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Antique Framed Print : Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
Framed Photos from Fine Art Finder
Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State, (oil on canvas laid down on panel) by Westall, Richard (1765-1836); 126.9x101.6 cm; Private Collection; (add.info.: Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State. Richard Westall (1765-1836). Oil on canvas laid down on panel. 126.9 x 101.6cm.); Photo eChristies Images; English, out of copyright
Media ID 23670700
© Christie's Images / Bridgeman Images
082012upload Archbishop Archbishop Of Canterbury Bishop Bishop Of Carlisle Bishop Of Salisbury Bishop Of Winchester British Art British Pictures 1500 1850 Contemplate Contemplating Contemplation Conversing Curtain Discourse Discuss Discussing Discussion Drapes Early 19th Century Early Nineteenth Century English Art English Artist Facial Hair Furnishing Gesture Gesturing Hand Gesture Hand Movement Henry Iii Laid Down Majesty Mature Mature Adult Mature Man Mature Men Maturity Medium Group Medium Group Of People Men Only Middle Aged Olden Time On Panel Pensive Point Pointing Pose Posed Posing Reformation Religious Teacher Replying Seating Soft Furnishing Sovereign Talking Thought Westall Apparel Artist British Bearded British Artist Conversation Headwear Richard Westall Thinking
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 19.6cm x 24.4cm (7.7" x 9.6")
Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print captures the historical moment when Henry III, the sovereign of England, engages in a profound conversation with the Archbishop of Canterbury and the Bishops of Salisbury, Winchester, and Carlisle. The painting by Richard Westall depicts this significant encounter as they discuss demands for reformation within the state. Set against a backdrop of richly draped curtains and regal furnishings, Henry III is shown seated on an ornate chair while contemplating the weighty matters at hand. The composition highlights his authority as he listens attentively to the clergy's concerns. The artist skillfully portrays a group of mature men engaged in deep thought and discussion. Their bearded faces reflect wisdom and experience as they contemplate potential reforms that could shape their nation's future. This oil painting from the early nineteenth century showcases English artistry at its finest. The attention to detail in depicting clothing, headwear, and gestures adds authenticity to this historic scene. Through this image, we glimpse into a pivotal moment in history where religion meets politics. It invites us to ponder not only the power dynamics between monarchs and religious leaders but also how these conversations shaped society during that time period. Overall, this artwork serves as a visual testament to an era marked by contemplation, discourse, and aspirations for change within both church and state.
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