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Grignion Collection

"Exploring the Artistic World of Charles Grignion: A Journey Through Time" Step into the captivating world of Charles Grignion

Background imageGrignion Collection: Telemaque and Mentor arrive on the island of Calypso after their shipwreck - Telemachus

Telemaque and Mentor arrive on the island of Calypso after their shipwreck - Telemachus
FLO4607808 Telemaque and Mentor arrive on the island of Calypso after their shipwreck - Telemachus and Mentor arrive on the island of Calypso after their shipwreck. Copperplate engraving by C

Background imageGrignion Collection: Margaret of Anjou (1430-1482) and her son Edward of Westminster (1453-1471)

Margaret of Anjou (1430-1482) and her son Edward of Westminster (1453-1471)
FLO4607655 Margaret of Anjou (1430-1482) and her son Edward of Westminster (1453-1471) were protected by a bandit after the Battle of Hexam, 1464 - Margaret, Queen of Henry VI, with her son

Background imageGrignion Collection: Elisabeth Woodville (Wydville, Wydeville or Widvile, 1437-1492), with her sons

Elisabeth Woodville (Wydville, Wydeville or Widvile, 1437-1492), with her sons
FLO4607647 Elisabeth Woodville (Wydville, Wydeville or Widvile, 1437-1492), with her sons, begged Edward IV (1442-1483) to restore her lands - Lady Elizabeth Grey with her two young sons Thomas

Background imageGrignion Collection: Telemaque in the desert of Oasis is console by Termisoris, high priest of Apollo - Telemachus in

Telemaque in the desert of Oasis is console by Termisoris, high priest of Apollo - Telemachus in the desert of oasis is
FLO4607831 Telemaque in the desert of Oasis is console by Termisoris, high priest of Apollo - Telemachus in the desert of oasis is consoled by Termosiris, a priest of Apollo

Background imageGrignion Collection: La mort du grand king Sesostris (Senousert) - The death of the great King Sesostris

La mort du grand king Sesostris (Senousert) - The death of the great King Sesostris. Copperplate engraving by C
FLO4607876 La mort du grand king Sesostris (Senousert) - The death of the great King Sesostris. Copperplate engraving by C. Grignion from The Copper Plate Magazine or Monthly Treasure, G

Background imageGrignion Collection: Mars on a chariot drawn by three lions, 1749. Creator: Charles Grignion

Mars on a chariot drawn by three lions, 1749. Creator: Charles Grignion
Mars on a chariot drawn by three lions, 1749

Background imageGrignion Collection: Cricket Match in Mary-Le-Bone Fields, 1748, (1947). Creator: Charles Grignion

Cricket Match in Mary-Le-Bone Fields, 1748, (1947). Creator: Charles Grignion
Cricket Match in Mary-Le-Bone Fields, 1748, (1947). Men playing cricket at Marylebone Fields, (now part of the City of Westminster, London). This is the earliest known depiction of a cricket match

Background imageGrignion Collection: Ann Brown and George Mattocks in the operatic version

Ann Brown and George Mattocks in the operatic version
Miss Ann Brown and Mr. George Mattocks in the characters of Miranda and Ferdinand in an operatic version of William Shakespeares The Tempest, Covent Garden Theatre, 1776

Background imageGrignion Collection: Gentleman fencer in third position of extension

Gentleman fencer in third position of extension or thrust. Copperplate engraving by C. Grignion after an illustration drawn from life by J. Roberts from Mr. J

Background imageGrignion Collection: Canvassing for Votes, Plate II: Four Prints of an Election, February 20, 1757

Canvassing for Votes, Plate II: Four Prints of an Election, February 20, 1757

Background imageGrignion Collection: Tailpiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761

Tailpiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761

Background imageGrignion Collection: Frontispiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761

Frontispiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761. After William Hogarth

Background imageGrignion Collection: POSEIDON / GRIGNION

POSEIDON / GRIGNION
Neptune and Triton. From an original statue in the Villa Montalto

Background imageGrignion Collection: View of York, 1756, (1943). Creator: Charles Grignion

View of York, 1756, (1943). Creator: Charles Grignion
View of York, 1756, (1943). Smartly dressed people promenading along the riverbank in York, north Yorkshire. After Prospect of a Noble Terras Walk in the city of York

