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Acrylic Blox : A spectre rising from the prone body of a knight in armour

A spectre rising from the prone body of a knight in armour



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A spectre rising from the prone body of a knight in armour

A spectre rising from the prone body of a knight in armour. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from The Tournament, or Days of Chivalry, William Sams, London, 1823

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23390064

© Florilegius

Alan Armour Body Chivalry Comedy Comical Days Ethelbert Gallantry Heraldry Horseback Humor Knight Knights Lance Pennant Portcullis Prone Rising Rowlandson Spectre Tournament Tourney


6"x4" (15x10cm) Acrylic Blox

Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.

Streamlined, one sided modern and attractive table top print

Estimated Product Size is 15.2cm x 10.2cm (6" x 4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Artists > P > Thomas Pennant

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > London > Art > Comedy

> Europe > United Kingdom > England > London > Related Images

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
A Spectre Rising: The Unsettling Moment of Reckoning for a Fallen Knight This haunting image captures the moment of revelation for a fallen knight, as a spectral figure emerges from his prone body, encased in gleaming armour. The scene, reminiscent of medieval tournaments, is depicted in exquisite detail through the handcoloured copperplate engraving after an illustration by Thomas Rowlandson, from The Tournament, or Days of Chivalry, published in London in 1823 by William Sams. The knight lies motionless on the ground, his helmet askew, a lance shattered at his side, and a pennant fluttering in the wind behind him. The castle gate, with its portcullis raised, looms in the background, as if to signal the end of the tourney. The knight's horse, reins slack, stands nearby, adding to the sense of stillness and finality. The spectre, with its ethereal, ghostly form, rises from the knight's chest, its long, flowing robes billowing in the wind. Its face, though not clearly visible, is shrouded in mystery, hinting at the unknown and the uncertain. The contrast between the solid, earthly form of the knight and the intangible, otherworldly presence of the spectre creates a sense of unease and intrigue. Thomas Rowlandson, a renowned caricaturist and satirist, adds a touch of comedy and the comical to this scene, with the exaggerated forms of the knight and the spectre, as well as the playful use of heraldry and gallantry. Yet, beneath the surface, there is a deeper layer of meaning, as the image explores themes of life and death, the fleeting nature of glory, and the unpredictability of fate.

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