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Tote Bag : Three Trees 1770-1844 James Bretherton British
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Three Trees 1770-1844 James Bretherton British
The Three Trees, c. 1770-1844. James Bretherton (British, 1844), copy after Rembrandt van Rijn (Dutch, 1606-1669). Etching and drypoint with roulette; sheet: 21.5 x 28.4 cm (8 7/16 x 11 3/16 in.); platemark: 21.3 x 28.4 cm (8 3/8 x 11 3/16 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18456262
© Liszt Collection
1606 1669 1844 Copy Drypoint Rembrandt Van Rijn Roulette Three Trees 1770 1844 James Bretherton
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Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")
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EDITORS COMMENTS
This print showcases "Three Trees" a remarkable piece of art created by James Bretherton in 1770-1844. Inspired by the renowned Dutch artist Rembrandt van Rijn, this etching and drypoint with roulette technique beautifully captures the essence of nature. The image depicts three majestic trees standing tall against a serene backdrop. The intricate details and delicate lines bring life to each branch and leaf, creating a sense of depth and realism. The composition is balanced, with the trees positioned strategically to create an engaging visual narrative. Bretherton's skillful execution pays homage to Rembrandt's original work while adding his own unique touch. Through this copy, he successfully captures the essence of Rembrandt's style and mastery. The sheet size measures 21.5 x 28.4 cm (8 7/16 x 11 3/16 in. ), highlighting the precision required for such intricate artwork. The platemark dimensions are slightly smaller at 21.3 x 28.4 cm (8 3/8 x 11 3/16 in. ). This print from Liszt Collection allows art enthusiasts to appreciate Bretherton's talent as well as pay tribute to one of history's greatest artists, Rembrandt van Rijn. It serves as a reminder that even through imitation, artists can create something truly extraordinary that stands on its own merit.
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