James Bretherton Collection

A Riding-House, published 1780. Creator: Unknown
A Riding-House, published 1780. Men learning to ride horses. A short man on the right, about to mount his horse, has been identified as Captain Grose

A Game at Chess, 1780. Creator: James Bretherton
A Game at Chess, 1780

Newmarket: A Shot at a Hawk, August 1, 1801. Creator: James Bretherton
Newmarket: A Shot at a Hawk, August 1, 1801

Newmarket: A Shot at a Pigeon, August 1, 1801. Creator: James Bretherton
Newmarket: A Shot at a Pigeon, August 1, 1801

Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta, 1770-1780
Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta, 1770-80

Concerto Spirituale, March 23, 1773. Creator: James Bretherton
Concerto Spirituale, March 23, 1773

Porttrait of Charles Christian Reisen (1680-1725), English gem-engraver and seal engraver
6338686 Porttrait of Charles Christian Reisen (1680-1725), English gem-engraver and seal engraver by Bretherton, James (c.1730-1806); (add.info.: Porttrait of Charles Christian Reisen (1680-1725)

Portrait of Peter Monamy, English marine painter holding a maritime scene, 1681-1749
6338803 Portrait of Peter Monamy, English marine painter holding a maritime scene, 1681-1749 by Bretherton, James (c.1730-1806); (add.info.: Portrait of Peter Monamy)

The Atlas of the Landed Interest, February 18, 1784. Creator: James Sayers
The Atlas of the Landed Interest, February 18, 1784

A Trip to Scarborough, March 3, 1783. Creator: James Bretherton
A Trip to Scarborough, March 3, 1783

The Rat Catcher, second half 18th century. Creator: James Bretherton
The Rat Catcher, second half 18th century. After Rembrandt

The Three Trees, c. 1770-1844. Creator: James Bretherton (British, 1844)
The Three Trees, c. 1770-1844

Thomas Allen, (1542-1632), 1830. Creator: Unknown
Thomas Allen, (1542-1632), 1830. Thomas Allen (1542-1632) English mathematician and astrologer, educated at Trinity College, Oxford. After an engraving by James Bretherton

The village barber, 1772. Artist: James Bretherton
The village barber, 1772. View of a barber, holding a lancet in one hand, a razor in the other and carrying a shaving dish under one arm

The Fish-Street macaroni, 1772. Artist: James Bretherton
The Fish-Street macaroni, 1772. View of a man, dressed in the mode of a macaroni, standing near an entrance to a tea garden. A macaroni was a British dandy who affected continental fashions

A masquerade scene, Kensington Gardens, 1772. Artist: James Bretherton
A masquerade scene, Kensington Gardens, 1772. A sailor, heavily disguised as a rotund lady, follows a slim young woman along a walk

The St Jamess Macaroni, 1772. Artist: James Bretherton
The St Jamess Macaroni, 1772; a man in profile to our left. His costume includes an immense knot at the back of his head, and horizontal curls over his ears

The Houndsditch Macaroni, 1772. Artist: James Bretherton
The Houndsditch Macaroni, 1772; a man, dressed in the mode of the macaronies, stands with hands in pockets and tongue sticking out. A macaroni was a British dandy who affected continental fashions

Three Trees 1770-1844 James Bretherton British
The Three Trees, c. 1770-1844. James Bretherton (British, 1844), copy after Rembrandt van Rijn (Dutch, 1606-1669). Etching and drypoint with roulette; sheet

Sketch Portrait George Stubbs second half 18th century
Artokoloro

Rat Catcher second half 18th century Etching
Artokoloro

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James Bretherton was a versatile and talented artist, known for his diverse range of works. From capturing intense moments in sporting events to creating exquisite portraits, he left an indelible mark on the art world. In "A Game at Chess, " created in 1780, Bretherton skillfully depicts the intensity and strategy involved in this ancient game. The intricate details of the chessboard and the focused expressions of the players transport us into their competitive world. "Newmarket: A Shot at a Hawk" and "Newmarket: A Shot at a Pigeon, " both created on August 1, 1801, showcase Bretherton's ability to capture action-packed scenes. These paintings bring to life the exhilaration of hunting birds with precision and skill. Bretherton's talent extends beyond recreating thrilling moments; he also excels in portraiture. In his rendition of Giovanni Battista Piazzetta's work from 1770-1780, we see a man wearing a fur hat holding a musket while looking upwards. This portrait exudes mystery and intrigue as it invites us to ponder what lies beyond our gaze. One cannot overlook Bretherton's contribution to musical artistry either. In "Concerto Spirituale, " dated March 23, 1773, he captures the essence of music through vibrant colors and dynamic brushstrokes. The painting resonates with harmony as if one could almost hear the melodies floating through the air. Bretherton also pays homage to fellow artists such as Charles Christian Reisen and Peter Monamy by immortalizing them in his portraits. Through these masterful renderings, we gain insight into their personalities and contributions to their respective fields. "The Atlas of Landed Interest, " completed on February 18, 1784 by James Sayers but published by James Bretherton showcases his collaborative spirit within artistic circles. This piece serves as an invaluable resource, providing a visual representation of the land and its significance.