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Acrylic Blox : A French Petit Maitre and his Valet, late 18th century. Artist: Charles Grignion
Mounted Prints from Heritage Images
A French Petit Maitre and his Valet, late 18th century. Artist: Charles Grignion
A French Petit Maitre and his Valet, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)
Heritage Images features heritage image collections
Media ID 14917466
© The Print Collector / Heritage-Images
C Grignion Charles Grignion Dandy Emily Morse Emily Morse Symonds Fashionable George Paston Grignion Manservant Paston Servant Symonds Valet
6"x4" (15x10cm) Acrylic Blox
Your photographic print is held in place by magnets and a micro thin sheet of metal covering the back of a 20mm piece of clear acrylic. Your print is held in place with magnets so can easily be replaced if needed.
Streamlined, one sided modern and attractive table top print
Estimated Product Size is 10.2cm x 15.2cm (4" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
A French Petit Maitre and his Valet, late 18th century. This print by Charles Grignion takes us back to the elegant world of 18th-century France. The image depicts a dandy gentleman accompanied by his loyal valet, showcasing the stark contrast between their roles in society. The fashionable man stands tall, exuding confidence with his impeccable dress sense that epitomizes the latest trends of the time. His extravagant attire reflects not only his wealth but also his desire to be seen as a trendsetter among the elite circles of French society. In contrast, the valet remains in the background, symbolizing servitude and subservience. Dressed more modestly and carrying various items necessary for his master's comfort, he fulfills an essential role in maintaining the gentleman's image. This satirical illustration serves as a commentary on social hierarchy during this period. It highlights how appearances were crucial in defining one's status within society and emphasizes the dependence of those at higher positions on their servants. Charles Grignion skillfully captures these nuances through intricate details and fine lines, bringing this historical moment to life once again. As we gaze upon this print from over two centuries ago, we are reminded of both the extravagance and inequalities that characterized 18th-century France.
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