Background imageGrignion Collection: George II, 1773. Creator: Charles Grignion

George II, 1773. Creator: Charles Grignion
George II, 1773. George II (1683-1760), as king from 1727, George exercised little control over British domestic policy, largely controlled by the Parliament of Great Britain

Background imageGrignion Collection: Combat between Edmund Ironside and Canute the Great, 1773. Creator: Charles Grignion

Combat between Edmund Ironside and Canute the Great, 1773. Creator: Charles Grignion
Combat between Edmund Ironside and Canute the Great, 1773. Edmund Ironside, King of England, 23 April -30 November 1016 resisted the Danish invasion of Canute the Great (994-1035) in five battles

Background imageGrignion Collection: Edward the Black Prince waiting on John King of France his Prisoner, 1773. Creator

Edward the Black Prince waiting on John King of France his Prisoner, 1773. Creator
Edward the Black Prince waiting on John King of France his Prisoner, 1773. King John II of France (1319-1364), taken prisoner after defeat at the Battle of Poitiers in 1356 was invited to supper in

Background imageGrignion Collection: The Maid of Orleans receiving the Sword of St. Catherine, 1773. Creator: Charles Grignion

The Maid of Orleans receiving the Sword of St. Catherine, 1773. Creator: Charles Grignion
The Maid of Orleans receiving the Sword of St. Catherine, 1773. Joan of Arc (1412-1431) receiving the sword of St Catharine

Background imageGrignion Collection: William the Conqueror seizing his Brother Odo, Bishop of Bayeaux & Earl of Kent, 1773

William the Conqueror seizing his Brother Odo, Bishop of Bayeaux & Earl of Kent, 1773. William, then Duke of Normandy, made his half-brother Odo, Bishop of Bayeaux in 1049

Background imageGrignion Collection: Henry I, 1773. Creator: Charles Grignion

Henry I, 1773. Creator: Charles Grignion
Henry I, 1773. After Samuel Wale (1721-1786). Henry I (c1068-1135), fourth son of William the Conqueror, considered a harsh but effective ruler

Background imageGrignion Collection: Alfred, disguised in the Character of a Harper, viewing the Danish Camp, 1773. Creator

Alfred, disguised in the Character of a Harper, viewing the Danish Camp, 1773. Creator
Alfred, disguised in the Character of a Harper, viewing the Danish Camp, 1773. After Samuel Wale (1721-1786). King Alfred the Great (849-899) From " A New and Complete History of England

Background imageGrignion Collection: Henry VI, 1773. Creator: Charles Grignion

Henry VI, 1773. Creator: Charles Grignion
Henry VI, 1773. After Samuel Wale (1721-1786). Henry VI of England (1421-1471) the only English monarch to also have been crowned King of France (as Henry II), described as timid, shy, passive

Background imageGrignion Collection: Charles I demanding the five members in the House of Commons, 1773. Creator: Charles Grignion

Charles I demanding the five members in the House of Commons, 1773. Creator: Charles Grignion
Charles the first demanding the five members in the House of Commons, 1773. Charles I (1600-1649) calls for the arrest of the Five Members John Pym, John Hampden, Denzil Holles

Background imageGrignion Collection: Cromwell dissolving the Long Parliament, 1773. Creator: Charles Grignion

Cromwell dissolving the Long Parliament, 1773. Creator: Charles Grignion
Cromwell dissolving the Long Parliament, 1773. Speech given by Oliver Cromwell (1599-1658) at the House of Commons on Dissolution of the Long Parliament, 20 April 1653. After Samuel Wale (1721-1786)

Background imageGrignion Collection: Richard Duke of Gloucester accusing the Queen of Edward IV with Witchcraft, 1773

Richard Duke of Gloucester accusing the Queen of Edward IV with Witchcraft, 1773. Elizabeth Woodville, Queen consort to King Edward IV from 1464 until his death in 1483

Background imageGrignion Collection: Edward II, 1773. Creator: Charles Grignion

Edward II, 1773. Creator: Charles Grignion
Edward II, 1773. Edward II (1284-1327). Edward had a close and controversial relationship with Piers Gaveston, who joined the royal household in 1300

Background imageGrignion Collection: Edward III, 1773. Creator: Charles Grignion

Edward III, 1773. Creator: Charles Grignion
Edward III, 1773. After Samuel Wale (1721-1786). Edward III of England (1312-1377), noted for his military success and for restoring royal authority in medieval England

