Richard Westall Collection

Prince Alfred before Pope Leo III
3119165 Prince Alfred before Pope Leo III; (add.info.: Prince Alfred (849-899), later Alfred the Great, before Pope Leo III (750-816) by Richard Westall (1765-1836)

The Queen, When Princess Victoria, (c1897). Creator: Unknown
The Queen, When Princess Victoria, (c1897). Victoria as a young girl. She came to the throne in 1837, aged just 18. From "The Queen's Resolve and Her Doubly Royal Reign of Sixty Years"

Two Women Conversing Near House, 1790. Creator: Unknown
Two Women Conversing Near House, 1790. Style of Richard Westall or John Renton

Nelson's Conflict with a Spanish Launch, July 3, 1797 at the Blockade of Cadiz... 1891. Creator: Richard Westall
'Nelson's Conflict with a Spanish Launch, July 3, 1797 at the Blockade of Cadiz, after R. Westall, R.A. 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44

'Sir Horatio Nelson wounded at Santa Cruz, Teneriffe, July 24, 1797, after R. Westall, R.A. 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

'The Victory off Cape St. Vincent, February 14, 1797, Nelson Carrying the "San Josef"... 1891
'The Victory off Cape St. Vincent, February 14, 1797, Nelson Carrying the "San Josef", after R. Westall, R.A., 1891. From "The Graphic

Lieutenant Horatio Nelson Volunteering to Board a Prize in a Violent Gale, November 20... 1891
'Lieutenant Horatio Nelson Volunteering to Board a Prize in a Violent Gale, November 20, 1777, after R. Westall, R.A. 1891. From "The Graphic

Lady of the Lake, 1785/1834. Creator: Richard Westall
Lady of the Lake, 1785/1834

Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5), first published 1800; reissued 1852. Creator: James Parker
Lady Macbeth (Shakespeare, Macbeth, Act 1, Scene 5), first published 1800; reissued 1852

David Garrick as King Lear, c. 1815. Creator: Richard Westall
David Garrick as King Lear, c. 1815

Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington
FLO4619012 Georgian artists including Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Richard Westall and Martin Archer Shee drawing a nude model, while classical busts look down

Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State

Lord Byron, (oil on canvas)
650523 Lord Byron, (oil on canvas) by Sully, Thomas (1783-1872); 73.3x61.2 cm; Private Collection; (add.info.: Lord Byron. Thomas Sully (1783-1872). Oil on canvas. 73.3 x 61.2cm

Satan Exulting, (pencil and watercolour)
651873 Satan Exulting, (pencil and watercolour) by Westall, Richard (1765-1836); 56.5x38.7 cm; Private Collection; (add.info.: Satan Exulting. Richard Westall (1765-1836). Pencil and watercolour

The Infant Bacchus, 1811. Creator: Richard Westall
The Infant Bacchus, 1811

Landscape With Women, Sheep and Dog, 1830. Creator: Richard Westall
Landscape With Women, Sheep and Dog, 1830

Girl Feeding Pigs, 1800. Creator: Richard Westall
Girl Feeding Pigs, 1800

The Sermon, 1813, (1947). Creator: Unknown
The Sermon, 1813, (1947). A family listens to the minister preaching from his pulpit. Engraving after a painting. From " English Hymns and Hymn Writers", by Adam Fox. [Collins, London, 1947]

Cardinal Wolsey Entering The Abbey of Leicester, 1530, (mid 19th century). Creator
Cardinal Wolsey Entering The Abbey of Leicester, 1530, (mid 19th century). Cardinal Thomas Wolsey (c1475-1530), was an English statesman and a cardinal of the Roman Catholic Church

A Fern-Cutters Child, c1800, (1925). Artist: Robert Mitchell Meadows
A Fern-Cutters Child, c1800, (1925). Countryside scene. From English Rural Life in the Eighteenth Century, by W. Gaunt. [The Connoisseur, London, 1925]

