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Tote Bag : Still Life With Plaster Casts

Still Life With Plaster Casts



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Liszt Collection

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Still Life With Plaster Casts

Still Life With Plaster Casts; Baron Armand-Pierre Seguier, French, 1803 - 1876, possibly in assocation with Louis-Jacques-Mande Daguerre, French, 1787 - 1851; 1839 - 1842; Daguerreotype; Whole plate, Image: 20.3 x 15.2 cm (8 x 6 in.), Plate: 21.6 x 16.2 cm (8 1/2 x 6 3/8 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12649869

© Quint Lox Limited

1787 1803 1839 1842 1851 1876 Baron Casts Daguerreotype Plaster Still Life With Assocation Daguerre Louis Jacques Mande Seguier


Canvas Tote Bag

Our tote bags are made from soft, durable, poly-poplin fabric and include a one inch (2.5cm) black strap for easy carrying on your shoulder. All seams are double-stitched for added durability. Each tote bag is machine-washable in cold water and is printed on both sides using the same image. Approximate size of bag is 50x33cm (20"x13")

Our tote bags are made from soft durable fabric and include a strap for easy carrying

Estimated Product Size is 32.7cm x 50cm (12.9" x 19.7")

These are individually made so all sizes are approximate


EDITORS COMMENTS
This print titled "Still Life With Plaster Casts" transports us back to the early 19th century, offering a glimpse into the artistic collaboration between Baron Armand-Pierre Seguier and Louis-Jacques-Mande Daguerre. The daguerreotype technique used in this piece showcases their pioneering efforts in photography. The composition of the still life is both intriguing and thought-provoking. Various plaster casts are arranged meticulously on a table, creating an atmosphere of quiet contemplation. Each cast seems to possess its own story, inviting viewers to ponder the significance behind these objects frozen in time. The play of light and shadow adds depth and texture to the image, enhancing its overall aesthetic appeal. The delicate details captured by Seguier and Daguerre's lens allow us to appreciate the craftsmanship involved in creating these plaster casts. As we gaze upon this artwork, we can't help but wonder about the motivations that drove Seguier and Daguerre during this period of experimentation with photography. Were they seeking to document or immortalize these plaster casts? Or were they using them as symbolic representations? Regardless of their intentions, "Still Life With Plaster Casts" stands as a testament to their innovative spirit and technical mastery. It serves as a reminder that art has always been intertwined with technology throughout history – pushing boundaries, capturing moments, and inspiring future generations.

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