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Antique Framed Print : Governances of Dauphin, Provence, the County of Venaissin and the Principate of Orange, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection

Governances of Dauphin, Provence, the County of Venaissin and the Principate of Orange, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1777 by Antonio Zatta, Private Collection



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Governances of Dauphin, Provence, the County of Venaissin and the Principate of Orange, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection

Governances of Dauphin, Provence, the County of Venaissin and the Principate of Orange, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1777. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0039

Media ID 33187551

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed


14"x12" (36x31cm) Antique Frame

Bevelled wood effect frame, card mounted, 10x8 archival quality photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, the Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: To minimise original artwork cropping, for optimum layout, and to ensure print is secure, the visible print may be marginally smaller

Bevelled Wood Effect Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 19.7cm x 24.4cm (7.8" x 9.6")

Estimated Product Size is 31.2cm x 36.3cm (12.3" x 14.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Contemporary art > Modern art > Abstract art

> Arts > Cubist sculptures > Abstract art > Modern art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Still life artwork > Abstract art > Modern art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Modern art


EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1777 by Antonio Zatta. The artwork, now part of a private collection in Florence, takes us on a journey through time and space as it depicts the governances of Dauphin, Provence, the County of Venaissin, and the Principate of Orange. The intricate details and precision captured in this Renaissance-Baroque style engraving are truly remarkable. It beautifully combines elements of cartography with allegory to present a visual representation of these territories during the eighteenth century. As we explore this piece further, we can appreciate its significance as both a historical document and a work of art. Through this image, we gain insight into France's modern history—specifically its governance structures during that era—and how they were intertwined with Europe's broader geopolitical landscape. The artist skillfully conveys not only geographical information but also abstract concepts and symbols associated with each territory. This print serves as a testament to the power and beauty found within maps—a means of communication that transcends language barriers while providing invaluable insights into our world's past. It reminds us that even centuries later, these artifacts continue to captivate our imagination and spark curiosity about different cultures and societies. As we contemplate this enchanting artwork created over two centuries ago by Zuliani G. , let us marvel at its ability to transport us back in time—to an age where drawing graphics was not just an act but rather an expression—an expression that has endured through generations thanks to Alinari's dedication to preserving such treasures for all to admire.

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