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Antique Framed Print : Assheton, first Viscount Curzon, and his mare Maria, 1771 (oil on canvas)
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Assheton, first Viscount Curzon, and his mare Maria, 1771 (oil on canvas)
XIR903681 Assheton, first Viscount Curzon, and his mare Maria, 1771 (oil on canvas) by Stubbs, George (1724-1806); Louvre, Paris, France; (add.info.: Assheton, premier vicomte Curzon, et sa jumet Maria
); English, out of copyright
Media ID 12946467
© www.bridgemanimages.com
Anatomical Horse Racing Leading Mare Maria Race Course Saddle Stirrup Viscount Assheton Noble Viscount Curzon
14"x12" (36x31cm) Antique Frame
Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller
Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 24.4cm x 19.4cm (9.6" x 7.6")
Estimated Product Size is 36.3cm x 31.2cm (14.3" x 12.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This oil on canvas painting by George Stubbs showcases Assheton, the first Viscount Curzon, alongside his beloved mare Maria. Painted in 1771, this exquisite piece of art captures the essence of nobility and elegance during the 18th century in Britain. Viscount Curzon stands proudly beside Maria, who is depicted with remarkable anatomical detail. The artist's attention to every muscle and sinew brings life to the majestic racehorse. With its head held high and a sense of strength emanating from its powerful stance, Maria exudes grace and beauty. The composition beautifully combines elements of landscape and equestrianism. The lush scenery behind them adds depth to the painting while also highlighting their noble status within society. Assheton holds onto Maria's reins as if leading her towards victory on a race course. Stubbs' mastery lies not only in capturing physical likeness but also in conveying emotion through his brushstrokes. This portrait radiates a sense of deep connection between man and horse – an unspoken bond that transcends words. Displayed at the Louvre Museum in Paris, France, this artwork continues to captivate viewers with its timeless charm. It serves as a testament to both Stubbs' artistic talent and Viscount Curzon's love for his cherished mare Maria. As we gaze upon this masterpiece today, we are transported back to a bygone era where nobility reigned supreme and horses were revered symbols of power and prestige.
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