre, with its ethereal, ghostly form, rises from the knight's chest, its long, flowing robes billowing in the wind. Its face, though not clearly visible, is shrouded in mystery, hinting at the unknown and the uncertain. The contrast between the solid, earthly form of the knight and the intangible, otherworldly presence of the spectre creates a sense of unease and intrigue. Thomas Rowlandson, a renowned caricaturist and satirist, adds a touch of comedy and the comical to this scene, with the exaggerated forms of the knight and the spectre, as well as the playful use of heraldry and gallantry. Yet, beneath the surface, there is a deeper layer of meaning, as the image explores themes of life and death, the fleeting nature of glory, and the unpredictability of fate.
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