Artists in front of the Royal Academy, Somerset House, London, 1797
Titianus redivivius; or the seven wise men consulting the new Venetian oracle. - A scene in ye Academic Grove, No.1, 1797; scene showing artists in front of the Royal Academy at Somerset House in

Second Battle of Porto, Portugal, 12th May 1809 (1819). Artist: T Fielding
Second Battle of Porto, Portugal, 12th May 1809 (1819). Less than a month after taking command of the British army in Portugal, the Duke of Wellington captured the city of Porto from the French

Battle of the Pyrenees, Spain, 28th July 1813 (1819). Artist: T Fielding
Battle of the Pyrenees, Spain, 28th July 1813 (1819). The battle saw the British under Wellington repel a French offensive to relieve the besieged garrisons of Pamplona and San Sebastian

Battle of Vimeiro, Portugal, 1st August 1808 (1819). Artist: T Fielding
Battle of Vimeiro, Portugal, 1st August 1808 (1819). The British army commanded by Wellington defeated the French under Junot. From The Victories of the Duke of Wellington, 1819

Battle of Talavera, Spain, 28th July 1809 (1819). Artist: T Fielding
Battle of Talavera, Spain, 28th July 1809 (1819). The British and Spanish army commanded by Wellington won an indecisive victory over the French commanded by Napoleons brother Joseph Bonaparte

Liberation of Madrid, 6th August 1812 (1819). Artist: T Fielding
Liberation of Madrid, 6th August 1812 (1819). Members of the clergy welcoming the Duke of Wellington to the city after the withdrawal of the occupying French

Battle of Badajoz, Spain, 6th April 1812 (1819). Artist: T Fielding
Battle of Badajoz, Spain, 6th April 1812 (1819). The British succeeded in capturing the city from the French bu suffered heavy casualties in the process

Battle of Busaco, Portugal, 27th September 1810 (1819). Artist: T Fielding
Battle of Busaco, Portugal, 27th September 1810 (1819). British and Portuguese troops commanded by Wellington repulsed the French under Massena. From The Victories of the Duke of Wellington, 1819

Battle of Vitoria, Spain, 21st June 1813 (1819). Artist: T Fielding
Battle of Vitoria, Spain, 21st June 1813 (1819). The victory for Wellington and his Spanish and Portuguese allies at Vitoria was decisive in bringing about the defeat of the French in the Peninsular

Capture of Toulouse, France, 10th April 1814 (1819). Artist: T Fielding
Capture of Toulouse, France, 10th April 1814 (1819). The Battle of Toulouse was fought after Napoleons surrender to the Sixth Coalition and abdication

Battle of Salamanca, Spain, 21st July 1812 (1819). Artist: T Fielding
Battle of Salamanca, Spain, 21st July 1812 (1819). The Battle of Salamanca was an important victory in the Peninsular War for an Anglo-Portuguese army under the Duke of Wellington over Marshal

Capture of San Sebastian, Spain, 31st August 1813 (1819). Artist: T Fielding
Capture of San Sebastian, Spain, 31st August 1813 (1819). British and Portuguese troops taking San Sebastian from the occupying French

Byron, c1800, (1911). Artist: Richard Westall
Byron, c1800, (1911). George Gordon Byron (1788-1824) commonly known as Lord Byron, was an English poet and a leading figure in the Romantic movement

Landscape with Women, Sheep and Dog, c1811, (1938). Artist: Richard Westall
Landscape with Women, Sheep and Dog, c1811, (1938). Painting held at the Birmingham Museums Trust, Birmingham. From A Catalogue of the Pictures

King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & Artist: Anker Smith
King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & c, 1799. After Richard Westall (1765-1836)

King Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. Artist: WC Wilson
King Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. Artist: James Stow
Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

St Jamess Park, c1800. Artist: Richard Westall
St Jamess Park, c1800. From The Studio Volume 123 [The Studio Ltd, London & New York, 1942.]