Background imageGrignion Collection: Edward V, 1773. Creator: Charles Grignion

Edward V, 1773. Creator: Charles Grignion
Edward V, 1773. After Samuel Wale (1721-1786). Edward V of England (1470-c1483), his brief reign was dominated by the influence of his uncle and Lord Protector, the Duke of Gloucester

Background imageGrignion Collection: Henry V, 1773. Creator: Charles Grignion

Henry V, 1773. Creator: Charles Grignion
Henry V, 1773. After Samuel Wale (1721-1786). Henry V of England (1386-1422), second English monarch of the House of Lancaster

Background imageGrignion Collection: Kirkes villainy & cruelty to a young woman who beg d him to save his brothers life, 1773

Kirkes villainy & cruelty to a young woman who beg d him to save his brothers life, 1773. Colonel Percy Kirke (c1646- 1691)

Background imageGrignion Collection: Edmund I stabbed by Leolf the Robber, 1773. Creator: Charles Grignion

Edmund I stabbed by Leolf the Robber, 1773. Creator: Charles Grignion
Edmund I stabbed by Leolf the Robber, 1773. Edmund I (921-46), was assassinated after six-and-a-half years as king, while attending Mass in Pucklechurch, Gloucestershire

Background imageGrignion Collection: Dunstan dragging King Edwy from his Consort Queen Ethelgiva on his Coronation Day, 1773

Dunstan dragging King Edwy from his Consort Queen Ethelgiva on his Coronation Day, 1773. King Edwy (died 959) is returned to the banquet following his coronation from his Consort

Background imageGrignion Collection: The Duke of Northumberland mean Submission to the Earl of Arundel, 1773. Creator

The Duke of Northumberland mean Submission to the Earl of Arundel, 1773. Creator
The Duke of Northumberland mean Submission to the Earl of Arundel, 1773. John Dudley, 1st Duke of Northumberland ((1504-1553), kneeling on arrest by Henry FitzAlan, 19th Earl of Arundel (1512-1580)

Background imageGrignion Collection: Felton assassinating the Duke of Buckingham, 1773. Creator: Charles Grignion

Felton assassinating the Duke of Buckingham, 1773. Creator: Charles Grignion
Felton assassinating the Duke of Buckingham, 1773. John Felton (c1595-1628) lieutenant in the English Army, stabbed George Villiers

Background imageGrignion Collection: Landing of Julius Caesar, 1773. Creator: Charles Grignion

Landing of Julius Caesar, 1773. Creator: Charles Grignion
Landing of Julius Caesar, 1773. Julius Caesar (100 BC- 44 BC) first landed in Britain on August 26th, 55 BC, it was almost another hundred years before the Romans actually conquered Britain in AD 43

Background imageGrignion Collection: The Battle of Agincourt named by Henry V, 1773. Creator: Charles Grignion

The Battle of Agincourt named by Henry V, 1773. Creator: Charles Grignion
The Battle of Agincourt named by Henry V, 1773. Henry V (1386-1422) at the Battle of Agincourt, an English victory in the Hundred Years War, 1415. After Samuel Wale (1721-1786)

Background imageGrignion Collection: Richard II, 1773. Creator: Charles Grignion

Richard II, 1773. Creator: Charles Grignion
Richard II, 1773. Richard II of England, (1367-c1400), sone of Edward the Black Prince, was 10 years old when he succeeded to the throne, challenged during his reign by the Peasants Revolt of 1381

Background imageGrignion Collection: Queen Elizabeth striking the Earl of Essex, 1773

Queen Elizabeth striking the Earl of Essex, 1773. During a dispute with his cousin Queen Elizabeth I, Robert Devereux, 2nd earl of Essex, (1567-1601), English soldier and courtier

Background imageGrignion Collection: Bishops and Citizens Swearing Fealty to William the Conqueror. (c1770). Artist

Bishops and Citizens Swearing Fealty to William the Conqueror. (c1770). Artist
Bishops and Citizens Swearing Fealty to William the Conqueror. (c1770). 18th century imagining of a scene where Saxon subjects swear loyalty to the Norman King William I (1028-1087)

Background imageGrignion Collection: View of the Temporary Bridge of London on Fire... 1758. c1770. Artist: Charles Grignion

View of the Temporary Bridge of London on Fire... 1758. c1770. Artist: Charles Grignion
View of the Temporary Bridge of London on Fire in the Night of April 11th. 1758. c1770. Wooden bridge over the River Thames in flames as people watch from the bank

Background imageGrignion Collection: Three Chinese figures, 18th century. Artist: Charles Grignion

Three Chinese figures, 18th century. Artist: Charles Grignion
Three Chinese figures, 18th century. A mendicant, a peasant and a lady of distinction

Background imageGrignion Collection: Ticket for the London Hospital showing Christ and the disciples, c1825

Ticket for the London Hospital showing Christ and the disciples, c1825

Background imageGrignion Collection: View of the Fleet Ditch with bathers, City of London, 1750

View of the Fleet Ditch with bathers, City of London, 1750. Here strip, my Children, here at once leap in, Here prove who best can dash thro thick and thin. From Dunciad Book II

Background imageGrignion Collection: Guilford Street, St Pancras, London, 1749. Artist: Michael Angelo Rooker

Guilford Street, St Pancras, London, 1749. Artist: Michael Angelo Rooker
View of the Foundling Hospital, Guilford Street, St Pancras, London, 1749; with women at the gate bringing their babies to be given up

Background imageGrignion Collection: Canvassing for votes, 1757. Artist: Charles Grignion

Canvassing for votes, 1757. Artist: Charles Grignion
Canvassing for votes, 1757; scene with two country innkeepers, agents for their respective parties, are here dropping money into the hands of a rustic freeholder

Background imageGrignion Collection: Ranelagh in 1752, after Canaletti, c1750, (1904). Artist: Charles Grignion

Ranelagh in 1752, after Canaletti, c1750, (1904). Artist: Charles Grignion
Ranelagh in 1752, after Canaletti, c1750, (1904). After Giovanni Antonio Canaletto (1697-1768). Ranelagh Gardens were public pleasure gardens located in Chelsea, then just outside London

Background imageGrignion Collection: Abbess of Coldingham StAebbe the younger semi-mythological Abbess 870AD. Artist: Grignion

Abbess of Coldingham StAebbe the younger semi-mythological Abbess 870AD. Artist: Grignion
Abbess of Coldingham St Aebbe the younger semi-mythological Abbess 870AD cutting of her nose and upper lip as an example to her Nuns to follow to prevent being Ravished by the Danes.The Complete

Background imageGrignion Collection: Earl Rivers presents his book to King Edward IV, c1477 (late 18th or early 19th century(?))

Earl Rivers presents his book to King Edward IV, c1477 (late 18th or early 19th century(?)). Artist: Charles Grignion
Earl Rivers presenting his translation of the Dictes and Sayings of the Philosophers to King Edward IV and his family, c1477 (late 18th or early 19th century(?))



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"Exploring the Artistic World of Charles Grignion: A Journey Through Time" Step into the captivating world of Charles Grignion, a renowned artist whose works spanned various genres and subjects. In 1749, he depicted Mars on a chariot drawn by three majestic lions, showcasing his mastery in capturing mythical scenes with intricate details. Grignion's talent extended beyond mythology as he also delved into capturing real-life events. In 1748, he immortalized a thrilling Cricket Match in Mary-Le-Bone Fields, transporting us back to an era where sportsmanship reigned supreme. Not limited to grand spectacles alone, Grignion showcased his versatility through portraiture. Ann Brown and George Mattocks came alive in the operatic version under his skilled brushstrokes, revealing their emotions and personalities. The realm of fencing was not spared from Grignion's artistic prowess either. The Gentleman fencer in third position of extension exuded elegance and precision through every stroke captured on canvas. In Plate II: Four Prints of an Election (February 20, 1757), we witness Grignion's ability to capture political satire with finesse. Canvassing for Votes showcases the chaos and humor surrounding elections during that time period. As we delve deeper into Grignion's body of work, we encounter tailpieces and frontispieces that adorned catalogues for exhibitions held at Spring Garden in May 1761. These intricate designs added a touch of sophistication to these publications while reflecting the essence of the artworks within. One cannot overlook Poseidon/Grignion - a collaboration between two great forces resulting in an awe-inspiring piece that merges mythological power with artistic brilliance. Traveling further back in time through View of York (1756), we are transported to this historic city as seen through Grignion's eyes. His attention to detail allows us to immerse ourselves in the bustling streets and architectural wonders of the era.