A Ghost: L Apparition, 1798, (1905). Artist: Jacques Bonnefoy
A Ghost: L Apparition, 1798. After Richard Westall (1765-1836). From The Connoisseur Vol XL [Otto Limited, London, 1905.]

A Girl Gathering Mushrooms, 1800, (1917). Artist: Robert Mitchell Meadows
A Girl Gathering Mushrooms, 1800. After Richard Westall (1765-1836). From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

Spring, c1747-1815, (1919). Artist: Francesco Bartolozzi
Spring. After Richard Westall (1765-1836). From The Connoisseur Volume LV [Otto Limited, London, 1919]

Autumn, c1947-1815, (1919). Artist: Francesco Bartolozzi
Autumn. After Richard Westall (1765-1836). From The Connoisseur Volume LV [Otto Limited, London, 1919]

King Henry V (1387-14220), before Harfleur, 19th century. Artist: Richard Westall
King Henry V (1387-14220), before Harfleur, 19th century. Henry V reigned as King of England from 1413 to 1422. He was son of Henry of Bolingbroke, later Henry IV, and Mary de Bohun

King Henry VIII (1491-1547) and Thomas Cranmer (1489-1556), 1796. Artist: William Satchwell Leney
King Henry VIII (1491-1547) and Thomas Cranmer (1489-1556), 1796

The San Nicolas and San Josef, carried by boarding, Battle of Cape St Vincent, 1797. Artist: R Golding
The San Nicolas and San Josef, carried by boarding, Battle of Cape St Vincent, 1797. At the Battle of Cape St Vincent, the British fleet under Admiral Sir John Jervis defeated the numerically

A Ghost, 1905. Artist: Henri-Arthur Bonnefoy
A Ghost, 1905. From The Connoisseur magazine (March 1905)

Lord Byron, Anglo-Scottish poet, c1813, (1831). Artist: H Robinson
Lord Byron, Anglo-Scottish poet, c1813, (1831). Portrait of George Gordon (Noel) Byron, 6th Baron Byron (1788-1824), a leading figure in Romanticism

Francisco Jimenez De Cisneros Cardinal Ximenes
Cardinal Francisco Jimenez de Cisneros, 1436 - 1517, answering the Spanish nobles who questioned his authority to rule as Regent of Castile after the death of King Ferdinand

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Richard Westall was a prominent artist during the Georgian era, known for his exquisite paintings and illustrations. His talent and creativity were evident in various works, including his portrayal of Lady Macbeth in Shakespeare's Macbeth. In this captivating piece, first published in 1800 and reissued in 1852 by James Parker, Westall captures the essence of Lady Macbeth's character with remarkable precision. Another notable creation by Richard Westall is his depiction of David Garrick as King Lear around 1815. This painting showcases Westall's ability to bring characters to life through art, capturing the intensity and complexity of Shakespearean plays. Westall was part of a group of talented Georgian artists that included Benjamin West, Thomas Lawrence, Benjamin Haydon, Joseph Farrington, Martin Archer Shee. They were often seen together drawing a nude model while classical busts observed from above. This scene exemplifies their dedication to honing their craft and studying human anatomy. In addition to historical figures and literary characters, it also explored mythological themes in his artwork. One such example is "The Infant Bacchus" created in 1811. With meticulous attention to detail and vibrant colors, he brings this mythical figure to life on canvas. Westall's versatility as an artist is further showcased through landscapes like "Landscape With Women Sheep and Dog" painted in 1830. The serene beauty captured within this piece demonstrates his skill at depicting nature with delicate brushstrokes. Not limited to grand scenes or mythological subjects alone, it also found inspiration in everyday life moments such as "Girl Feeding Pigs" from 1800. Through this charming painting filled with innocence and simplicity, he reminds us that beauty can be found even in mundane tasks. Throughout history many artists have been inspired by religious themes; similarly Richard Westall depicted Cardinal Wolsey Entering The Abbey of Leicester around 1530—a scene that exudes grandeur and reverence.